EVERYBODY called him Don Ciccio by now. He was Officer Francesco Ingravallo, assigned to homicide; one of the youngest and, God knows why, most envied officials of the detective section: ubiquitous as the occasion required, omnipresent in all tenebrous matters. Of medium height, rather rotund as to physique, or perhaps a bit squat, with black hair, thick and curly, which sprang forth from his forehead at the halfway point, as if to shelter his two metaphysical knobs from the fine Italian sun, he had a somnolent look, a heavy, lumbering walk, a slightly dull manner, like a person fighting a laborious digestion; dressed as well as his slender government salary allowed him to dress, with one or two little stains of olive oil on his lapel, almost imperceptible however, like a souvenir of the hills of his Molise. A certain familiarity with the ways of the world, with our so-called "Latin" world, though he was young (thirty-five), must have been his: a certain knowledge of men: and also of women. His landlady venerated, not to say worshiped him: for and notwithstanding the unfamiliar complication of every telephone trill and every sudden telegram, and night calls, and hours with no peace, which formed the tangled texture of his time. "All hours! He works around the clock! Last night he came home at daybreak!" For her he was the "distinguished, single gentleman, government employee" she had long dreamed of, the gentleman preceded by a discreet "to let" in Il Messaggero, evoked, extracted from the infinite assortment of single gentlemen by that lure of "spacious and sunny" and despite the stern, closing injunction: "no women allowed"; which, in the language of the Messaggero's advertisements can offer, as everyone knows, a double interpretation. And besides, he managed to persuade the police to overlook that ridiculous little matter. . yes, that fine for letting rooms without a license. . why, when they divided it up, that fine, between City Hall and the police… "A lady like me! Widow of Commendatore Antonini! All Rome knew him, you might say; and everybody who knew him had only the highest regard for him. Now I don't say this because he was my husband, rest his soul. And they take me for a common landlady! Me? Rent out my rooms to just anybody? Merciful Heavens, I'd rather throw myself in the river."

In his wisdom and in his Molisan poverty, Officer Ingravallo, who seemed to live on silence and sleep under the black jungle of that mop, shiny as pitch and curly as astrakhan lamb, in his wisdom, he sometimes interrupted this silence and this sleep to enunciate some theoretical idea (a general idea, that is) on the affairs of men, and of women. At first sight, or rather, on first hearing, these seemed banalities. They weren't banalities. And so, those rapid declarations, which crackled on his lips like the sudden illumination of a sulphur match, were revived in the ears of people at a distance of hours, or of months, from their enunciation: as if after a mysterious period of incubation. "That's right!" the person in question admitted, "That's exactly what Ingravallo said to me." He sustained, among other things, that unforeseen catastrophes are never the consequence or the effect, if you prefer, of a single motive, of a cause singular; but they are rather like a whirlpool, a cyclonic point of depression in the consciousness of the world, towards which a whole multitude of converging causes have contributed. He also used words like knot or tangle, or muddle, or gnommero, which in Roman dialect means skein. But the legal term, "the motive, the motives," escaped his lips by preference, though as if against his will. The opinion that we must "reform within ourselves the meaning of the category of cause," as handed down by the philosophers from Aristotle to Immanuel Kant, and replace cause with causes was for him a central, persistent opinion, almost a fixation, which melted from his fleshy, but rather white lips, where the stub of a spent cigarette seemed, dangling from one corner, to accompany the somnolence of his gaze and the quasi-grin, half-bitter, half-skeptical, in which through "old" habit he would fix the lower half of his face beneath that sleep of his forehead and eyelids and that pitchy black of his mop. This was how, exactly how he defined "his" crimes. "When they call me. . Sure. If they call me, you can be sure that there's trouble: some mess, some gliuommero to untangle," he would say, garbling his Italian with the dialects of Naples and the Molise.

The apparent motive, the principal motive was, of course, single. But the crime was the effect of a whole list of motives which had blown on it in a whirlwind (like the sixteen winds in the list of winds when they twist together in a tornado, in a cyclonic depression) and had ended by pressing into the vortex of the crime the enfeebled "reason of the world." Like wringing the neck of a chicken. And then he used to say, but this a bit wearily, "you're sure to find skirts where you don't want to find them." A belated Italian revision of the trite "cherchez la femme." And then he seemed to repent, as if he had slandered the ladies, and wanted to change his mind. But that would have got him into difficulties. So he would remain silent and pensive, afraid he had said too much. What he meant was that a certain affective motive, a certain amount or, as you might say today, a quantum of affection, of "eros," was also involved even in "matters of interest," in crimes which were apparently far removed from the tempests of love. Some colleagues, a tiny bit envious of his intuitions, a few priests, more acquainted with the many evils of our time, some subalterns, clerks, and his superiors too, insisted he read strange books: from which he drew all those words that mean nothing, or almost nothing, but which serve better than others to dazzle the naive, the ignorant. His terminology was for doctors in looneybins. But practical action takes something else! Notions and philosophizing are to be left to scribblers: the practical experience of the police stations and the homicide squad is quite another thing: it takes plenty of patience, and charity, and a strong stomach; and when the whole shooting match of the Italians isn't tottering, a sense of responsibility, prompt decision, civil moderation; yes, yes, and a firm hand. On him, on Don Ciccio, these objections, just as they were, had no effect; he continued to sleep on his feet, philosophize on an empty stomach, and pretend to smoke his half-cigarette which had, always, gone out.

For the 20th of February, Sunday, Feast of Sant'Eleu-terio, the Balduccis had invited him to dinner: "At half-past one, if that's convenient for you." It was, the signora said, "Remo's birthday"; and in fact, at the City Registry, Remo had been inscribed as "Remo Eleuterio," and baptized as such at the Church of San Martino ai Monti, so as to mark the day of his birth. "Two names that have a nasty ring to certain ears nowadays,"^{1} thought Don Ciccio, "both the first and the second." But for a guy like Balducci, who didn't give a damn about anything, they were a downright waste. The invitation, like the last time, had been issued by telephone two days ahead, a call "from outside" at the Collegio Romano Station, or rather, to give the street address, Santo Stefano del Cacco. First, in a melodious voice, the signora herself had spoken to him: "This is Liliana Balducci"; and then the old goat took over, Balducci, following up. Don Ciccio, after having kept the Sabbath with a visit to the barber's, took the signora a bottle of fresh oil from home. The Sunday dinner was happy, in the light of a marvelous afternoon, with confetti still littering the pavements, and an occasional carnival mask, a toy trumpet, an azure Cinderella or little devil in black velvet. The men talked about hunting: of expeditions and dogs: of guns: then about the comedian Petrolini: then about the various names they give the mullet all along the Tyrrhenian coast, from Ventimiglia to Cape Lilibeo: then the scandal of the day, Countess Pappalodoli, who had run off with a violinist; a Pole, naturally. Only seventeen. The story went on and on.

When he came in, Lulu, the little Pekinese bitch, a ball of fluff, had barked, and angrily, too; well, when she stopped growling, she had sniffed his shoes at length. The vitality of those little monsters is incredible. You feel like petting them, then stamping them. They were four at table: he, Don Ciccio, the husband and wife, and the niece. The niece, however, wasn't the same one as last time, that is to say on the Feast of San Francesco, this one was much younger, barely emerging from childhood. The other niece — the one on San Francesco's day — was only a niece after a manner of speaking: she looked like a peasant bride, her head crowned with black braids; strong and broad, she'd fill up a whole bed by herself: those eyes! and what a front! what a behind! Something to make you dream at night. This new one was a little girl with a pigtail hanging down her back, and she went to the sisters' school.

Don Ciccio, despite his somnolence, had a quick memory, infallible even: a pragmatic memory, he used to say. The maid, too, was a new face, though she vaguely resembled the first niece. They called her Tina. While she was serving, a wad of drained spinach deviated from the oval plate onto the candid whiteness of the immaculate tablecloth. "Assunta!" the signora cried. Assuntina looked at her. In that moment, both maid and mistress seemed extremely beautiful to Don Ciccio; the maid, harsher, had a severe, self-confident expression, a pair of steady, luminous eyes, two gems, a nose that made a straight line with the forehead: a Roman "virgin" of the age of Clelia; and the mistress, such a cordial manner, such a lofty tone, so nobly passionate, so melancholy! Her skin was enchanting. Looking at her guest, those deep eyes with a light of ancient nobility seemed to see, beyond the poor person of the "officer," all the poor dignity of a life! And she was rich, very rich, they said: her husband was well-off, traveled thirteen months the year, always tied up with those people up there in Vicenza. But she was even richer in her own right. To begin with, only real gents could afford to live in that huge building at number two hundred and nineteen: a few super high-class families, but above all people who were new to business, those who a few years ago had been called profiteers or "sharks."

And in the neighborhood the building itself was called by the poor people the palace of gold. Because it was as if the whole place right up to the roof were crammed with that precious metal. Inside, then, there were two staircases, A and B, with six floors and twelve tenants each, two per floor. But the triumph of it all was the third floor of stairway A, where on the one side lived the Balduccis, real class, and opposite the Balduccis there was a great lady, a Countess, also with a pile of money, a widow with a hard name to pronounce, Signora Menecacci, many cash, you might say, wherever you touched her there was a cache of gold, pearls, diamonds, all the most valuable stuff there is. And thousand-lire notes like butterflies: because money isn't safe in banks, you never know, and when you least expect it, they can catch on fire. So she had a dresser with a false bottom.

This, more or less, was the myth. The ears of Officer Ingravallo, which, under his crisp, black mop, rejoiced in a spring-like vitality, had seized it like that, in the air, like the ravings of ravens, or of Merulanian merli, after every whirring, from bough to bough of the spring. It was on every mouth, for that matter, and in every brain, one of those notions that become, thanks to a collective imagina-ion, compulsory, fixed ideas.

During the dinner Balducci had assumed, towards Gina, a paternal manner: "Ginetta, please, another drop of wine…" "Gina, fill the guest's glass.." "Gina, an ashtray…" like a good Papa; and she would answer promptly, "Yes, Uncle Remo." Signora Liliana then looked at her, content, almost with tenderness: as if she saw a flower, still closed, a little chilled by the dawn, now opening and shining before her eyes in the wonder of the daylight. The daylight was the male, baritonal voice of Balducci, the voice of the "father," and she, wife and bride of Papa, was therefore the Mamma. With great solicitude and a certain anxiety she followed the pretty hand of her still slightly hesitant ward in the act of pouring: glug, glug, golden Frascati, judging by the sound: the crystal decanter was heavy; the frail little arm seemed almost unable to hold it. Officer Ingravallo ate and drank soberly, as usual: but with a good appetite and a healthy thirst.

He didn't think, he didn't believe it opportune to think of asking anything, either about the new niece or the new maid. He tried to repress the admiration that Assunta aroused in him: a little like the strange fascination of the dazzling niece of the previous visit: a fascination, an authority wholly Latin and Sabellian, which made her well-suited to the ancient names, of ancient Latin warrior virgins or of not-reluctant wives once stolen by force at the Luper-cal, with the suggestion of hills and vineyards and harsh palaces, and with rites and the Pope in his coach, with the fine torches of Sant'Agnese in Agone and Santa Maria Portae Paradisi on Candlemas Day, and the blessing of the candles: a sense of the air of serene and distant days in Frascati or the valley of the Tiber, taken from the girls drawn by Pinelli among Piranesi's ruins, when the epheme-rides were heeded and the Church's calendars, and, in their vivid purple, all its high Princes. Like stupendous lobsters. The Princes of Holy Roman Apostolic Church. And in the center those eyes of Assunta's, that pride: as if she were denigrated by serving them at table. In the center… of the whole. . Ptolemaic system; yes, Ptolemaic. In the center, meaning no offense, that terrific behind.

He had to repress, repress. Assisted in this harsh necessity by the noble melancholy of Signora Liliana: whose gaze seemed to dismiss mysteriously every improper phantom, establishing for their souls a harmonious discipline, like music, that is: a texture of imagined architectures over the ambiguous derogations of the senses.

He, Ingravallo, was very polite, he was even a kindly uncle, with little Gina; from her throat, still rather long beneath her braid, came that little voice composed of yes and no, like the few, lamenting notes of a clarinet. He ignored, he chose to ignore, Assunta, after the maccheroni, as is only right in a guest who, also, has good manners. Signora Liliana, from time to time, might have been thought to sigh. Ingravallo noted that two or three times, in a whisper, she had said Hm. When hearts heave a sigh, then sorrow is nigh, as the saying goes. A strange sadness seemed to fill her face in the moments when she wasn't speaking or wasn't looking at the others at the table. Was she in the grip of some idea, some worry? concealed behind the curtain of her smiles, her polite attentions? and her talk, not studied or contrived, but yet always very courteous, as she adorned her guest with it? At those sighs, that way of passing a dish, those glances that sometimes wandered sadly off and seemed to breach a space or a time, unreal, only sensed by her, Ingravallo seemed little by little to take notice, to divine respective indications not so much of a basic disposition but of a present state of the spirit, a growing disheartenment. And then, a casual word or two, from Balducci himself: that hearty husband, all business deals and hares, now chatting so noisily, thanks to generous Frascatian inspiration.

He thought he could guess: they have no children. "Et cetera et cetera," he had then added once, in speaking with his colleague Doctor Fumi, as if alluding to a well-known phenomenology, an experience that was clearly defined and in public domain. He knew Balducci as a hunter, and a lucky hunter. Hunter in utroque. In his heart of hearts Ingravallo reproached him for a certain masculine vulgarity, a way of bragging, of laughing a bit too loud though always kindly, a certain egoism or egotism, a bit like the common womanizer: and with such a wife! One would have said, if one had felt like fantasticating, that Balducci had not evaluated, had not penetrated all her beauty: all that was noble and recondite in her: and then. . children had not come. As if because of a gamic incompatibility of their two spirits. Children descend from an ideal compenetration of the parents. But she loved him: he was the father in her image, the male and father, in virtue if not in facto, in possibility if not in act. He had been the possible father of hoped-for offspring. Of his fidelity, perhaps, she was not even sure: as for that, she felt that her unfulfilled maternity might justify some venatorial wandering of her husband, some curiosity, some extravagance of the male and possible father, desirous at every turn, like all males. "Try with another person!" What she would never have even dared imagine for herself (matrimony is a sacrament, one of the seven granted us by Our Lord), she didn't want, no, for him: even Don Corpi said it was a bad thing, on the part of a Christian husband: but after all… one must be patient in all things: prudent and patient. Don Lorenzo Corpi was a good soul whom one could trust completely. And "prudence" was one of the four cardinal virtues.

All this Ingravallo had partially sensed and partially filled out with some hints of Balducci's, or with these gentle "moments" of her sadness: and the name of Don Corpi, Don Lorenzo, Don Lorenzo Corpi often shone, too, in Signora Liliana's conversation. To hell with Don Lorenzo! One would have said that in every big man she venerated… an honorary father, a potential father, even in Don Lorenzo, yes, despite his black cassock, despite the sacramental incompatibility, of the two sacraments which were… divergent.

Even in Don Lorenzo. Who must have been something of a tower of strength, that mule. One of those men, to judge from certain remarks of hers, who have to stoop every time they go through a door. At least he must have had the δύναμις of a father. Don Ciccio was rather well-versed in such matters: a vivid intuition, and dating from his years of puberty: opened afterwards to all the demotic encounters of his race, "fertile in works and brave in arms" (to quote D'Annunzio): native genius rather than systematic course of reading. From the dense teeming of generations, from police station guard rooms, from Latium to Marsica, from Picenum to Sannium, or even to his own Molisan hill: hard mountains, hard heads, hard luck! And the holy, unremembering validity of the matrixes. Among his people, rich in children, he had been able to distinguish the facts of prolification from those of non-prolification. What began to amaze him, nonetheless, was that the reservoir of Bal-ducci's nieces was brimming with such buxom or such sweet nieces: or at least, this present one was sweet, while the others simply stupendous. In the time that he had been seeing this couple, he had already met three or four. And there was another thing: once a niece was off the scene, it was as if she had died. She never came to the surface again. Like a consul or the president of a republic, when his term has expired.

Don Ciccio was about to glimpse the bottom of the last, so-to-speak, chalice — an extra-dry white, five years old, now, from Cavalier Gabbioni Empedocle and Son, Albano Laziale, something to dream of even at the station, the wine, the glass, the father, son, and holy Lazio — when the burden of his private opinions on the affective (he even said erotic) concomitant causes of human events led him to consider, obviously, that a niece in such conditions wasn't an ordinary niece, a Luciana or an Adriana, who comes today to the city to stay with Auntie and Uncle, then goes away, then comes back, then telegraphs, then leaves, then reaches home, then sends a postcard with love and kisses, then is in town again from Viterbo or from Zagarolo because she has to see the dentist again, and so on and on.

"This here's a more mixed-up kind of a niece," he muttered to himself, with that white wine back in Porta Paradisi still tickling his velum pendulum. Yes, yes. Behind that noun "niece" there must be hidden a whole tangle… of threads, a cobweb of feelings, of the rarest and most. . delicate nature. She. He. She, out of respect for him. He, out of regard for her. So she dug up this niece, after years: suffering and weeping at night, and during the day candles to Sant'Antonio in all the churches of Rome: and hopes, taking the cure at Salsomaggiore, and other cures at home, and examinations by Professor Belt-ramelli and Professor Macchioro. And with each new candle, a hope. And with each new hope, a new doctor.

She dug up this Gina, poor Ginetta! But before Ginetta the story had quite a different direction, a different flavor. A strange thing, indeed it is, thought Ingravallo.

Virginia! (her image was a flash of glory, a sudden thunderbolt in the darkness): and before Virginia, that other one from Monteleone, what was her name? And the maids! Of course they flutter off like sparrows at the first rustling caprice: but the Balduccis, seriously! you might say, had a new one every month. A thought came to him, and a disrespectful word: it was the wine.

Signora Liliana, since she couldn't dish up any of her own. . And so every year: the change of niece must have been, in her unconscious mind, a symbol, in place of the one she failed to dish up herself. As for his mother, who had had eight, the real child every new spring. Those born in May are children of August. "A good month!" Don Ciccio thought, "even for cats: the racket they make around here, some nights."

Year after year… a new niece: as if to symbolize, in her heart, the successive births. "Jedes Jahr ein Kind, jedes fahr ein Kind. ." that German used to sing to him in Anzio: the one who looked like a seal.

And he, he, the hunter (Ingravallo looked at him), what does he feel, what does he experience, inside, when the niece arrives in his house, the niece whose turn it is? What had he thought of the various. . nieces?

For her, from the Tiber down, there, there beyond the crumbling castles, and after the blond vineyards, there was, on the hills and mountains, and in the brief plains of Italy, a kind of great fertile womb, two swollen Eustachian tubes, streaked with an abundance of granules, the granular and greasy, the happy caviar of the race. From time to time, from the great Ovary ripened follicles opened, like pomegranate seeds: and red grains, mad with amorous certitude, descended upon the city, to encounter the male afflatus, the vitalizing impulse, that spermatic aura of which the ovarists of the eighteenth century wrote their fantastic treatise. And at Via Merulana two hundred and nineteen, stairway A, third floor, the niece re-burgeoned, in the best of cores, there, in the palace of gold.

The niece! The Alban niece, flower of the eternal Sabellian people. The afflatus of the predators. Yes. There was no need to seize those Sabine women… so radically! waiting for the night's mediation, the warm flesh of dawn. The Alban women, nowadays, came down to the river-banks on their own. And the river flowed on, and on, overcoming all din, to reach, at the sea's edge, the inexorable, waiting eternity.

But what about him? Signor Balducci? What did he, the hunter, think of the Alban niece, the Tiburtine?

The bell rang. Lulu raised hell again. Assunta had gone to the door. After some discussion, in the other room, a young man entered, dressed in a gray suit, not inelegantly cut. He was made to take a seat. "Another cup, Tina,[sic] for Signorino^{2} Giuliano." He was introduced at once; he introduced himself: "Valdarena." "Ingravallo," grumbled Ingravallo, barely detaching himself from the chair, and barely clasping, almost reluctantly, the hand which the other man extended to him. "Signor Valdarena.. " Liliana said, dealing with the coffee, the cups. "A cousin of my wife's, Balducci explained, ruddy-faced.

There was, painful as it is to admit, in Don Ciccio a certain coldness, a kind of prickly jealousy towards the young, especially towards handsome young men, and even more so, the sons of the rich. This sentiment, for that matter, did not go beyond the admissible limits of an internal phenomenon, it would never have influenced his behavior as a police officer; he, no, he was not "handsome"; and he wasn't even able to console himself with that proverb he had heard in Milan from a girl at the prophylactic dispensary in Via delle Oche: "Real men are always good-lookers."

He felt already, in his heart, a dismay, a voice, una voce poco fa. . which already whispered in the cells, he himself couldn't have said whether in the cells of the brain or of the heart, but perhaps it was the effect of the dry white of Signor Gabbioni and his son, a rather nervous wine, a voice that was trumpeting awfully: "This is her boyfriend," like the fierce tom-tom of those headaches which used to grip his temples.

He didn't know why, but he thought, or he imagined, that the young man was one of those boys who wants to get ahead at any price: he too: the kind who are rather "attached," that is to say, seduced by the idea of the old cash, which for that matter, say what you will, doesn't do anybody any harm. Coming in, the signorino had eyed the furniture and the knickknacks, the fine cups, and the silver pitcher, and that silver sugar bowl, remnant of the old Umbertine glitter, a souvenir of the seven fat kine, with a gold acorn and two little silver leaves on the lid. Yes: to pick it up with. He had accepted a fingered cigarette from Balducci (who opened the gold cigarette case under his chin with a sharp click): and he was smoking it, now, with a kind of restrained voluptuousness and, at the same time, with an elegant naturalness.

Ingravallo was then seized by a strange idea, as if he had drunk poison, it was Gabbioni's dry wine: he had the idea that this "cousin" was paying court to the Signora Liliana in order to. . yes, of course!. to win financial favors from her. The thought infuriated him: with a secret, dissimulated fury, a suspicion, naturally. A treacherous suspicion, however. . which made his temples ache, a suspicion of the most ingravallian, most donciccian nature.

On the right ring-finger, on the white hand with the long, gentlemanly fingers, which he used to shake his cigarette, the young man had a ring: of old gold, very yellow, magnificent: a bloodstone mounted on it: an oval bloodstone with an initial carved in it. Perhaps the family seal. It seemed, to Don Ciccio, behind the veil of words and politeness, that there was some coldness between him and Balducci. . "Giuliano is all eyes, all full of attentions towards his lady cousin," Ingravallo thought, "gentleman though he is." After a dutiful handshake, he hadn't even glanced at Gina. He gave the dog only a casual pat: and instead of its angry yip! yip! the nasty thing, she shifted to some sinking growls, like a little storm, retreating, and finally she was quiet.

Signora Liliana, though with some badly repressed sighs (on certain days) under the shifting clouds of sadness, was. . was a desirable woman: everyone noticed her looks, as she walked along the street. At dusk, in that first abandon of the Roman night, so crammed with dreams, as she came home. . there, from the corners of the buildings, from the sidewalks, tributes, individual or collective, blossomed in her direction, glances: flashes and shining youthful looks: at times a whisper grazed her: like a passionate murmur of the evening. Sometimes, in October, from that changing of colors, from the warmth of the walls there emanated an improvised pursuer, a Hermes with brief wings of mystery: or perhaps from strange cemeterial Erebuses, risen again to the living, to the city. One more brassy than the others. And more of a dope. . Rome is Rome. And she seemed to feel sorry for the ass, so gloriously driven after his fortune by those great sails of ears; with a glance, half-disdainful, half-pitying, between gratitude and scorn, she seemed to ask him: "Well?" A woman who seemed veiled to the desiring, her timbre sweet and profound, her skin stupendous: lost, at times, in some private dream: with a knot of handsome chestnut hair which burst from her brow; she dressed in admirable style. . She had ardent eyes, helpful, almost, in a light (or with a shade?) of melancholy fraternity… At Assunta's sing-song, somewhat boorish announcement, "It's Signorino Giuliano," it seemed, to Ingravallo, that she had given a little start, or blushed even: with a "subcutaneous" flush. Imperceptibly.

THAT morning — Thursday at last! — Ingravallo could permit himself a little jaunt to Marino. He had taken Gaudenzio along with him: then, however, he changed his mind and, at the Viminale, dismissed him, urging him to tend to some other minor matters.

It was a marvelous day: one of those Roman days so splendid that even a Grade Eight government employee— about to hump his way into Grade Seven, however — well, even such a one feels something funny grab at his heart, something pretty much like happiness. He really seemed to be inhaling ambrosia through the old nose, drinking it down into the lungs: a golden sun on the travertine or on the peperino of every church's facade, on the top of every column, where flies were already buzzing around. And for himself, he had planned a whole program. At Marino, there's something better than ambrosia. There's the cellar of Sor Pippo, with a wicked white wine, a four-year-old rascal, in certain bottles that five years earlier could have electrified Prime Minister Facta^{5} and his government if the Facta factorum had been in a position to suspect its existence. Its effect was like coffee's, on Don Ciccio's Molisan nerves: and it offered him, moreover, all the verve, with all the nuances, of a first-class wine: the modulated controls— lingual, palatal, pharyngeal, esophageal, of a dionysiac introduction. With a couple or three of those glasses down his gullet, who knows. .?

In the two preceding days, on top of everything else— Via Merulana isn't the only street in this world — he had twice gone to the main office of the Tranvie dei Castelli: he liked to stretch his legs a little, around eleven, rather than tangle up his soul and his ears with the confused and groping reports of some subordinate. Gaudenzio and Pompeo were occupied elsewhere. "Those who want to go, go; those who don't want to, send. ." The number and the series of the ticket, the hole on the date, the 13th, and the tear at the stop, Torraccio, had happily allowed him to establish the day, hour, car where the ticket was sold; he had also been able to interrogate the conductor who had sold it, summoned to the manager's office with the driver, the morning of Ingravallo's second visit. At Due Santi, Torraccio, Le Frattocchie, last Sunday, in the early afternoon, a number of people had got on: a crowd. It was impossible for the two men to remember everybody: some of them, yes, and they indicated the more easily recognized customers: not without some bickering between driver and conductor, confusing Sunday with the day before or the day after. The conductor, Merlani Alfredo, denied having seen a young man in an overall, blue or gray. "With a cap pulled over his eyes?" No. "With a scarf around his neck? A scarf?" Yes. . that he had… "A kind of scarf or a big muffler of green wool?. ." Yes, yes. "Green like dark grass." He warmed to the question. He had been struck by the fact, as he gave him the ticket, that the scarf was all wrapped around half his face, his customer's: "he had his chin inside," as if it were God knows how cold, the 13th of March, at Torraccio. No, he didn't have a cap. Bareheaded, yes, but with his head bent over, not looking you in the face: a great clump of hair, all rumpled up, and nothing else. He didn't know who he might be. No, maybe he wouldn't even recognize him again. That was all he could say.

It was eleven now. Officer Ingravallo was about to get on the tram, at the corner of Via d'Azeglio. The few cars at the disposal of the police were wandering over the seven hills, or busy in the forums and squares, or on the Pincio or the Gianicolo, idly, or perhaps to amuse those gentlemen of the era of the hejira, the big shots with the fezzes: or they stole a nap at the Collegio Romano, like so many hacks, but always ready to take the brass for a ride: you never know. There were great visits in those very days from the plenipotentiaries of Iraq and chiefs of the General Staff of Venezuela, a coming and going of people plastered with medals: poured out in shoals at Naples, down the gangways of every hoarse-voiced ocean liner.

These were the first explosions, the first tremors in Palazzo Venezia, after a year and a half of novitiate, of the Death's Head in frock coat or in morning clothes: the grim looks were already there, the vomiting stream of words: the period of the black derbies and the dove-colored spats was, you might say, about to come to an end: with those short little toad-arms, and those ten fat fingers that hung at his sides like two clumps of bananas, like a black minstrel's gloves. The glorious national destiny hadn't yet had room to show itself, as it would later, in all its splendor. Margherita,^{6} the nymph Egeria now reduced to playing Dido Abandoned, was still launching the Novecento, the neuf-cent, modern art, the nightmare of the Milanese of the time. She attended the vernissages, the launchings, the oils, the watercolors, the sketches, insofar as a gentle Margherita can attend. He had tried on the feluca, five felucas. They fit him to a T. The glinting eyes of the hereditary syphilitic (also syphilitic in his own right), the illiterate day-laborer's jaws, the rachitic acromegalic face already filled the pages of Italia Illustrata: already, once they were confirmed, all the Maria Barbisas of Italy were beginning to fall in love with him, already they began to invulvulate him, Italy's Magdas, Milenas, Filomenas, as soon as they stepped down from the altar: in white veils, crowned with orange blossoms, photographed coming out of the narthex, dreaming of the orgies and the educatory exploits of the swinging cudgel. The ladies, at Maiano or at Cernobbio, were already choking in venereal sobs addressed to the strengthener of Italy. Journalists from Itecaquan went to interview him at Palazzo Chigi,^{7} noted his rare opinions, greedily, down in a notebook, in all haste, so as not to miss a single crumb. The opinions of Lantern Jaw crossed the ocean, and at eight in the morning they were already a cabled article, desde Italia, in the prensa of the pioneers, of the far-flung merchants of vermouth. "The fleet has occupied Corfu! That man is the salvation of Italy." The next morning the contradiction: desde la misma Italia. "Tail between legs." And the Magdalenes were at it: producing Sons of the Wolf for the Fatherland. The cars of the police remained "stationed": at the Collegio Romano.

It was eleven o'clock on March 17th, and Officer Ingravallo, in Via d'Azeglio, already had one foot on the tram step and with his right hand he grasped the brass handle, to hoist himself aboard. When Porchettini, all out of breath, overtook him: "Doctor Ingravallo! Doctor Ingravallo!"

"What do you want? What's wrong with you?"

"Listen, Doctor Ingravallo. The Chief sent me," he lowered his voice still further. "In Via Merulana. . something horrible's happened. . early this morning. They called the station, it was ten-thirty. You had just left. Doctor Fumi was looking all over for you. Meanwhile he sent me straight over there, with two men, to have a look. I kinda thought I'd find you there. . Then they sent me to your house to look for you."

"Well, what was it?"

"You mean you don't know already?"

"How should I know? I was just going to take a little ride. ."

"They cut her throat, they. . sorry… I know she's kind of a relative."

"Whose relative?. ." Ingravallo said, frowning, as if to reject any kinship with whomsoever.

"Well, a friend, I guess. ."

"Friend? What friend? Friend of who?" Pressing together, tulip-shape, the five fingers of his right hand, he seesawed that flower in the digito-interrogative hypotyposis customary among the Apulians.

"They found the signora… Signora Balducci. ."

"Signora Balducci?" Ingravallo blanched, gripped Pompeo by the arm. "You're crazy!" and he clutched it tight, until Grabber felt that a vise was crushing him, a machine.

"Sir, it was her cousin found her, Doctor Vallarena. . Valdassena. They called the station right away. He's there too, now, in Via Merulana. I left instructions. He told me he knows you. He says," Pompeo shrugged, "he says he had gone to pay her a visit. To say good-bye to her, because he's leaving for Genoa. Say good-bye, at this time of the morning? I said. And he says he found her lying on the floor, in a pool of blood. Madonna! that's how we found her, too, on the parquet floor in the dining room, lying there, with her skirt all pulled up, in her underwear, you might say. Her head turned away, sorta. . With the throat all sawed up, all cut up one side. You should see that cut, sir!" He clenched his hands, as if imploring, then passed his right hand over his brow. "And the face! I almost fainted! But you'll have to see it for yourself in a little while. What a slice! Not even a butcher could have. . Just horrible: and those eyes! they were staring, wide open, staring at the sideboard. The face all drawn, drawn, and white as a clean sheet. . did she have t.b.?. . she looked like it had been terrible hard work, dying. ."

Ingravallo, pallid, emitted a strange whine, a sigh, or the moan of a wounded man. As if he too felt faint. A wild boar with a bullet in his body.

"Signora Balducci, Liliana. ." he stammered, looking Grabber in the eyes. He took off his hat. On his forehead, at the rim of the crisp black of his hair, a little line of drops: sudden sweat. Like a diadem of terror, of suffering. His face, usually an olive-white, was now floured with anguish. "Come on. Let's go!" He was damp; he looked exhausted.

When they reached Via Merulana: the crowd. Outside the entrance, the black of the crowd, with its wreath of bicycle wheels. "Make way there. Police." Everybody stood aside. The door was closed. A policeman was on guard: with two traffic cops and two carabinieri. The women were questioning them: the cops were saying to the women: "Stand aside." The women wanted to know. Three or four, already, could be heard talking of the lottery numbers: they agreed on 17, all right, but they were having a spat over 13.

The two men went up to the Balducci home, the hospitable home that Ingravallo knew, you might say, in his heart. On the stairway, a parleying of shadows, the whispers of the women of the building. A baby cried. In the entrance hall. . nothing especially noticeable (the usual odor of wax, the usual neatness) except for two policemen, silent, awaiting instructions. On a chair, a young man with his head in his hands. He stood up. It was Doctor Valdarena. Then the concierge appeared, emerging, grim and pudgy, from the shadow of the hall. Nothing remarkable, you would have said: but as soon as they had entered the dining room, on the parquet floor, between the table and the little sideboard, on the floor. . that horrible thing.

The body of the poor signora was lying in an infamous position, supine, the gray wool skirt and a white petticoat thrown back, almost to her breast: as if someone had wanted to uncover the fascinating whiteness of that dessous, or inquire into its state of cleanliness. She was wearing white underpants, of elegant jersey, very fine, which ended halfway down the thighs with a delicate edging. Between the edging and the stockings, which were a light-shaded silk, the extreme whiteness of the flesh lay naked, of a chlorotic pallor: those two thighs, slightly parted, on which the garters — a lilac hue — seemed to confer a distinction of rank, had lost their tepid sense, were already becoming used to the chill: to the chill of the sarcophagus and of man's taciturn, final abode. The precise work of the knitting, to the eyes of those men used to frequenting maidservants, shaped uselessly the weary proposals of a voluptuousness whose ardor, whose shudder, seemed to have barely been exhaled from the gentle softness of that hill, from that central line, the carnal mark of the mystery… the one that Michelangelo (Don Ciccio mentally saw again his great work, at San Lorenzo) had thought it wisest to omit. Details! Skip it!

The tight garters, curled slightly at the edges, with a clear, lettuce-like curl: the elastic of lilac silk, in that hue that seemed in itself to give off a perfume, to signify at the same time the frail gentleness both of the woman and of her station, the spent elegance of her clothing, of her gestures, the secret manner of her submission, transmuted now into the immobility of an object, or as if of a disfigured dummy. Taut, the stockings, in a blond elegance like a new skin, given to her (above the created warmth) by the fable of our years, the blasphemy of the knitting machines: the stockings sheathed the shape of the legs with their light veil, the modeling of the marvelous knees: those legs slightly spread, as if in horrible invitation. Oh! the eyes! where, at whom were they looking? The face!. . Oh, it was scratched, poor object! Under one eye, on the nose! Oh that face! How weary it was, weary, poor Liliana, that head in the cloud of hair that enfolded it, those strands performing a final work of mercy. Sharpened in its pallor, the face: worn, emaciated by the atrocious suction of Death.

A deep, a terrible red cut opened her throat, fiercely. It had taken half the neck, from the front towards the right, that is, towards her left, the right for those who were looking down: jagged at its two edges, as if by a series of blows, of the blade or point: a horror! You couldn't stand to look at it. From it hung red strands, like thongs, from the black foam of the blood, almost clotted already; a mess! with some little bubbles still in the midst. Curious forms, to the policemen: they seemed holes, to the novice, like red-colored little maccheroni, or pink. "The trachea," murmured Ingravallo, bending down, "the carotid, the jugular!.. God!"

The blood had been smeared over all the neck, the front of the blouse, one sleeve: the hand, a frightful stream of a black blood from Faiti or from Cengio^{8} (Don Ciccio remembered suddenly, with a distant lament in his soul, poor Mamma!). It had curdled on the floor, on the blouse between the two breasts: tinged with it, too, was the hem of the skirt, the underside of that up-flung woolen garment, and the other shoulder: it seemed as if it might shrivel up from one moment to the next: surely in the end the mass would be all sticky like a blood pudding.

The nose and the face, thus abandoned, turned slightly to one side, as if she couldn't fight any more. The face! resigned to the will of Death, seemed outraged by those scratches, by marks of fingernails, as if he had taken delight, the killer, in disfiguring her like that. Murderer!

The eyes had become fixed in a horrible stare: looking at what, then? They looked, looked in a direction you couldn't figure out, towards the big sideboard, the very top of it, or the ceiling. The underpants weren't bloodied; they left uncovered two patches of thigh, two rings of flesh: down to the stockings, glistening blond skin. The furrow of the sex… it was like being at Ostia in the summer, or at Forte dei Marmi or Viareggio, when the girls are lying on the sand baking themselves, when they let you glimpse whatever they want. With those tight jerseys they wear nowadays.

Ingravallo, his head bared, looked like the ghost of himself. He asked: "Have you moved her?" "No, sir," they answered. "Have you touched her." "No." Some blood had been tracked around by somebody's heels, soles, over the wooden parquet, so you could see that they had put their feet into it, into that swamp of fear. Ingravallo became infuriated. Who did it? "You're nothing but a bunch of hicks!" he threatened. "Lousy goatherds from Sgurgola!"^{9}

He went out into the hall and the vestibule: he addressed Doctor Valdarena, slumped on a chair, a kitchen chair, with Pompeo who hovered over him like a kid sticking to his ma. The concierge wasn't to be seen; she had gone down to her lodge maybe; they had called her. "Well, what are you doing here?"

"Doctor Ingravallo," Valdarena said, his voice serious, calm, and yet pleading, accepting the interrogation as an obvious necessity, looking the other man in the eye. "I had come to say good-bye to my cousin, poor Liliana. . she wanted absolutely to see me before I left. I'm leaving the day after tomorrow for Genoa. I think I even mentioned it — that I was going to live in Genoa — when you were here, that Sunday, for dinner. I've already given up my room."

"For Genoa!" exclaimed Don Ciccio, absorbed in thoughts. "What room?.."

"The room where I live, Via Nicotera number twenty-one."

"He happened to be the first. ." Santomaso, one of the policemen, said. "He was the first to come in here, anyway," Porchettini confirmed. "Then they called the station. ."

"Who called?"

"Why… all of us together," Valdarena answered. "I didn't know where I was or what I was doing. There was me, a man from the floor above, all the women. The concierge wasn't here. Her lodge was shut up."

"You were the one who… who gave the alarm?"

"I came up: the door was open a little way. 'May I come in?' I asked. 'May I?' Nobody answered."

"Where was the concierge? You didn't see her, then? And did she see you?"

"No. No, I don't think so."

La Pettacchioni returned and confirmed all. She was on Stairway B, doing her daily cleaning. She began at the top, naturally. In reality, besom in hand, she had stopped first to chat a bit on the landing, with Signora Bolenfi of the fifth floor, Stairway B: the widow Elia Bolenfi nee Gabbi from Castiglion dei Pepoli: (gabby by name and gabby by nature). Then she went on up, with her broom and her bucket. She went "just for half a sec" into the home of the general, Grand'Ufficial Barbezzi, who lived in the penthouse apartment: to straighten up a little. She had left the bucket outside, with the broom.

A little girl, who had gone up to the Bottafavis, the Felicetti's little girl it was, who always had to go and say "good morning" to the Bottafavis every day, after which they would give her a sweet, well, Signora Manuela showed her into the vestibule, and asked her was it true or wasn't it: and she, with a little simpleton voice, confirmed that it was true, that she'd seen only two women, who were coming down the steps. They had two shopping bags, one each, like they were going marketing. "They looked like they were from the country, to me," la Pettacchioni added, from her fund of wisdom.

"What women were they?" Ingravallo asked, absently. "Show me your hands!" he said to Doctor Valdarena. "Come over to the light." The young man's hands seemed perfectly clean: a white skin, healthy, warm, faintly veined: suffused with the warmth of youth: a signet ring of yellow gold, with a stupendous jasper, and in the jasper an initial: on the right ring-finger, it stood out, solid, imposing, ready to seal a letter, one would have said, a secret avowal. But the right cuff of his shirt. . bloodstained! in the corner: from the gold of the cuff link to the cuff's edge.

"This blood here?" Ingravallo said, his mouth twisting with revulsion, still clasping that hand by the fingertips. Giuliano Valdarena blanched: "Doctor Ingravallo, believe me! I confess: I did touch poor Liliana's face. I bent over her: then I knelt on one knee. I wanted to caress her. She was cold!… Yes, it was to say good-bye to her! I couldn't help myself. I wanted to pull down that skirt of hers, my poor cousin! in that awful condition! But then I didn't have the courage… to touch her a second time. She was cold. No, no. And then. ."

"Then — what?"

"Then I thought, I realized I didn't have the right to touch anything. I ran outside. I called. I rang the bell opposite. Who is it? Who is it? they said. It was a woman's voice. But they wouldn't open."

"They were right. Then what?"

"Then… I yelled again. Some other people came down… or came up. People came, that's all I know. They wanted to see for themselves, too. They started to scream. We called the police. What else should I have done?"

Don Ciccio stared at him, hard, and let go of the hand. His grimace of revulsion persisted, a slight contraction of the nose, of a single nostril. He reflected for a moment, still looking the man in the face. "How come you're so calm?"

"Calm? I can't cry. For years I haven't had any reason to. Not even when my mother… she married a second time and went to live in Turin. The tip of my cuff must have grazed the wound, her neck: I guess it had to. . with all that blood! I have to leave day after tomorrow; I've already been given my instructions. I felt like I was leaving home, my own family. I wanted to see her and say good-bye, poor, poor Liliana. Poor… so splendid and unhappy, she was!" The others remained silent. Don Ciccio scrutinized him, sternly. "A caress! My God! I didn't have the strength to kiss her: she was so cold! Then I went out; I almost ran away. I was afraid of death, believe me. I called for help. The door was open, like a ghost had disappeared through it. Liliana! Lilianuccia!"

Ingravallo bent down and looked at the other man's trousers, at the thigh, the knees: on the left knee, a slight trace of dust.

"Where did you kneel down? With which knee?"

"Ah… by the buffet, the little one. Let me think now. With the left knee. Yes. To keep from kneeling in all that blood.

Don Ciccio glared at him, doggedly.

"See here, Doctor Valdarena, you've got to tell me everything the way it really was. Trying to use your imagination… at a time like this… in this place. . you can figure it out for yourself, can't you?… it would be a bad mistake."

"Why, what do you mean? I'm telling you just what happened. Try to understand me."

"What's supposed to make me believe you, eh? Let's hear it. I'm all ears. You're the one who has to give us a trail to follow, in our investigation here. For your own good."

They reported to Ingravallo that Gina, the ward, had come back from the Sacred Heart at that very moment. On Thursdays school let out at one: for lunch. Balducci was supposed to get back from Milan the next day… or maybe from Verona. Ingravallo had a try with the young girl in tears, but he got nothing out of her: after her coffee and milk, before eight, she had said good-bye to her "Mamma," had received the usual morning kiss with the usual question: "Do you know your lesson today?" She had said yes and had gone out. For the present she was handed over to the neighbors, later somebody could probably take her to the sisters: now she went to the floor above, to the Bottafavis; la Menegazzi was too alarmed and upset to be of any help to the little one. A yellow wisp of mustache seemed bent back to her nose. She hadn't had time to fix her hair: what she had on her head looked like a wig made from corn silk and tied in ribbons. She said that this building had a curse on it. She invoked Maria Vergine with her eyes red, sunken, squeezed tight. She said, and kept repeating, "Oh, seven-teen's the worst of all numbers." The little girl who had met the two women on the stairs could furnish no information concerning them. Her big eyes wide, "yes," she would say, or "no," poor kid, her lips numb with the fright she felt, seeing that big, black head of Ingravallo who, she decided, must be the man with the sack who carries off bad little girls when they won't stop crying. It was finally established that the two women had gone up to see the lawyer, Cammarota (fourth floor), or rather to see his wife, to take her two fresh cheeses: they were bimonthly suppliers of fresh cheese.

They tracked down Cristoforo, Balducci's clerk. The news shattered him, like a thunderbolt. He had gone out at seven-thirty, after a coffee-with-brandy which Signora Liliana had gently forced on him: he couldn't drink milk, it never agreed with him. Yes, a little before Gina, who went off to the Sacred Heart at eight. He couldn't face the awful sight: "I can't look at her." He made the Sign of the Cross. Tears dribbled down the somewhat wrinkled skin of his face. He had been assigned some errands by Signora Liliana, poor lady: to pay a bill, to buy two brooms from the broom-maker, get some rice, wax for the parquet, take a bundle to the dressmaker. But first, however, he had had to go to the office: to open the office: dust off the desks. Officer Ingravallo wouldn't let go of him. In fact, he charged Grabber to have a fine old chat with him: in the meanwhile Giuliano was invited to remain at the disposal of the police.

The investigations continued on the scene of the crime in the early afternoon: with the main door of the building shut, the door of the apartment shut, with reinforcements of police, with Sergeant Valiani of the scientific office and with the armed intervention of the fingerprint bureau. The tenants and even the concierge herself were asked not to linger on the stairs, "to allow greater freedom of movement to the investigations," and to remain, on the other hand, insofar as possible, "within reach" of the squad. The coroner appeared after five-thirty. The attorney general's office had taken official cognizance of the crime shortly before four, via the various offices, via Doctor Fumi and the chief of police. The good Cristoforo, the variopainted Menegazzi, the little Gina, former artilleryman Bottafavi, and handsome young Doctor Valdarena were heard alternately and simultaneously. But "the crime" remained shrouded in mystery, as the late editions said finally, in a paper which had managed to bring off the scoop, shouting the news along Corso Umberto. The reporters, wangle as they might, couldn't get past the door of the Balduccis. But at the smaller entrance to the building, however, they had caught Sora Elodia, of Stairway B, who, well, was rather jolly, as she usually happened to be, on Thursdays and Sundays. She was making eyes at the policemen, who only laughed in her face.

It was established that none of the building's tenants could furnish clues as to who might have been the author, or authors, of the crime. No one, except the little girl, Maddalena Felicetti, had encountered people on the stairs: not even Valdarena; nobody had seen him, either. He was a Doctor of Economic Science — Ingravallo was well aware of this — and employed by Standard Oil. For some time he had been stationed at Vado Ligure, then in Rome. Now he was preparing to move to Genoa, and also to be married. He was engaged to a Genoa girl, a snappy little brunette, whose photograph he produced: a certain Lantini Renata. Of excellent family, naturally. According to the excellent family, he "was terribly in love," our Doctor Valdarena, Signorino Giuliano. Balducci had spoken about it to Ingravallo, meeting him in Albano at the Cantinone tavern, with some jovial allusion to hot young blood, as well as the chronic lack, which afflicted the young man, of a few sheckels, which ought to stick to his fingers, at least in part; and yet money fluttered through them regularly, like butterflies from the fingers of an Apollo: the Apollos you see in the park, of marble. Balducci had dubbed him a "good-looking boy" (no need for references on this score): "with his degree in economic science," top grades and cum laude, too, but always broke, as is so often the case with those who want to teach others.. how to handle the economy: a little short of the ready. . shorter than a Roman cousin — not to mention a Genoese father-in-law — would have wished. "No, no, he isn't living off of short loans; but you know how it is, at his age, with all the temptations there are around: you understand, a boy like that… if he isn't hard up for money, he can't be very hard up for the other thing." Ingravallo was grim-faced, that evening, in Albano: the rosy-cheeked indulgence and, indeed, the male solidarity of Balducci, the husband, a toothpick between his teeth, to Don Ciccio betrayed too easy a digestion… of the product of Empedocle e Figlio, maybe. That carefree, after-dinner rosyness of the commercial traveler, the hunter with a pair of new boots… by God, it had finally exasperated him, he who came from years of poverty and hardship, from the barren Matese mountain, progressing to the procedures and the red tape of the law, a humble and dogged investigator of events, or of souls, in the law's name. He had glanced at Balducci: "the horns are growing on your head right now!" he thought. "An atoll of coral, that's what's growing on you." And instead he had sighed: "Ah, these women!" his face grimmer than ever under his astrakhan mop. And Giuliano, now, sat in the best drawing room. With two cops keeping him company.

A good-looking boy, the Signorino Giuliana, in there: rather lucky with women. Rather. Yes. They pursued him in swarms, buzzing around him; they fell on him, all together, nose-diving like so many flies on a honeycomb. And he was plenty smart too: he had a line, a hypnotizing mirror, a way all his own, so natural and, at the same time, so strange. . that he charmed you with the greatest of ease. He pretended that he neglected his women, or even that he was bored with them: too many, too easy! and he had something much better in his grasp. He played the smart male, the you-bore-me role, at times, or the haughty; or the young man of high-class family in Via dei Banchi Vecchi, or the clever businessman who didn't have time to waste on chat. Depending. A matter of chance. According to his mood. Matching the suit he happened to have on. Following the inspiration of the moment. Depending on whether he had gold-tipped cigarettes or whether he was out of cigarettes altogether, or whether he had just bought some, but a pack of smelly Nazionali. He played the spoiled child. Sometimes he was as fickle as a weather vane. So he neglected them then, sure, the flirty ones. And that was what made them lose their minds. He granted his favors after much reluctance on his part, after infinite longing and swooning on the part of the victim, drawing out the mad abandon or exhausting any evasive indocility through an erogation of pseudo-symptoms (in reality, suggestions) alternating and contrasting, yesses and nos. He loves me, he loves me not. I want you, I don't want you. And, in any case, to the rare, predestined, and with mysterious deliberation, selected women, he conceded himself: like Divine Grace, the Eternal Health of Jansenius. At times, by contrast, with sudden violence: and to the total confusion of all plausibility. There! Just when everyone had turned the horoscope in a different direction. Boom! He plunged hawk-like on the most resistant hen of the whole coop: as if to punish her (or reward her) with this dazzling deviltry: to rescue her from some recondite weakness in her being, from some ignominy. . existing prior to this magnifying election. In such case, the gratitude of the magnified could swell to the stars: like her fear, or even perhaps hope, of an encore.

Ingravallo, as you might have expected, even before the arrival of the coroner, in view of the way the events stood, had decided to take Valdarena in. Only later, the morning after in fact, the district attorney's office transformed his state of custody into temporary arrest and arranged for the respective warrant, after the arrest had in effect taken place, and with the subject of the warrant already in Regina Coeli Prison. Until late in the evening the chief and the two experts of the criminological bureau did not desist from their investigations, nor from photographing the deceased. They had brought everything they needed with them. There was no question of telegraphing Balducci, since his return was imminent, nor alerting the various police stations to have him traced: Milan, Padua, even Bologna, because he had to go also to Padua. Cristoforo, the widow Menegazzi, who couldn't stop cooing over the disaster, Bottafavi, Signora Manuela and her hubby, the one from the milk company, offered to go and meet him in a body at the station; he must be spared a shock, prepared in some way. The relatives? A telephone call at noon. .

The relatives were officially "advised of the event" late in the evening, but Ingravallo, already that morning, had forbidden the men to let them in. Renewed investigation and precise autoptic observation both by the head man Don Ciccio and by Sergeant Valiani. . well, to tell you the truth, they didn't amount to much. Oh, of course, some signs of theft. But no weapon was found. Still various drawers and such, when you looked in them, told you that there was something up. They apparently weren't so innocent, as they looked from outside. Weapons, no. And no clues to any, except for the red drops on the floor, and that blood. . tracked by heels. Near the sink, in the kitchen, the tiled floor was wet, with water. A "very sharp" and completely missing knife was probably the instrument most capable of operating in that way. The drops, rather than from any murdering hand, seemed to have dropped from the knife itself. Black they were, now. The unexpected flash, the cutting edge, the brief sharpness of a blade. In her: alarm. Certainly he had first struck all of a sudden, then worked on the throat, insisting, and on the trachea, with ferocious confidence. The "struggle," if one had taken place, can have been no more than a wretched jerk, on the part of the victim, a glance, terrified and immediately imploring, the hint of a movement: a hand barely raised, white, to avert the horror, to clasp at the hairy wrist, the black, implacable hand of the homicide, his left, which already dug its nails into her face and threw back her head to free the throat further, to bare it entirely, helpless against the gleam of the blade, which the right hand had now produced, to wound, to kill.

A waxen hand relaxed, fell back. . when the knife was already in Liliana's breath, tearing, ripping her trachea; and the blood, when she inhaled, flowed down into her lungs: and her breath gurgled out, coughing, in that torture, and it looked like so many bubbles of red soap: and the carotid, the jugular, spurted like two pumps from a well, plop, plop, half a yard away. Her breath, her last, sideways, in bubbles, in that horrid purple of her life: and she felt the blood in her mouth, and she saw those eyes, no longer human, on the wound: there was still work to be done: another blow: the eyes! of the endless beast. The unsuspected ferocity of the world… was revealed to her all of a sudden. . brief years! But a spasm was depriving her of sensation, annihilating memory, life. A sweetish, tepid savor of night.

The hands, stark white, with their delicate nails, periwinkle color now, revealed no cuts: she hadn't been able, hadn't dared grasp the cutter, arrest the slaughterer's determination. She had submitted to the slaughterer. The face and the nose seemed scratched, here and there, in the weariness and pallor of death, as if the hatred had surpassed death itself. The fingers were stripped of rings; the wedding ring had vanished. Nor did it occur to anyone, then, to impute its disappearance to the Fatherland.^{10} The knife had done its job. Liliana! Liliana! To Don Ciccio it was as if the world's every aspect were darkened, all the world's gentility.

The man from the criminological bureau said a razor was out of the question, because it makes a neater cut, more superficial, he opined, and in general, in such cases multiple cuts are required; since it has no sharp tip, and it can't be used with such violence. Violence? Yes, the wound was deep, all right, a horrible thing: it had hacked away half the neck, just about. In the dining room, no, no clue… except for the blood. And, after looking around the other rooms: nothing. Only more blood: clear traces in the kitchen sink: diluted, until it looked like frog's blood: and many scarlet, or now black, drops on the floor, round and radiated, as blood characteristically behaves when you let it drip on the ground: like sections of asteroids. Those horrible drops indicated an obvious itinerary: from the abandoned encumbrance of the body, the still-tepid evidence of the deceased. . Liliana! to the kitchen sink, to the chill, the ablutions: the chill which absolves us of all memory. Many drops in the dining room, there, of which five or perhaps more were contiguous to that other blood, to that mess, the stains and the largest pool, from which they tracked it all around with their shoes, those stupid louts. Many drops in the hall, a little smaller, and many in the kitchen: and some rubbed off, as if to erase them with the sole to keep them from being seen on the white, hexagonal tiles. The men had a go at the furniture: eleven drawers and cupboards, closets and sideboards they couldn't open. Giuliano, in the living room, was guarded by two policemen. Cristo-foro had brought some sandwiches and a couple of oranges. All these big men kept wandering and tramping around the house. It jangled the nerves. Don Ciccio sat down, brokenhearted, in the vestibule, waiting for the magistrate. Then he went back in there again: he looked, as if in farewell, at the poor creature over whom the photographers were arguing in whispers, taking care not to stain themselves or their traps, their bulbs, screens, wires, tripods, their big box cameras. They had already discovered two light plugs behind two armchairs, and had already blown a fuse two or three times, one of the three fuses of the apartment. They decided to use magnesium. They fiddled around like two sinister angels, full of a desire not to attract attention, above that terrifying weariness: a cold, poor derelict, now, of the world's evil. They buzzed around like flies, maneuvering those wires, snapping the shutters, agreeing in a whisper on steps, trying to keep from setting the whole kit and kaboodle on fire — these were the first hum of eternity over her opaque senses, that body of a woman which no longer possessed modesty or memory. They operated on the "victim" with no regard for her suffering, and unable to spare her ignominy. The beauty, the clothing, the spent flesh of Liliana were there: the sweet body, still clothed from their gaze. In the obscenity of that involuntary pose — whose motives, beyond doubt, were the skirt lifted back for the outrage, the parted legs, and above them, and the swell and furrow of voluptuousness to inflame the weak (and those sunken eyes, horribly open on to the void, fixed on an inane object, the sideboard) — death seemed to Don Ciccio an extreme decompounding of possibles, an unfocusing of interdependent ideas, formerly harmonized in one person. Like the dissolving of a unity which cannot hold out any longer, the sudden collapse of relationships, of all ties with organizing reality.

The sweet pallor of her face, so white in the opaline dreams of the evening, had given way through funereal modulations to a cyanosed tone, a faded periwinkle: as if hate and outrage had been too harsh, when encountered, for the tender flower of the being, of the soul. Shudders ran down his spine. He tried to reflect. He was sweating again.

From his pocket, mechanically, he took the tram ticket: from the right pocket of his jacket, where he had placed it that morning, and where it still rested, after all the day's grief: with half a cigarette and with a few crumbs: the elongated greenish-blue ticket of the Tranvie dei Castelli, with the hole at the 13th, and another hole, or tear, at Torraccio. He turned it over, then turned it back again. He went into the vestibule, into the master bedroom. He flung himself down in a chair, worn out.

He pondered, trying to put together the pieces of the evidence — disconnected as they were — to set in order the moments, the worn moments of the sequence, of the time that had been lacerated, dead. First of all: the two messes were to be connected, weren't they? The incredible burglary of that poor old parrot, la Menegazzi, that woman. . that collection of spinach stains: and this horror, here. Same building, same floor. And yet. . It seemed impossible. Three days apart?

His reason. . told him that the two crimes had nothing in common. The first, well, a "daring" burglary, performed by a criminal very well-informed, if not personally acquainted with the customs and ways of number two hundred and nineteen, stairway A. "Stairway A, stairway A," he grumbled to himself, swaying his head imperceptibly, curly and black: staring at a point on the floor, his hands clasped, his elbows on his knees: "a burglary, all right, homemade."

With that unfindable grocer's boy as informer: hah, or as lookout. More likely lookout, since la Menegazzi, the old fool, hadn't the slightest idea: which means, when you come right down to it, still an accomplice. And with that flat toy trumpet, the Commendatore of the Economy, who had truffles delivered to him. "Commendatore Angeloni!" he sighed, with a certain emphasis. "He has a little weakness for artichokes. We'll have to look into that. And the country ham from Via Panisperna is another weakness. Down at the corner of Via dei Serpenti."

And the ring at the Balducci door? A mistake, surely. Or an alternative? Or a precaution? Rewarded with silence? In any case — this much was clear — a thief. Armed robbery, breaking and entering. .

This other mess, for God's sake, was enough to drive you crazy! Who ever saw such a thing? Still, the robbery motive couldn't be overlooked here, either, not at all, not till Balducci got back. And then. . then what? The drawers would tell their story. Yes, but. . this was a different thing. The manner of the crime, that poor encumbrance in there, those eyes, the horrible wound: a motive, perhaps, a murkier one. That skirt. . thrown back like that, as if by a gust of wind: a hot, greedy gust, blowing from Hell. Summoned by a rage, by such contempt, only the gates of Hell could have granted it passage. The murder "seemed, at this stage of the investigations, a crime of passion." Rape? Desire? Vengeance?

His reason told him to study the two cases separately, to get the feel of them, each on its own. The double number doesn't come up so rarely on the Naples or Bari lottery, and also in Rome it's frequent enough, so even here in the merulanian street, in this stingy phalanstery of two hundred and nineteen stuffed with gold, another fine double combination could turn up. The unwanted double of a pair of crimes. Bang. Bang. Without any connection other than the topical, that is the external, cause: the great fame of the sharks, and their evil gold. A fame omnipresent in the San Giovanni neighborhood, from Porta Maggiore to the Celian, to the ancient cloaca-swamp, the Suburra: where, however, the wine is icy, in summer. He looked at the ticket, again. He turned it over, twice. He scratched his nose lightly (extending his mouth like a tuber) with the thumbnail of his right hand, the back of the nail: a gesture habitual with him, and one of remarkable refinement.

THE next morning the newspapers reported the event more fully. It was Friday. The reporters and the telephone had been a nuisance all evening: both in Via Merulana and over at Santo Stefano. So, the next morning, the pack was in full cry: "Ghastly Crime in Via Merulana," shouted the newsboys, with their bundles knocking against people's knees: until quarter to twelve. In the local news, inside the paper, a bold headline over two columns: but then, sober and quite detached, the report itself: a terse little column, and ten lines in the continued column, "the investigation is being relentlessly pursued"; and a few other words, filler of purest New-Order style. The good old days were past.. when for pinching a maid's bottom in Piazza Vittorio there was half a page of slobbering. The moralization of the Urbs and of all Italy, the concept of greater civil austerity, was then making its way. You might have said, in fact, that it was making great strides. Crimes and suggestive stories had abandoned forever the Ausonian land, like a bad dream dissolving. Robberies, stabbings, whorings, pimpings, burglary, cocaine, vitriol, arsenic bought for poisoning rats, abortions manu armata, feats of pimps and cardsharps, youngsters who make a woman pay for their drinks — why, what are you thinking of? — the Ausonian land didn't even remember the meaning of such things.

Relics of an age dissolved into the void, with its frivolities, and its cliches, and its condoms, and its Masonic screwing around. The knife, in those years — the dear old knife beloved of every cowardly killer and every smalltime gangster, the criminals and the traitors, the weapon of the tortuous alleyways, the pissed-on back streets — seemed truly to have vanished from the scene, never to return: except on the paunches of the new, funereal heroes, where it was now displayed, gloriously drawn out, a nickel-plated, or even silver-plated, spare genital. Now the new vigor was in power, of Lantern Jaw, the bowler-hatted Death's Head, the Emir with black fez, and with plume, and the new chastity of Baroness Malacianca-Fasulli, the new law of the rods tied in a fascio. Who would ever believe there were thieves, now, in Rome? With that humorless turkey cock in Palazzo Chigi? With Federzoni, who wanted to clap in jail all the neckers from the Lungotevere? Or everybody who did some kissing in the movies? All the randy dogs of the Lungara? With a Milanese Pope, and a Holy Year just two years before? And with the fresh brides and grooms? With the fresh chickens crowing all over Rome?^{11}

Long files of black-dressed women, having rented the ritual black veil in Borgo Pio, in Piazza Rusticucci, or Borgo Vecchio, trooped under the colonnade, swooned at Porta Angelica, and then through the gates of Sant'Anna, to go and receive the apostolic benediction from Pope Ratti, a Milanese of good background, from Saronno, a tough sort, the kind who get buildings built. As they waited to be formed into lines and led, after forty flights of steps, into the throne room, into the presence of the great Pope and mountain climber. All this to give you the idea that the Capital now incarnated, absolutely beyond any doubt, the city of the seven candelabra of the seven virtues: the city that had been invoked, through long millennia, by all Rome's poets, inquisitors, moralists and utopists, Cola not excepted (though hanged). Fat, he was.^{12} In the streets of Rome not a whore was to be seen, at least not the kind with licenses. With the sweet thought of the Holy Year, Federzoni had confiscated the whole lot of them. The Marchesa Licker was off at Capri, or in Cortina, or had gone to Japan for a little trip.

AFTER twenty-two hours of general uneasiness Balducci arrived, on the 18th: unforeseen engagements, he stated. Meanwhile the police stations had been alerted: Milan, Bologna, Vicenza, Padua. It was, for Ingravallo and for Doctor Fumi, a real relief. If it had turned out that Balducci had skipped, the investigations would have had to be extended over half the peninsula, with a slow monsoon of telegrams.

And the mess, already fairly tangled up, would have become utterly snarled. But Balducci, miraculously unaware, got off the train at eight, the collar of his overcoat turned up, his face anything but ruddy at that moment and a bit smudged to boot: with his necktie loosened, and with a look as if he had slept, in discomfort and over interminable jolting, profoundly. He and the train had kept faith with the telegram, which for the rest had been vague. But the only through train coming into Rome Station at eight was the one from Sarzana: which at its final creak and the successive blocking of the breaks was on the dot, as clocks under the roof of the platform and beside the gate waited open-mouthed, observing the new orders from above, gloriously imparted from the Ass on high. The terrible news was broken to him with all due consideration and with all the most opportune toning down, right there by the train, as other travelers, at the windows, were still fighting over the porters, with shouts imperious or imploring, and the porters assumed the tone of their finest hour: Swiss and Milanese in arrival: good, sound luggage; it was broken to him by his wife's relatives who had come there on Ingravallo's invitation, some dressed in black, some merely in dark gray: Aunt Marietta at their head, with a black prayer shawl around her shoulders, like a mandrill's ruff, a necklace of little black beads around her neck, a hat like a teacher in a teacher's college, a face like an attorney general. Then, behind her, Zia Elviruccia, with her son, Oreste, the big boy with the big yellow teeth who looked so much like Uncle Peppino, who was, you might say, the spit and image of Uncle Peppino. A funeral face on him, too. There was also the sergeant, in uniform: Di Pietrantonio. When, little by little, they made him understand, Uncle Remo, what had happened, he, poor man, first of all, set his overnight case on the ground: the others, the heavy ones, had already been taken off by the porter. The news didn't seem to shock him so very much. Maybe it was sleepiness, fatigue after those nights in the train. Maybe he was kind of out of his head and didn't even hear what they were saying to him.

In the meanwhile the corpse had been removed and taken to the City Morgue, where they had proceeded to an external examination of the body. Nothing. When it was dressed and laid out, the throat was bandaged, with white gauze, like a Carmelite lying in death: the head was covered with a sort of Red Cross nurse's bonnet, without the red cross, however. Seeing her like that, white, immaculate, they all immediately took off their hats. The women made the Sign of the Cross. The coroner's office had witnessed the examinations, in accordance with the law, in the person of Judge Cavaliere Mucellato. Also the Attorney General's representative, Commendatore Macchioro, had paid her, so to speak, a duty call. The man in Palazzo Chigi had to have the last word, too, louder than all the others: "That evil murderer should have already been shot, six hours ago."

But Balducci hadn't read the papers.

On the body there was nothing, beyond the work of the knife, and those scratches, those fingernail marks.

Once he was at the house, poor Signor Remo was obliged to open drawers, unlock a reluctant cupboard or two. They hadn't been able to find the keys to some: and there were other keys, discovered at random, whose destination was still unknown. He tried them, he tried them again, here, then there, in vain. Nobody had gone into his little study. The desk, with "Marengo Universal" locks, seemed free from any tampering. He opened it himself: everything was in order. And so was the metal filing cabinet, where he kept certain papers: it was a little dark green, fired-enamel case, very neat and clean and new, which stood beside the half-empty wooden bookcases, half-filled with thumbed cheap volumes, and together, the two pieces of furniture looked like the young accountant fresh from the barber with the filthy-rich, dripping-nosed old woman whom he manages and robs and who is in love with him. The entire, mute examination was observed by the two ladies, the aunts, by Oreste, and the police sergeant Di Pietrantonio, in reality a top-sergeant, a policeman — one Rodolico — as well as by Sora Manuela. A moment later Blondie happened along. Doctor Ingravallo trusted Pompeo and the Blond Terror from Terracina: the others were a bunch of meatheads, at times, when you tried to drum a little psychology into them! Those two had sharp noses: they could catch on to people from their faces, after once glance: and usually without letting on. What was important to him, to Ingravallo, was, above all, the face, the attitude, the immediate psychic and physiognomical reactions, as he said, of the spectators and the protagonists of the drama: of this bunch of bastards and sonsabitches that people the world, and their women, whores and tramps and sows.

Bottafavi's aid was invoked, after a few vain tugs from Rodolico, who succeeded only in popping one of his buttons, where it wasn't immediately clear. The weapons expert came downstairs with a square-handled carpenter's box slung over his arm, containing a whole repertory of screwdrivers, saws, chisels, hammers, pliers, and a monkey wrench into the bargain: not to mention a goodly supply of loose nails, both straight and bent. In the end a smith was summoned, a veritable Don Juan when it came to locks: he had a bunch of hooks with an extra little twist in the end, and all he had to do was tickle the lock with one or the other, and it knew at once that it couldn't hold out. With him, locks were like virtuous women who suddenly go crazy. Balducci verified at once the absence of the best, the money and the jewels which the signora kept in a little iron coffer in the second drawer of the dresser: the coffer had disappeared, complete with contents. Not even the key was found: it stayed, usually, in an old velvet purse, black with embroidered forget-me-nots, in the mirrored wardrobe, tied by a fine little blue ribbon to the elite of its genteel and tinkling sisterhood. "The purse was… it used to be here. Let me have a look." He groped with his hand from below upwards in that perfumed heap of silk, of all those slips, those blouses, and those little embroidered handkerchiefs. Yes, yes. The purse, too, had disappeared. And also the two passbooks to savings accounts failed to answer Balducci's roll-call. "My God, they've gone too!" "What?" "The savings account passbooks, Liliana's." "What color were they?" "Color! One was in the Banco di Santo Spirito, and one in the Banca Commerciale." "In whose name… hers?" "Yes, Liliana's." "Were they made out to the bearer?" "No, personal."

The diminution of the little hoard (with the personal passbooks, however, there was no real danger) seemed to crush Signor Remo: even more perhaps, judging from outside, from the immediate psychic and physiognomical reactions, than the horrible news which had been brought to him at the station. It was a completely gratuitous, false impression, you might say: but none of those present managed to dispel it, not the (top) sergeant, nor Orestino: and still less Aunt Marietta and Aunt Elviruccia, embittered and malicious as they contemplated that gross man sunk in tribulations: "yes, yes, go out on your hunting trips now, now that the rabbit has run off," that huge man who went up and down the house, pulling out all the drawers of the furniture and looking into them. . just in case a pin had been stolen.

Made grim and greedy, the aunts were, just thinking about it, in the great fermenting that the latent avarice common to all the Valdarena relations had created in those hours of the incredible night with its troubled counsels, after the many-regioned voices of the police and the unquestionably Roman one of Sora Manuela in the telephonic shock of the preceding day: and now both of them, Aunt Marietta and Aunt Elviruccia, disappointed in the disappointment of a moment. Lilianuccia, eh? Not even a little souvenir left to her cousins? to her aunts? to her own Aunt Marietta, who had been a mother to her, you might say, since her real mother died? not even a little medal of the Madonna? with all that jewelry (You could have stocked a shop with it) that she kept under lock and key? Poor child, it had never occurred to her to make a will. When a person has to die like that, she can't think about it beforehand, she can't foresee such a thing. Madonna! it was enough to drive you crazy! What a world! What a world, indeed!

And besides they had Giuliano on their minds. That arrest, they felt, was an outrage: an offense against them, the splendid house of Valdarena, "a high-class family whose like you can't find in the whole of Rome"; a family of the most florid, the most solidly rooted: men, women, and kids. The thought of a girl like that, plunged into the devil's arms, with all her finest wedding presents, all her gold and jewels, leaving nothing to remember her by, not even a word of farewell! The idea, for the poor aunts! was about to become a torment, heartache. Murdered that way. Rancor, horror, terror, a cry in the darkness! At the bursting out of a demoniacal tension which acts to lacerate in such a drastic way the folio certificates of one's civil status, demos or parish, and the long, the many-eyed precautions of living — on such occasions, the human kin, the gentes, tend to repeat, as a right, even if they don't achieve it in fact, the thing lent. Commodatam repetunt rem. They summon it back from the darkness, from the night. They want it back, they want once more the flower! with its broken stem, the quantum that has been lost from their life. Like filings on the magnet, the tiniest fibers of their viscera are polarized on the tension of return. They feel they must suck back the gamic unit that has been expelled, the biological unit, the person once alive, eternally alive, and sacra-mentally alienated into marriage with some Tom, Dick or Harry. They would like to control again the possibility, the nuptial valency offered to another, to the husband (in this case): to the brother-in-law or son-in-law given them by the demos. And the gamic unit whose possession they claim implies, at the same time, an economic quantum. She was a splendid girl, and there was a coffer of jewels: former and latter ripened by the years: by the slow, tacit years. She was a girl with a little box; and they, the Valdarenas, had entrusted her husband with the key: and the right to make use of it, clickety-click: the sacrosanct use. And Christ's coadjutor, at the church of the Santi Quattro, had blessed the pact. With a wealth of asperges in nomine Domini: without too much splashing, however. She, beneath her orange-blossom crown, within her veil, had bowed her head. So let him give back, back what was wrongly taken, this fool of a hunter, this traveler in textiles. How had he used her beauty? Or how wasted it? such gentle beauty? and the cash? the grand old cash, equally beautiful? Where had he stashed it away, the loot? Those gold pieces with the Gentleman King's ugly face on them? Those nicely round, bright yellow pieces of the days before this Puppet in Palazzo Chigi, yelling from his balcony like an old-clothes man. She had forty-four of them, Liliana had, forty-four gold marengos: which went clink-clank in a little bag of pink silk, a bag her grandmother had sent wedding sweets in.^{14} And they weighed more than a pair of kidneys at Christmas. "And now where have they gone to?" the kinfolk thought. "What does he know about them, our hunter friend here?" Manet sub Jove frigido. To what marriage indeed has he reserved his wife, his bride's carnal and dowrial validity? What has he made of that tender flesh, this apoplectic salesman? and with that nice nest egg? which was so much a part of it? Yes, the tidy bundle! left her by a stubborn rumination of time, of the economic virtues of the lending clan? Thus, as she had inherited that tepid flesh from the accumulated vehemence of generations, after many a hard morning. Liliana's relatives seemed to be saying: "Oh! gentle bride, stuffed with nice cash! treasure of the years! Unexpected accrediting of the equinox! Let him cough up, that is to say, spit back, this hick of a commercial traveler! Let him not dare accuse Giuliano, splendid offshoot of the old stock, only because he has to face comparison with him now." Their minds, the minds of those two old bags Aunt Marietta and Aunt Elvira, pursued their private whims: "Giuliano, flower of the Valdarena clan! Replete with fertile days! Bud of life!"

There exists a dramatic region of every rancor, from the spleen and from the gall bladder inside the gnawing liver, to the very penumbras behind the household furniture where the lares officiate: the gods that see and remain silent, breathing in the dead odor of naphthalene in cupboards. But at the first appearance of the blade, they had trembled, unable to cry out: and in the room's opaque volumes, now, they were shocked and weeping, with the nerves of martyrs. Well, it was there, between the legs of the corporal and the locksmiths, when Manuela's globes had been shoved aside, that all those envenomed phantoms wandered. Erect and hard, the aunts awaited justice: Oreste didn't know himself how to behave.

Valdarena, at the Collegio Romano, had been subjected to repeated questioning: the alibis he had produced (office, clerks in the office) were watertight up until nine twenty, but not after that. He said he had been out, downtown. Out where? With whom? Clients? Women? Tobacconist? Two or three times he blushed, as if at a lie. He had even trotted out his barber, but then had immediately retracted this affirmation: no, he had had his hair cut the day before. Actually none of the tenants had seen him, at that earlier hour. Only at ten thirty-five, when he had called for help. The Felicetti kid: brought before him, face to face, denied having seen him on the stairs: the one who went to say good morning to the Bottafavis, who had met the cheese-bearers: "n. o. ." she said, with great tugging at her lips, so that she could hardly blurt out: "he… wasn't… there…" After which she went mute: and pressed by new and repeated questions, then by exhortation of every kind, she hung her head, in tears. She almost said yes, but she couldn't quite make up her mind: she wouldn't open her mouth. Finally, as big drops ran down her cheeks, it seemed to everybody that she wanted to shake her head: no. Her Mamma, kneeling beside her, face to face, patted her on the head, from which statements issue; she whispered in one ear, kissing her: "Tell the nice man, dear, tell the truth. Tell me, yes, now didn't you see this gentleman here, on the steps? See how blond he is? Like an angel, isn't he? Tell us, sweetheart, Mamma's baby doll! No, don't cry, your Mamma's right here with you, your Mamma who loves you to pieces. Here," two kisses smacked on the kid's cheeks, "you mustn't be scared of the officer. Doctor Ingravallo isn't the bad kind of doctor, those mean ones, who hurt my poor baby and make her stick out her tongue and say ah. He's a doctor in a black suit, too, but he's a good one!" and she squeezed the little stomach under the dress, as if to ascertain whether it were dry or damp: in certain cases, testimony is not necessarily unaccompanied by suitable outpourings of another nature. "Tell me, tell Mamma, there's my sweetie. Tell us, and Doctor Ingravallo will give you a nice dolly, the kind that shut their eyes, with a pink apron with little blue flowers on it." Then the kid hung her head still lower and said: "Yes." Giuliano paled. "And what was the gentleman doing? What did he say to you?" She burst out weeping, yelling desperately amid her tears: "I — want — to — go home! Home!" after which her Mamma blew her nose for her: and that was that, nothing more to be got out of her. Mamma, "Oh, I tell you!" insisted that she was an extraordinarily bright child, for her age: "you know how it is… with kiddies, you have to know how to handle them." To Ingravallo, on the other hand, she seemed an idiot, in every respect a daughter worthy of her mother.

The Pirroficoni case had not yet afflicted the pages of the city papers: the Death's Head in his diplomat's ceremonial hat twisting already, on the other hand, the peacock's feather of the suspect, to be able to stick it where he stuck his feathers: peacock's or of spoiled chicken that stank.

In any case it was wise, already in those days, to proceed with caution: Don Ciccio had a whiff of this, and Doctor Fumi as well, after public opinion — that is to say, the general racket — had taken possession of the event.

"To exploit" the event — whatsoever event Jove Scoundrel, big-cheese in the cloud department, dropped in your lap, plop — to the magnification of one's own pseudo-ethical activity, in fact protuberantly theatrical and filthily staged, is the game of the institution or person who wishes to endow propaganda and fisheries with the weight of a moral activity. The displayed psyche of the political madman (a narcissist of pseudo-ethical content) grabs the alien crime, real or believed, and roars over it like a stupid, furious beast, in cold blood, over an ass's jawbone: behaving in such a way as to exhaust (to relax) in the inane matter of a punitive myth the dirty tension that compels him to action, action coute que coute. The alien crime is exploited to placate the snaky-maned Megaera, the mad multitude: which will not be placated with so little: it is offered, like a ram or stag to be torn to pieces, to the disheveled women who will rip it apart, light of foot, ubiquitous and mammary in the bacchanal which their own cries kindle, purpled with torment and blood. In this way, a pseudo-justice assumes a legal course, a pseudo-severity, or the pseudo-habilitation of the finger-pointings whose manifest countersigns seem to be both the arrogance of the ill-considered magistrate's investigation and the cynobalanic^{15} excitement of the anticipated sentence. Reread the sad and atrocious tale in War and Peace, book three, part three, chapter twenty-five: and understand the summary execution of the helpless Verestchagin, thought a spy, not being one; Count Rostopchin, governor of Moscow, play-acting on the steps of his palace before the grim, waiting crowd, orders the dragoons to kill him with their sabers, there, in the crowd's presence: on the fine old principle, by God, "quit leur faut une victime." It was in the morning, ten o'clock. "At four in the afternoon Murat's army entered Moscow."

Much more base and theatrical, chez nous, that Fierce-Face with his plume: nor can we grant him, as we can Rostopchin, the immediate attenuating circumstances of fear (of being lynched himself) and of anguish and rage and the pandemonium (total psychosis of the mob) and of the enemy approaching, after the brusque cannonades and the slaughter (at Borodino).

The hapless Pirroficoni was almost killed by the blows of an Italian of the same stripe: because they wanted to wring from him, in any way, in the "interrogation chamber," the truthful admission that he had raped certain little girls. He was stunned and pleaded no, there wasn't a word of truth in it: but he was beaten to a faretheewell. O generous Manes of Beccaria!^{16}

The Urbs, in the very period of his fits of public decency and of police-enforced Federzonism,^{17} was to know (1926— 27) several periodical stranglings of little girls: and on the meadows there lay traces of the remains and the torment, and the poor, slaughtered innocence: there, there extra muros, after the shrines of suburbicarian devotion, and the epigraphs of the ancient marbles and sacella. Consule Federsonio, Rosamaltonio enixa: Damnato Shittonio dictatore syphlitico^{18}. Pirroficoni, the wretch! was master at that time of a mistress, rather plump not to say overripe, but somewhat difficult of access: fifth floor, a modern building: concierge in her lodge: husband, present and in working order… in his carpet slippers: clusters of neighbors ad libitum, natural glossators superior even to Irnerius.^{19} Whence, that is, because of these factual premises, a pathetic up-and-down of autographs of various import thanks to a gentle maiden (thirteen years old) who bore them with some circumspection and with equal palpitation of the heart to their destination. And conversations in sign language and various finger play from window to street: and vice versa. The expert and fingersome swain was arrested on the sidewalk, just when he was transmitting some of his signals with six or seven fingers (the hours of love) towards that window on the fifth floor (this, in the opinion of headquarters, was a "strategic feint"): and as he was entrusting a note for Madame, second stratagem, to her little messenger, a little maid, thrilled and frightened by her mission, her face all flushed. Pirroficoni had also given the child, as usual with him, a caress or two: this action, and his own blushing, were his perdition. On this splendid array of evidence the plumed Death's Head belched that "the Roman police in less than forty-eight hours etc. etc." And the cop, comforted by the lofty words of the Deuce, fell to with a will. The doubting intervention of some honest official saved Pirroficoni's bones, but not before they were sorely beaten.

BUT the statements of Ceccherelli, of his "boy in the shop," one Gallone, a handsome old fellow, thin as a rail, with eyeglasses, and of an apprentice, a certain Amaldi, or Amaldini, were entirely in Giuliano's favor. Ceccherelli, backed up by the other two, confirmed in every detail the orders he had received more than two months before from the poor signora, the various stages in the preparation of the fob: "It's for a relation of mine who's getting married, so do your very best." The signora had shown him a gold signet ring, heavy, yellow-gold, with a blood-jasper, very handsome with the carved initials G.V. in what you might call Gothic lettering: "I want the stone for the chain to match this one." She had left him the ring. He had taken an impression in wax: first of the monogram, then of the whole stone, which projected from its setting. Liliana Balducci had then come back to the shop two more times, she had selected the stone from five he had shown her, after he had laid in a special stock from Digerini and Coccini, the wholesalers; he had dealt with them for years, so they hadn't raised any objection to giving him the stones on loan. It was also fully confirmed, from the same source, that the opal — very handsome stone, but with that curse on it like all opals — was to be taken over by Ceccherelli, who had in fact, taken it over, adjusting the price accordingly, despite that R.V., which was faintly engraved on it, "because, as far as I'm concerned, if you'll pardon the expression, I don't give a good goddamn about all these old superstitions. Why, you'd think you were in the Middle Ages, indeed you would. Now, in all conscience, I'm interested in doing business, in as straightforward a way as possible. In the forty years I've had my shop, believe me, Doctor, there has never been a word, not a shadow of a doubt, even for so much as a pin. And besides, just to be on the safe side, I stuck it right in a special drawer I keep for such things, as soon as I took it out of its setting, with pincers, not even touching it with my fingers, so to speak. As for the pincers, I stepped next door to the barber's and disinfected them with alcohol: and as for the gem in question then, I locked it away in that drawer, the last one on the way to the bathroom. You know the one, Alfredo; and so do you, Peppino: it's so packed with coral horns that if that opal decided to put the evil eye on the shop. . on my shop? Poor opal. It's like a capon in there, in the midst of so many roosters!. . with a sharp beak too, I can tell you."

As for the ring, he had given it back to the signora after a couple of days, "if I remember rightly, it was when she came back to the shop to look at the jaspers." He was to give the fob to Giuliano in person, who was to come by and collect it, bringing the chain with him: "yes, that one": he recognized it perfectly. "That chain," Liliana had said, "You know? Signor Ceccherelli, you know it well. Remember? The one you estimated at two thousand lire?. . That's the one I gave away. And grandfather's ring, too, with the diamond, you remember? You estimated it at nine thousand five hundred?" Ingravallo also showed him the ring. "This is the one, no question about it: a diamond of twelve and a half carats, to say the very least. A marvelous fire." He took it, turned it around, looked at it: he held it up against the light: "Time and again grandfather used to say to me: remember, Liliana, this must stay in the family! You know to whom I mean!" The words of her grandfather, a sacred formula almost, for her: that was clear: well, she had repeated it twice, there in the shop: "isn't that so?": in the presence of Gallone, and in the presence of Giuseppe Amaldi: both of whom nodded their confirmation. To Amaldi Liliana herself chose to explain every detail: what the two intertwined letters he had to engrave were to be like, and how she wanted the stone set: jutting out slightly from the oval setting: Ceccherelli, with his little fingernail followed the firm binding of the green stone, mounted as a seal, that is to say, projecting a bit from the setting: and with a little band of gold on the back, to conceal the rough side, and to enclose it.

In addition to the jewelers, who were heard in the morning, it must be said that the Valdarena family and its ramifications, that is to say Giuliano's grandmother, Balducci himself, and the two aunts from Via dei Banchi Vecchi, and Uncle Carlo, Aunt Elvira, and more or less all the kinfolk had been groping around for three days, some in this direction, some in that, seeking the road to salvation, the way to get Giuliano out, out of the mess in which he found himself, poor boy, through no fault or sin of his own. Easier said than done. But after the three clarifying statements of the three jewelers, which were one good thing, there came immediately the even better statement of the head cashier of the bank, the man from the Banco di Santo Spirito. From the master file of her account (the savings account) it turned out that she, Liliana, had withdrawn the ten thousand lire, right on the 23rd of January, two days before making the present, which she had given him on the 25th, at her house, when he had gone to visit the Balduccis and had found her alone. The head cashier, Public Accountant Del Bo, knew Liliana: he had done as she requested, that time: he happened to be at the window, number 8, full of paternal smiles. A few minutes before noon. Yes, yes, he remembered perfectly: at the moment when he was snapping out those ten notes on the glass counter — ten filthy, freckled old blankets, they were, the mangy kind, that have come from the accordionlike wallet of some sheep-trader from Passo Fortuna or from the wine-damp counter of a tavern in the Castelli— she had said to him, with that soft voice of hers and those deep, deep eyes: "Please, Signor Cavalli, see if you can't give me fresh, clean bills, if you have them: you know how I like new ones. .," she had called him Cavalli rather than Del Bo. "Like this?" he had said to her, taking away the dirty ones he had in his hand; and he showed her a fresh pack, in the air, against the light, holding it by one corner, letting it dangle from two fingers. "Nice and shiny, look!. . They just arrived yesterday from the Bank of Italy: the mint has just spat them out. They have a nice odor: sniff. The day before yesterday morning they were still at Piazza Verdi.^{23} What? Afraid of germs? You're right… a handsome lady like yourself."

"No, Signor Cavalli. . the fact is that I have to make someone a present," Liliana had said. "A wedding present?" "Yes." "Ten thousand-lire notes make a nice present, especially for a young couple." "It's a cousin, who's like a brother to me. You've no idea. . I was like his mother, when he was a baby." Those were her very words: he remembered perfectly; he could swear it on the Bible. "Best wishes to the happy couple: and to you too, Signora." They had shaken hands.

ON that same afternoon of Tuesday the 22nd, while in room number 4 the above-mentioned conference of the three men was still in progress, later filed among the official records as "fifth questioning of Balducci," there arrived at Santo Stefano (Collegio Romano) a telephonic communication from carabinieri headquarters in Marino regarding the investigations on the "Menegatti case." The message was received by Sergeant Di Pietrantonio. The communicating office confirmed, off the record and simply as a warning, that the owner of the green scarf (no longer so radically green by now) had been identified as a certain Retalli Enea alias Luiginio, aged nineteen, son of Anchise Retalli and Venere nee Procacci, born and residing in the locality known as "II Torraccio" not far from Le Frattocchie: Luiginio. That's right, yes, Lui-gin-io. . present whereabouts unknown. Yes. . no. . fine. . perfectly. . No, no. . they hadn't found him at II Torraccio. In short a fugitive from justice. From what Di Pietrantonio's auricular diligence managed at last to salvage from the shipwrecked text (the receiver's crackling and the line's inductance sonorized the message: various interferences, an urban crossed line, laced it with chatter, tormenting reception), it seemed more or less that the uncautious Enea Retalli or Ritalli, site Luiginio (but obviously Luigino) had taken the scarf to be dyed. . thirty-six quintals of Parmesan! Heddo, who's sbeaking? shipped yesterday from Reggio Emilia. . Lieutenant-commander Racace here. Heddo? Heddo?. . Abmiradal Mondeguggoli's house! The Bavatelli Shipping Company from Parma, yes, by truck. . carabinieri headquarters, Marino, we have precedence. Thirty-six quintals, yes, three trucks, left at ten o'clock yesterday. No, the condessa's in the hospiddle… in the hord-piddle, visidding the admiradal. . via Orazio! Yes, sir. No, sir. I'll ask. Police here, we have precedence, Rome Police Headquarters. Get off the line. Thirty-six quintals from Reggio Emilia, Parma-type cheese, absolutely first class! The admirabdal was obberadated on Monday: gallbladder: bladder. Yes, yes, sir. . no, sir, no. .

What could be extracted from such a muddle was, in short, that Retalli had taken the scarf to be dyed, to a woman at I Due Santi on the Via Appia, a certain Pacori, Pacori Zamira. Z like in Zara, A like in Ancona! Zamira! that's right. Za-Mir-a! known to many, if not all, in the area of Marino and Albano for many of her merits: if not for all of them. Then the connection broke off, in honor and for the benefit of higher authorities: or so it seemed. When night had almost descended, there arrived at Santo Stefano on his motorcycle Corporal Pestalozzi, or Pestalossi it may have been, bearer of a written report and more than one verbal message from the carabinieri station, that is to say from Sergeant Santarella, who in the absence of the commanding officer in those days, or in other situations of the titular lieutenant, was his representative. It was eight o'clock, hour of the stomach and the spoon, almost. Balducci had already been sent away, Commendatore Angeloni with the fondest good-byes sent off, liquidated. By this hour he must surely have been in bed, and with his nose more drippy than ever, his stocking cap pulled down over his eyes and down his nape: stuffed into his grandmother's bed, under a fat eiderdown and under stuffy, but deserted cover, the most suited and the most desired by a stuffed-shirt like him. Fumi's voice: "Have Pestalozzi come in." Nausea at the Cacco's piles of papers was about to overcome even the hardiest. . But that northern and carabinieresque name electrified them. Pestalozzi, who had taken special pains to track down the scarf, was immediately received and heard in number 4 by Fumi: Ingravallo present with Di Pietrantonio, Paolillo, and Grabber. The last-named, protected by the shadows from a kind of huge, extinguished stove, put into his mouth and hastily chewed the last remains of roast-beef sandwich, which to a great extent he had already managed to lacerate outside, in the corridor. Er Maccheronaro, in Via del Gesù, just a stone's-throw away, never overlooked a chance to demonstrate his friendliness: and he had paved it inside, with three such slices of prime beef that, on first seeing them, he had taken them for three terra cotta roof tiles on a roof in Sampierdarena: nestling one against the other, all three supported by that big beam of double roll, the size of a carpet slipper, Madonna! the kind you can't even remember nowadays, now that the Empire has put its oar in. The panacea of panaceas for his empty stomach, lacking its soup, but already dewy in the gastric juices of an anticipated gratitude and no less predisposed peristalsis. The customers at the counter, seeing that miracle, had been bug-eyed: natural enough: who can say what they were thinking; "Hey, Pompeo, what are you doing over there in that stove?. . Come here," Doctor Fumi ordered, "you've got to hear this, too." He began and continued in a loud voice, with musical vigor, reading the report of carabinieri headquarters, Marino. When he had terminated, he began to titillate Pestalozzi with questions and, alternately, Di Pietrantonio, with the aid of his great shining eyes, which in the not-bright light of the room, a little each time, he turned, on every face: he mitigated with parallel statements, more and more vivid, more and more narrated (like neighboring little streams) the carabinieresque, buttoned-up discipline of the former and the smart, police alertness of the latter. That discipline is well evidenced, generally, and is operative in a tacit, a hard and cautious resistance in the face of the rival organization of the police.^{32} The fact is that, at Doctor Fumi's gently inviting glances, so black, so limpid and melancholy in his pallid countenance — even at night, and in the weak candle-power of Madam Mazda — even at night, and barely descended from the motorcycle, at the marvelous timbre of that voice, the most buttoned-up of carabinieri couldn't resist. Pestalozzi, moreover, having still to catch Retalli, whose scarf alone had remained in his hand, was, in turn, interested in eliciting as much as possible from the five experts of the Collegio Romano: in pumping out the best from Santo Stefano del Cacco's urban cistern: data, various illations, motives for suspicion, well-founded hypotheses, doubts, counsel, the latest news: the final dotting of i's and crossing of z's the final disjunctions of the great deductive wisdom. And then the bloodhound's amour-propre, his pride in taking part in the investigation of the great crime which was on every tongue, from Frascati to Velletri, whose numbers all Italy was playing in the lottery, in all the best and luckiest cities: the Royal Lottery, as it was then, nowadays Lottery of the Republic. So that a kind of police-carabinieri osmosis began and continued to be celebrated in that room number 4, and at that late hour, through the ass's skin membrane of reciprocal distrust, professional jealousy and esprit de corps: a two-way flow of information, a game of do ut des, with amiable phrases, or even lapses into gossip.

Di Pietrantonio was personally acquainted with Sergeant Santarella: not to mention Ingravallo, who was even a distant cousin via various old women, aunts, a chain of godmothers: the chain of relations, repeated in time along the chain of mountains, the harsh Apennine, had traveled up the bitter spine of the boot, up, up, from Vinchiaturo to Ovindoli. And, besides Santarella was the shining eponym of discipline: and of Latial duty. Di Pietrantonio, for his part, knew la Pacori, and Grabber knew her, too: because they had stopped for a drink, in September, at her counter: Zamira! of whose name and whose actions, open or veiled, not to say secret or splendid, legend had become first discoverer or trouvere, then divulgator and trumpeter: from Marino to Albano, from Castel Gandolfo to Ariccia.

Meanwhile Retalli Enea, aged nineteen, son of Anchise and Venere nee Procacci, it turned out, had as his nom de guerre Iginio, not Luiginio: "which doesn't make sense anyway," they dismissed it, in one accord. "Bah! of course not!" they agreed. Tricks of inductance, overloaded wires. Inadequate service. Work on the line. The change of management!

La Pacori, oppressed then by an accumulation of rags, garments, heavy sweaters, and ragged jerseys to dye, which would need the caldron of Beelzebub, her patron, with some suspicion of animal life inside the stuff, at the height of anguish, had sub-contracted the dyeing work, including the green sash to the Ciurlani firm in Marino: which, two days earlier, in the fury of a stupid equinoxial wind with slanting rain, had sent a carriage to collect that rubbish: and the horse had arrived soaked, and so worn out, poor animal, that they had to unhitch him, then dry him off in a broken-down stall, where it rained in, patting his ass and giving him some hot wine to drink. It was there, in Marino, that is, that Pestalozzi had directed himself. There was some stuff already dyed, in a heap, on a table: and other stuff to disinfect or to dye again, in two sacks against the wall, on the ground: but when it came to them, Sora Mara warned the corporal to watch his step, you can't be too careful: "Those little beasts, once they get on to you. ."

Pestalozzi, a man with guts, sharpened his eyes, but with his legs, he drew back at once: "two steps to the rear," snip, snap, with military vivacity: like at close-order drill. After some pecking around by the titular Ciurlani (that is to say Sora Mara herself) in that pile on the table, which was already cooked almost white, purified in the autoclave of any possible quadruped, from it, in fact, the scarf had emerged, tugged by one end, the sash: unfinished: like a serpent drawn from its hole by the tail, green, yes, once, black-green with dots: now green no longer, but not yet its new color which, ideally, was to be a pale brown, because to perfect the pale brown a second immersion was required. Thus spake la Ciurlani.

But how was it, asked the experts, that Zamira, the trouser-maker of I Due Santi, had dared offer the information?

Pestalozzi led them to believe that the idea of questioning her had occurred to him: and "only later on" to Sergeant Santarella. They were the station's two motorcyclists. And at his disposal, in the course of certain private exchanges of ideas with some stubborn types, he had arguments which were not wholly ineffectual, indeed rather convincing, against the great plague of reticence: (Di Pietrantonio, in his mind's eye, was already examining the leather belt): arguments which, in some cases, could succeed in counterbalancing and even overcoming, in doubting hearts, in hardheaded bumpkins, the opposing fear, the terror of vendetta. But with the good Zamira. . there had been no need to go so far. Eh! A woman! And a woman of such stuff, of such form! Not even calling her to the barracks ad audiendum verbum, not even that had been considered necessary: a thing which, for that matter, "you might say," would have caused her more pleasure than fear. Oh! Sergeant Santarella, that is, in other words. . the station, yes, the station had its trump cards, some here, some there: "all through the deck": and Di Pietrantonio, taking the words from his colleague-adversary's mouth, assumed the wisest face in the Cacco office. "In the midst of the theater of operations," Fumi added, serious, turning over a paper, with gentle gravity. A niece… a girl who worked for la Pacori. A little bunch of primroses for the sergeant. Two knitted stockings for his little girl, the baby, Luciana, and a few words to go with them. Few, but well-chosen.

Fumi then recalled that a girl, that Ines, Ines. . — and he started to search, with one hand, in the file of fine ladies, which he kept on his desk as a kind of mindful aroma, like lovely flowers in a vase — Ines. . Ciampini, yes, from Torraccio, or Torracchio, on via Appia, the stop after Le Frattocchie, had been picked up a few evenings earlier by a patrol from the San Giovanni police station: the evening before the crime: picked up for loitering, no identification papers: and on well-grounded suspicion of prostitutional activity in a public place (Santo Stefano Rotondo!), activity for which she was not licensed (a mere amateur, in short). She had insulted the arresting officers, calling one of them "Sergeant Fathead." She had offended, "admittedly probably with only sporadic activity and, on that evening, in an entirely occasional form," she had been caught in flagrant contravention of the Federzoni orders for the reformation of the urban sidewalks under booted regime, "in accordance with that special regulation from the Minister of the Interior on February fourteenth, you know the one, Ingravallo, regulation number seven hundred eighteen — help me out on this — Ingravallo, with that memory of yours! — concerning the moralization of the Capital." Ingravallo didn't open his mouth. "And held for suspicion of complicity in a theft," Di Pietrantonio reminded his chief. "What theft?" "A chicken." "Where'd she steal it?" "Piazza Vittorio." The morning of Wednesday the sixteenth, after the round-up of the nymphs, Corporal Juppariello of the San Giovanni station had shown her to the two women who had suffered the robbery three days before: a chicken-seller and another woman who sold slippers. A theft of an old pair of shoes from this latter, and a chicken, too, nearby, from the next stand: plucked and neckless, as it turned out, but in compensation with three feathers in its ass. And the ones who snatched them, both shoes and chicken, were two characters, a boy and a blond girl, "who had wandered around for some time along the street, in that very crowded hour, then they had separated, and had mysteriously disappeared with the merchandise." The chicken-seller's wife, who was the one who yelled loudest of all, "at first" had thought she recognized in Ines, Cionini Ines of Torraccio, the very blonde who she believed had snitched the feathered creature, or rather, de-feathered. "On second thoughts," however, she seemed to hesitate. A sample chicken, to enlighten the police, had been taken to San Giovanni, in every way similar to its colleague which had vanished from sight three days before — it was now Sunday the 13th — and the same with the two shoes: accused and accuser were then coached together to Santo Stefano, the shoe lady with them. Questioned at headquarters, Ines had sustained and sworn, with many a "I hope to die if it's not true," that she knew nothing of the fowl, in the first place: that she was an apprentice seamstress, though without employment at present: and that she had worked, as a trouser-maker at I Due Santi, just beyond le Frattocchie. "And then what?" Then she had been reduced to coming to Rome, to look for work. "It's no shame to have to look for a job." The chicken let off a terrible stink: it, too, had been taken to the station, along with the two shoes, both lefts; once at Santo Stefano del Cacco, the bird had apparently taken fright and, though dead, it had shat, there on Paolillo's little table: not much, though, to tell the truth. "Let's hear this Ines!"

Fumi swung around in his chair, pressed the button, and asked for Piscitiello, he charged Paolillo to have Piscitiello hand the girl over to him, if she hadn't already been shipped off to Regina Coeli. Paolillo, after a short while, brought in a rather well-supplied girl, with two marvelous eyes in her face, very luminous, shiny; but she was incredibly dirty and disheveled, and her stockings! her cloth shoes, half in tatters, with one toe sticking out. A gust of the wild, not to say worse, breathed into the room; a smell: "Mmm! get a load of that!" all of them said to themselves, mentally.

After a certain amount of preamble concerning her vital statistics, Ines.. Ines Cionini, questioned a while by Doctor Fumi and some by Don Ciccio, examined from head to foot by Corporal Pestalozzi, Sergeant Di Pietrantonio, and Paolillo and, behind them, a little by Grabber, Ines understood at once what they wanted from her. They wanted to hear her voice. So she sang out, she spilled the beans. Without having to be coaxed. Had she perchance worked for la Pacori? Yes, that was where she worked, for Zamira. Zamira? Yes, that was her name. And. . how? And. . when? And. . for how long? Ah, for over a year! And… what did she do, at Zamira's? What sort of customers did she have? Oh, all kinds. Just about everybody came to her, men and women: because of her cards. And. . also, what did she have in her cellar? Cellar? Well, the floor below? Oh, she kept a demijohn of oil! And pecorino cheese, too! Oh, sure, of course. Un huh. And how many girls did she have working for her? How old were they? From sixteen up? There were some that were only fifteen. And the carters? And the horses? Oh, the stables.. sure!

And what other animals did she have around? And who took care of them? Aha! Is that so? And they played cards, too, did they? Oh, but only on Saturdays. Naturally, of course. That's obvious enough. Saturday evening. Just about everybody came. The wine was good. Yes, she had a license: yes, for alcoholic beverages. Et cetera et cetera. It came out that on Fridays and Tuesdays she was also visited by the force, the Royal Carabinieri. Pestalozzi would have liked and, above all, should have tried, to protest. He thought, on the other hand, that it was preferable for him to let a little fresh water run on, from such a generous faucet: and he contented himself, at critical moments, with a shrug and a shake of his head: "nonsense! all lies!" But they all believed it, nevertheless. The police dote on nonsense: in their rivalry with the carabinieri. Each of the two organizations would like to have a monopoly on such stories, on History indeed. But History is one alone! Well, they're capable of hacking it in two: a piece for each: in a process of de-twinning, of amoebic splitting: half for me, half for you. The singleness of History is derogated into a double historiography, it is devolved into psalm and antiphony, it is potted in two contradictory certainties: the police report, the carabiniere report. The one says yes: the other says no. The one says white: the other says black. Dogs and cats get along better.

Ines Cionini had had her fancy-man, she admitted, a good-looking boy: a real and proper lover. Who, they all thought, must have met her and perhaps even. . why not?. . treated her with some tenderness… in a period far closer to her latest bath. She was very beautiful, to gaze upon, despite the squalor of the room, the moldy light on the brick floor: white of face and throat amid the pools and fringes of dirt: with swollen, red lips: like a baby sylph, precociously troubled with puberty: and rather undulant in her turning, in her leaning forward, pained by certain weights (a little in the manner of some saints, some nuns, believed to be Spanish) as if by an incontrovertible charge, a heavy burden, eternal: laid upon her by the ancient caprice of nature. Surfaces imitating the true, nucleal volume seemed to enfold her repeatedly, like circles surround the stone cast in the water, amplifying "in the minds of the witnesses," that is in male delirium that stupendous suggestion: from her there emanated, along with the above-mentioned aroma, the true and basic sense of the life of the viscera, of hunger: and of animal warmth. The idea proper to stables, to haystacks: and far from all lowly pragmatic sanctions. Her gem-eyes, a child's, enunciated to all those men, still without their supper, the name of a happiness that was yet possible; a joy, a hope, a truth superior to their papers, to the squalid walls, the dried flies on the ceiling, the portrait of the Shit. The syphilitic Swaggerer. Perhaps, poor creature, the adjective that so suited to the beshat Maltonian^{33} was to modify her as well? No, she didn't look ill: if not with hunger, with beauty, with puberty, with filth, with impudence, with abandon. And perhaps with sleep, with weariness. Her fancy-man had led her into theft, after having had his will of her: because the soft whisperings at nightfall had concluded with "shift for yourself." Her erstwhile employer and mentor had clarified her thinking, or had enabled her to clarify it for herself. Love, after besmirching her, had handed her over to the whim of hunger. All, now, hoped to find in her the longed-for spy of whom they had need. She understood this; she knew it: and for that matter, hell, who gave a damn? the evil that the blue days had poured over her was such that she had to give it back, to her protectors. So she sang. About her mistress-teacher. "Teacher of sewing? Mistress-seamstress?" Teacher of sewing and not of sewing. La Pacori: yes, Zamira. In parallel fashion Pestalozzi and Di Pietrantonio reported. Ingravallo shook his huge head also: three or four times.

La Zamira, yes: known to all, between Marino and Ariccia, by the lack of her eight teeth in front (her teeth began with the canines: Ines pointed to her own, as paradigms, opening and twisting with one finger her lovely lips), four above and four below: whereby the mouth, viscid and salivary, red as if burning with fever, opened badly, like a hole, to speak: worse, it stretched at the corners into a dark and lascivious smile, not handsome, and, no doubt involuntarily, coarse. Despite the face, there were murmurs, that rictus, that vacuum held for some of the Royal force and for some non-royalty a perverse allure. Sometimes on certain afternoons, her eyes were flashing, yet soft, swollen underneath, like two serous blisters, filled with a dazed and slightly baby-faced malice: she was a bit drunk: you could see it: you could smell it on her breath: then her wrinkles smoothed out as if by a breath of Favonius. At other times she seemed more herself: her, Zamira: the light must have struck then on something hard, like the flame of a witch's curse on the face. The harsh roughness and tempestuous dishevelment of her hair, and the parallel, profound wrinkles all over her face, which was brown and dark, wooden, and the greedy ambages of her gaze in those moments delineated better her aspect: like an ancient sorceress, priestess of abominable spells and roots, the stewed roots, in which the soul of a Lucan, of an Ovid is entangled.

Her official activity was that of a mender and re-weaver, trouser-maker, dyeress, and in some cases, notions-merchant empirical in curing sciatica through secret herbs, seer, clairvoyante, card-reader, licensed to sell wines and liquors at I Due Santi, and Oriental Wizardess with a diploma in the first degree: in her workshop-tavern where the carters of the Appia stopped for a half-liter of wine, precisely at I Due Santi. She was consulted in the exorcism line, for casting or removing spells, exorcizing the evil eye from infants in their bonnets, simple-minded babies, and preventive spells in general; gifted also in the branch of washing heads to drive away lice, and when some girl's monthly was overdue, whether through nerves or other troubles, of which there are many, as all know. An immunologist of great experience and rare knowledge, after the liberation of Italy from the menace of the bolshevik hydra thanks to the Great Balcony of the Holy Sepulchre (October 28, 1922) the cracking of the malocchio sive evil eye, whose infinite case-history was at her fingertips, more and more constituted the chief subject of the appeals to her art. But not all. She was also skilled, sic et simpliciter, another gift of nature, as authoress of propitiatory or even repellent potions, according to the requirements of the case, and of almost all the love philters and powders for both signs, that is positive and negative. She could make pedigreed dogs have a miscarriage, when impregnated by some mongrel stray. She knew how to inculcate, at a reasonable fee, a certain quantum—that is to say the necessary amount — of kinetic energy to the dubious, to the insecure: comfort them in the pragma, corroborate them in the act itself. With ten lire one purchased, through her medicine, the faculty of willing. With another ten, that of being able. She un-kierkegaarded little crooks of the province, channeling them "to work" in the city, known as the Urbs, after having purged their souls of any remaining perplexity, or of their last scruples. She set the bold on their path, showing them that the poor creatures of the weaker sex asked for nothing better, in those years, than to lean on someone, to attach themselves to something, that would be able to share with them a mindless emotion, the sweet pain of living: she catechized them in the Protection of the Homeless Girl, in competition with the better-known organization of the same name. And her catechumens looked upon her as a mistress, though dubbing her, from one drink to the next, filthy, when they thought she couldn't hear them, of course, and bag and witch: such is the foolhardiness of our time, and their personal coarseness: and even perhaps titling her the old sow, her, Zamira Pacori! and old procuress, hah! a seamstress of her position! and Oriental wizardess with a diploma of the first degree! Some gratitude. And they even had the nerve to say that the Due Santi, the two saints of the locality. . were… a pair of "if you follow my meaning," accompanying this assertion with an immodest manucaption— prolation of the pair in question, wrapped though they were in the crotch: immodest, oh yes, but not infrequent then, in popular usage. Slander. Foulmouths. Hick scum, that go out at night to steal chickens.

Oh! the clean thread of time, of the Alban time and her own, unwound from the distaff of her divining like truth from an oracle. Murky or serene, but all summoned to her foresight, the days and the events seemed to orbit around her, to rise and vanish in her. To her, then, from that so fearful expectation of the multitude it was only right to prick the long study of the believers, derive from every consultation her little lire, from every delay of the miracle an increment for the faith, from every most secret vapor the aurora borealis of an improbable summoned back to probability. Why yes, indeed, who would ever have thought that? Despite the gratitude and the scared respect by which she was generally surrounded — collective hope and religiosity, Orphic sense of mystery and of the transcendence in the great heart of the people — despite her diplomas and degrees, Oriental and Occidental, and after infinite seances, after all those abracadabras with the skull on her table, and the respected needlework of more than ten years, her girls around her, poor babies, mending or knitting or sewing on rows of buttons, why yes, that's right, who would ever have thought it? Don't do good if you are not prepared to receive evil. Even Zamira. The base skepticism of the carabinieri persisted in surrounding her with the usual, unseemly suspicion through which they. . many times, succeed in ruining the lives of seers, embittering the souls of card-readers: and even of the most respectable seamstresses. And that is: they thought, indeed they were sure, that she was an ex-whore (and no one could shake them from this opinion), widow, from year to year, of about fifteen former reserve captains in retirement: whose traces, little by little, from one autumn to the next, had become evanescent, from Marino and Ariccia. Having given herself, as the years passed and her incisors with them, to an ever more sly and bold madamship, with its epicenter, in fact, at I Due Santi, in a kind of cellar under the workshop-tavern: cellar or half-basement room that had light, perhaps even sunshine, from the garden. The garden — a few turnip greens, also disheveled: an occasional cabbage, its leaves stripped off by the sirocco, made wormy by Pieridae: with a dour hen, flapping there from time to time, checked by a string that was all gnarls, to lay eggs out of season — was at a level lower than the normal altitude of the road, the Via Appia. The cellar, or half-basement room, was equipped with a urinal: and, more, with a cot: which however creaked at a mere nothing, the bastard, and had the tegument of a "counterpane" of faded green: damasked by undecipherable maculations which, in their authentic obscurity, had a baroque tendency: a full, pompous baroque of the first jet of imagination, though it was washed and dried in the garden, the coverlet: and it seemed to deny even hypo-thetically any belated, neoclassical restraint. Attached to the wall, to one side of the little bed, you could see a really sweet oleo: a nice bunch of naked girls, at their medical exam, and a doctor with a little black goatee, looking at them one by one, but dressed like an ancient Roman, without eyeglasses, and with sandals instead. He had stuck his thumb in the hole of a little board, and with the other fingers of the same hand was grabbing a bunch of brushes, to paint with iodine who knows what part of their skin, if he found some pimple on any of them. It opened, this little drawing room or examination room, through a door provided with latch and chain, into the sanctum or oracular receptacle, properly speaking. There bloomed the prophecies and the responses (after working hours) of the seamstreess-sibyl: when all the girls were upstairs, on the other hand, at that hour of sewing and clickety-clack, well, at that time, the magical apparatus was visited by some large rats, using all the caution due the situation. Rats half as long as your arm came tiptoeing in, sniffing, those sons of bitches! with mustaches on them! ready to scent a ghost's sheet two palms away in the dark, and the smell of cheese, at a mile, all the way from the house of the garbage man, who kept their whole family at full board. But they had to be content with a bare smell of that manna, unable to reach it in any other way than with their olfactory sense: they whiffed the Idea, an invisible Presence. The presence of good mountain pecorino, a whole cheese of the days before the Empire landed on us: yes, right on the neck. A trestle in the darkness. A cast-iron stove, A country fireplace: a kettle over it, hanging from a chain: and a fine pot, in one corner, in the midst of such rags! a kind of copper pot which, in a few years' time, would fall prey to the Immortal Fatherland, War-Bearing, shoulder to shoulder with the Twotone Bruder, at a mere sign from the Deuce, the adored Doo-chay: thief of saucepans and pots of all peoples: with the excuse of making war on England.

There was everything you could want. A place, in short, this workshop of Zamira's whose like you would never find, still less its better, for distilling a drop, a single and splendid drop of the eternally prohibited or eternally unlikely Probability. Jerseys to be dyed, trousers to be mended: the moths devour the owl: but some of it was always left, the eyes of the owl live, knowing topazes motionless in the night, in time, surviving the ruins of time. A point of contact of the vital compossibilities: magic, knitting, tailoring, trousering, wine from the Castelli and even from Bitonto (a keg, with a tap: two demijohns, rubber siphons), cheese and beans in April, the grandson of the mustachioed chief rat, rummaging inside the skull, in the cellar, that is to say in the "dyeing room"! in the cranium, where he had entered and where he would come out by an eye, an empty socket, naturally. Packs of cards on the table, the astrologicheral tarot cards: hourglass, cabala of lottery and pentacle: a stuffed owl, with a pair of eyes on him! And pecorino, in a big cupboard, and flasks of oil: ah. . locked and barred so that not even a rat.. no, not even with Zamira! they had had it. They could die of frustration, poor darlings! Abracadabra puffety-poo.

The Elysian gathering of the gentle shades, the summons, the evocation of the compossibilities! Poor, and dear, Zamira! She used to pour out wine for the carters on the Appia, for the carabinieri on their rounds. Standing, these last, having come in from the summer, guns on their shoulders: dusty, overheated, blinded by the immensity: stunned by infinite cicadas: with head and cap amid the cloud of flies, up, up, which gave out a humming at times as of an unseen guitar plucked by the phalanges of a ghost. She, after having brought the drink, took her chair again, wielding her needles, toothless (the front ones) in the circle of her tender novices likewise seated at their work: working with the needle, or knitting. Heads bowed, but raised, however, promptly, from time to time, one after the other, each after her neighbor: to thrust back with one hand, as if bored, the tangle of falling hair. But at that moment! they emitted a flash, those eyes: black, shining, emergent from boredom; then they lingered, bored, on the indifference of an object, a button, the butt of a rifle, the corporal's service revolver, or a little lower down, or a little higher, a little more to the right, a little more to the left. A scent of country women, in short skirts. What promises, what demographic hopes, poor darlings, for the eternal spring of the Fatherland, of our beloved Italy! What knees, Madonna! what big knees. . Stockings — never even dreamed of. Underwear? Hm. The mountain women wore more, to hear the Bull roar in the stands.^{34} Their plump legs held tight together, like they were hatching an egg, or brooding over a treasure. Or else, the complete opposite: feet on the crossbar of the chair, so that, if one assumed a position of vantage, there were panoramas — you can imagine. What thighs!

A man's gaze plunged the penumbra, then in the shadows: it wound, it climbed among the passes of hope, as an explorer of caves dives and climbs, or a chimney sweep. Not to mention carabinieri! Grumpy, as their duty bound them to be, their eyes never stopped searching. And the eyes that came back to them! Eyes? Furtive arrows! Shots, that make the heart die in the chest, of those standing carabinieri: while at the same time the seamstress spoke to them about Libya: the fourth shore^{35}: the dates that were ripening, exquisite, and the officers that she had known there and who had "courted" her with success. This remembering courting captains and colonels for the benefit of plain privates was a stratagem of seduction. Her eyes began to sparkle again then, tiny, pointed, black, darting: under the multiple furrowing of her forehead, under the rumpled pergola of her hair, which was gray and hard, like the fur of a mandrill. Considerable saliva lubricated the outburst of her speech, evocative or oracular as it happened to be: the lips, thirsting, fevered like her gums, dry or viscid, which, deprived of the cutting edge of the former ivory, seemed today the entrance, the free antechamber of every amorous magic. Of which, to be sure, the tongue was the chief instrument:

Énkete, pénkete, pùfete iné,

Àbele, fàbele, dommi-né. .

The devil couldn't resist this summons.

Yes, yes, Zamira had at her disposal a fine supply of niece-apprentices: and reserves, then, scattered along the Via Appia, the Ardeatina, or the Anziate, at this or that milestone, supplementary seamstresses: who, in any unusual situation, clickety-clack, were there to lend a hand: and they lent it: as for example, during the summer maneuvers of the Fourth Bersaglieri Regiment. For the patrols, for the carabinieri, patient upholders of law and order in the infinite summer, such organization was not required: the roster of the immediate employees and nieces was enough. All of them such, more or less, the nieces, to render those vinous visits sweet, and of the most joyous, the most disturbing, sheltered from the dog-day sun after miles, white miles, for the dusted and sweating bearers of guns. On patrol, after having walked their musket along highway and trails, or the heavy revolver, with all its bullets in it, and a couple of magazines in their cartridge box, the unconquerable servants of duty loved to cool off a moment in that harem of Zamira's, so warmly shadowed and silent: which was for all adepts the vestibule of the happy hypothesis, the sanctum of consultations, of Alban consolations. The moment of gentle anguish was fleeting, ah, what else can a moment be? but the following moment followed it: the integral of the fleeting moments is the hour: the unmatch-able hour, where a precise thought was deviated towards hope and towards anguish, like a flashing shuttle, in the warp of furtive glances, mute dissent or mute consent.

The fact is that the carabinieri used to stop off at her place, la Pacori's, the seamstress's: neither headquarters nor discipline opposed this: and at times, they had recourse to her. Little jobs of mending: when perhaps a button is about to come loose, and its stem must be reinforced. One morning, one of those overgrown boys had taken off his tunic, blushing, to have a tear mended: which he had picked up he couldn't remember from what berry bush or hawthorn. Another time, another youth, his pants: so people said: for a motive not entirely analogous, they went on to add. Zamira sent him down to the cellar to take them off: and after him she sent Clelia, or — according to other reports — Camilla, to take the trousers and bring them up to be mended, in the workshop. The divestment of the royal servant required some time: such a long, sweet time! Whereupon the girls, above, at a certain point began to cough, to snicker, to say ahem, especially Emma, that bold-face: until Zamira lost her patience, became angry and scolded them all, calling them a word that wasn't clearly understood, hissing drool from the hole.

Also the sergeant, Sergeant Fabrizio Santarella, hum, one of the two centaurs of the Alban headquarters, the higher in rank of the two motorcyclists, he, too, had taken the seer-dyer some jerseys to be dyed: big packages. He was heralded from afar, from Torraccio, from the last houses of le Frattocchie, from the Robine Vecchie at other times or from Cassera to Sant'Ignazio, or from the Sanctuary of Divine Love: he approached, scattering shots, he arrived, re-echoing, boom boom boom boom: the motorcycle was stilled at the door. They were women's jerseys, those packages: because Sergeant Santarella, who one day had been dragged to the altar by one woman (and not even a very swollen one), lived with nine: his wife, her old blind mother and her slightly feeble-minded sister, a sister of his own, unmarried and chaste, with all the psychic ornaments which from chastity descend upon sisters: three daughters, not yet of an age where chastity is a problem, and two tenants, twin sisters, once about to lose their chastity, but by now (after congruent skipping town of the hoped-for de-chastizer who, unable to make up his mind, had dropped both of them before turning his hand to… to the task) now definitively returned to chastity. Having one day decided to rent, because of the times and the opportunity and his pay, a small redundant portion of his penetralia, that which turned its mold towards Auster, he thought naturally of the paper with the widest circulation: and when it was time to nuncupate the offer in the Messaggero he hadn't had the heart to assert to the readers "no women," that cruel "halt!" of the landlady of Ingravallo. No, no, no, in his house. . quite the contrary: women there were: and women there would be.

Of the male element, in his house, there was only himself: not counting the male bouche of the Douche, which from time to time resounded in the tympanic chambers, exciting tonic resonances, revitalizing his head no less than that of twelve million other Italians: more so, for his was a sergeant's head, clever as it was. From time to time, like winding an alarm clock. It came out, the dear voice, needless to say, it came from the box of the radio: with which Fabrizio Santarella had provided himself in Milan, when he had gone there on a "special assignment," to follow the trail of two gentlemen, both named Salvatore; and he had come back from Milan, with the two Salvatores, and in addition, with a radio with two valves: prodigious discovery of that prodigious civilization. Another male voice, and of the baritonal persuasion also, was that very rich and extremely sweet one of a gramophone, in the moments when it was playing male: because right afterwards, perhaps, it got the whim of being female. The marvelous gadget was transformed, that is, with the most perfect nonchalance, from masculine to feminine and vice versa: with disturbing alternations of impasto: from the Duke of Mantua to Gilda, from Rodolfo to Mimi. For the rest, in the home of Sergeant Santarella, there were women: and women there would be. Malicious-minded men and, even more, women, said that despite the nine women, the eighteen dainty shoes with eighteen women's heels that clicked about in the hours of domestic loisir. . among the. . domestic walls, in the presence of the domestic lares, who were two fine plaster cats over the unlighted fireplace, delivered, poor Toms, of a male from Lucca, they said, oh yes, while the gramophone from Via Zanardelli ladled into his soul for the twenty-third consecutive time the tiny frozen hand, for him and the whole neighborhood, they said, yes they did say, that he had a weakness for some of the niece-apprentices of Zamira, the dyer of I Due Santi. Well, he liked a bit of skirt, Sergeant Santarella did, like all sergeants.

An expert in the art: only logical. At the right moment he knew how to close his eyes. Or open the both of them, on the other hand.

A marvelous mien: his face full, reddish-tanned in cheeks and nose, blue-black where his shaven beard virilized it.

The generous skin of the Italics, in their baked harvests, in July, in the thresher's sun: scorched, to use Carducci's word. A health like a country horse trader. Those stiff mustachios a la Wilhelm II. That heavy pistol on his left hip, weighing six pounds. He made hearts fill with joy at the very sight of him. The girls, on certain moonlight nights, dreamed of the sergeant. Certain seedy bums with all the poverty of the imminent Empire upon them, certain down-at-the-heel bicycle thieves, dopes who lounged around the streets and dives all day long, at night to labor, were overjoyed to allow him to handcuff them, to be "put inside" by him. When he arrived, goddamnit-to-hell, they could draw breath: their anxiety was over, their danger: it was an end to sweating and running, to fiddling around, jumping at the slightest sound, at the suspicion of a gate's distant squeak: breaking locks, your heart in your mouth: there now, all suffering was at an end: they were seized with joy again, in their hearts, poor boys! their faith in the morrow was restored. They were so pleased, just to see him, that they forget their sad obligation, damn the judge: the obligation to escape with their haul, and — what was worse — with their tools, too, and overloaded: after so much labor, to have to take to your heels, too! So it goes. They greeted him with a glance, with a little laugh of understanding, a laugh that means "between us. .": they made him spontaneous gifts of whole bunches of picklocks, skeleton keys, whole assortments of jimmies. They asked him, respectfully, for his last match: to light, voluptuously, their last butt. Aaaaah! Ah! they said, exhaling, with voluptuousness in their throats, or expelling the smoke through the nose: "Ah well, all right, you know how it is," they said: and they held out their wrists: there was born in them a sudden longing for the chains on their wrists: as the weary, exhausted man wants only his bed. They held out two light-fingered paws: he could do what he pleased with them: dazzled by that darkened face, by those steady, black, piercing eyes: by those red stripes, on his trousers, those silver chevrons on his sleeve: by that white calfskin bandoleer like the banner of authority, inquiring, pursuing, handcuffing: by that V.E. in the silver grenade on his cap: by that paunch, by that ass. Yes, ass. Because he turned, he spun, raged, then again wheeled around, planted that pair of eyes on the face of one and of all, mustache erect, pointed, like two nails, and black: he acted, deliberated, telephoned, click, clickety, click, yelled into the receiver, asked for the reinforcement of the two privates from headquarters, imparted orders: which all obeyed, that's the beauty of it, and in a kind of algolagniac frenzy, of masochist voluptuousness: caught in the magic circle of the V.E., in the gravitational ellipse of that nucleus of energy so happily irradiated into its satellies: and, after them, into all thieves in general. Who longed only for this, as soon as they saw him: to be overwhelmed into the clink by a glance from him. Then, when everything seemed to be over, and when his women were whispering Papapapa-papapa, there again came the explosions of the shuddering Motoguzzi, adding glory to glory, life to life. It set off amid clouds of dust, leaving behind murmuring girls: the brides: the nieces of Zamira, barefoot: fugitive demon of the red-striped legion, exhaled from crumbling castles: where Night, surprised by these hours not his, ah, had forgotten to replace him in his cavern: when she extinguishes, instead, on the ruins of every tower, the two yellow circles of the owl. The belated wing becomes flabby, like a remnant of tenebrous velvet, in its nest of shadows and rock. Tapestries of ivy ward off the day. He, on the contrary, as soon as the sky was pink and gold: from Rocca di Papa to Castel Savelli, down, from Rocca Orsina to Monte Nuncupale, up: for already the hoe or the mad-dock was at work, in vineyard or among the olive trees. Bang, bang bang, off at top speed, reawakened, the motor shaking between his knees. Or he jolted on it with a restrained rumbling in the morning, where the little road penetrates cautiously into the brush: or where, proceeding up the mountain, it is lost to all solid ground, among thorny hawthorn thickets. Or where strawberries and snakes commingle, at Nemi, beneath the brush. He acted, an active agent: he disappeared, reappeared, like a genie summoned by a spell: immobile by the trunk of an ilex, perhaps, he and his Guzzi steed, one foot on the ground: and a little further on, erect, the pole-like private: the haunting presence with red stripes, with bandoleer of white calfskin over the shoulder, with V.E. in the silver grenade on the cap. Ornament, with handcuffs in his cartridge box, of the Alban headquarters: with two chains ready for four wrists and two packs of cheap cigarettes and a dozen shots of reserve, the centaur-arrow of Via Ardeatina and, even more, Via Appia: at a certain milestone on certain days, he overtook Lancias in full tilt, Maria Santissima, and after Her immediately with railroad crossings favorable: he was up with them, there, they let him pass: not yet the red Lancia of Francesco Messina,^{36} however, who didn't yet fly to Sicily, in those years, to kiss his Mamma. He took au ralenti the wicked curve of the Cecchina station: he only turned off the motor and stopped, the situation demanding it, at the station of Santa Palomba or Campoleone: where the Ardeatina and the Anzio road crossed, at the same level, the hurling advent of the Rome-Naples. Terror of hens on guard, the locomotive-leveler arrives with livid flashes on the pantograph and at the springs and joins: and behind it the whole train and the hammering din of the express, repeated, iterated, at every tie, as if to uproot all the points of the switches. And those hens went on clucking, flying up, strangling themselves in their tormented vocalises, showing feathers, and white plumes, in their vortex. What cannot fear do? It even makes geese fly. Or again, halfway through Le Frattocchie, he had to stop: at the Appia crossing, or at Ca' Francesi, at Tor S. Paolo, at the Ciampino station: heedless, at other times, of the peremptory assertions: Dangerous curve! Railroad crossing! Bumpy road! or of their symbols, imported from Milan. The Milanese, Luigi Vittorio, had sown Italy with the rare seed of their warning, of their "road signs."^{37} Their outstanding signalism, one fine day, made, of the old boot, a new signal. To warn the people, to inculcate in the velocipederasts respect for disciplined ways, and, at the same time, for their own necks: to teach one's neighbor how to live in this world: erect iron stakes in all of Italy, hoist on to them "road signs" enameled, through public oblation, that desire made them water at the mouth: taking as pretexts the most innocuous, the most sleepy crossings, every curve, every fork, every bump, or, as they say, every dip. The technical memento of Bertarelli, of Vitori, of Luis,^{38} in those years: then, on reblanched walls at the entrance to every hamlet, the totalitario-politico signs of the Turd: ("it is the plow that makes the furrow, but it is the sword that defends it… in a pig's ass"). Sergeant Santarella, Cavaliere Fabrizio, was, was a "great enthusiast" of the Touring Club; as a "life member" he knew its anthem by heart: "The Touring Hymn," born in Valtel-lina to the hypocarduccian-hyposapphic^{39} Muse of Giovanni Bertacchi: a nobly caesuraed hymn, like the Marseillaise, and like all anthems in general, with a bold impetuousness in the refrain, that ritornello so dear to the hearts of all the life-member motorcyclists:

Forward! And on we go!

Which eliminates, as one can see, any possibility of going into reverse.

Santarella, setting to a hypothetic melos that life-enhancing meter, went along humming it and savoring in spirit — as one might gnaw on a toothpick after dinner— in its fugitive pregnancy, along the rumbling and the rush of the succeeding miles: from the dusty trapeze of the road. Then, near Ciampino or La Palomba, he raised his eyes: up and up: white caravans of clouds, crossing the sky in mid-March, pursued by no royal representative: but they too, had somebody who saw to hooking them: and this was the silvered peaks of the antennae, like the teeth of a currycomb biting into cotton into the fleece of the fleeting, the snowy flock was ripped by a perpetual deformability, then was gathered in an unreachable alternation of presages, with the wind high, cold shreds of blue.

"Ines Cionini…"

"Yes, Chief?" Paolillo asked.

"To be kept at our disposal!. ." Poor girl, she was to await the dawn on the flat board of the night tank, wrapped in a tan army blanket under the Sign of the Louse: in the company of other Nereids fished from the ocean by the patrol, wrapped in similar double vicuna, and similarly involved with the relations of the Same, and from time to time sighing or even eloquent in their sleep: and in the presence of a pan mute, uncovered, in a corner: known as the "Commendatore": an authoritative sort, in fact, the Lord Treasurer of excrements. It brought the spirit back to certain Roman abundance and looseness of living and acting, to a certain pre-forty-eight (or pre-forty-nineish)^{40} and quite Gregorian^{41}"loisir de sieger."

Poor girl: when, however, that order was given, well, Sor Paolillo came for her again at ten.

As to Pestalozzi, at a certain point he had asked Doctor Fumi leave to go, begging him for time to take a bit of refreshment, after the long and not perfect day's work: an idea Fumi also found excellent. Having plunged down from the most salubrious hills, the super-sergeant centaur had interpreted the desire of one and all. They agreed to meet at quarter-past nine, or half-past. Before going off again, logically, Pestalozzi wanted to agree on the sequel: the conclusion of what had already been accomplished. In a shuffling along the halls and stairs, the assembly broke up.

In the meanwhile, having gone to Palazzo Simonetti in Via Lanza, Ingravallo ripened what the Deuce on his throne in the Palazzo del Mappamondo would have called "the instructions to be imparted. ." to the inferior levels of the hierarchy: that is to say, to the earthenware vessels, one below the next, which drank in gulping, the cascades of his truculent foolishness: each from the behind of the other. It was late. Drizzling. Everything was still topsyturvy in the night. Don Ciccio ladled into his mouth the lean broth, but not really so lean, emphasizing in a brothy trail the poverty of the proteins and the peptonic ingredients: then, fed up, he chewed and gulped down a few morsels for better or worse, without a word, his big head over the plate of that stew of rubber gristle, poor Don Ciccio! the amorous target of an occasional "But what's on your mind this evening, Doctor?" from his unequaled landlady, all anxieties, all concern: who wouldn't stop spinning around him, him and what he had been served. "A nice piece of cheese? Some of that Corticelli stracchino that you like so?" And, when he grimaced: "Just a little piece, Doctor. Try it: it's so good… It can't hurt you. ."

Under the glass spotlight rimmed with pleats and green-and-white ruffles like salad, his pate seemed more tenebrous, more curly than usual. No automobile! No help in moving away from his base. There were automobiles, bah! "but only for those bastards in political," that is to say, the political section. The excursion he had missed, that horrible Thursday: "the seventeenth of the month! The worst number there is," he sighed, "seventeen, lousiest of all!. ." he grunted, through clenched teeth.

Now all the merit went to the carabinieri of Marino. "Those big-hats, those Punch-and-Judy cops." Pestalozzi dined with good appetite off the marble-topped table in Via del Gesù, at the Maccheronaro's, where Pompeo had taken him: Grabber, as he was called, who also acted as master of ceremonies, at Santo Stefano, when the occasion demanded.

Pompeo, for his part, didn't see what obstacle could oppose the introit of a reprise of that shoe-sized sandwich he had had at seven: with paving this time, of roast beef and mortadella, in alternate slices, gently laid in that sofa of bread, by the expert, pudgy fingers of the Maccheronaro himself: who tegumented the slices at last, after a checking, dismissing glance, with the precut and set-aside roof top or lid (the upper half of the roll): the lower lip sticking out, but by a bare millimeter: while his double chin compressed and, so to speak, flattened against the collar, if one could believe he had a collar, ended by hiding entirely his spring-like tie, a bow, with polka dots on a green ground.

The customers present, envious, were stunned. A full-scale torpedo boat, something exceptional. To see it from the outside. . quite decorous: but ponderously stuffed, within. Er Maccheronaro raised his eyelids, deeply serious, his lip still extended by that fraction of an inch, fixing without a word his beloved client, in the moment and in the very gesture of handing him this trophy. "Is this it, or isn't it?" his gaze seemed to signify. Pompeo allowed himself to be fixed. He set his tooth where it deserved to be set. After a couple of cavalierish bites, his mouth resembled a grinder, an eccentric millstone. He couldn't manage an answer, if anybody asked him anything. He looked towards the person in question, his big eyes wide, with the air of having understood.

At ten-thirty they were all gathered in Doctor Fumi's office. Paolillo brought back Ines. Who was — and where was — the young man? And that girl friend of her girl friend? Why, what girl friend? The one. . the one that she had talked about, Mattonari, Camilla: "the one, if I'm not mistaken," Doctor Fumi said, "the friend who worked with you at Zamira's," at I Due Santi.

Camilla Mattonari, Ines admitted, had spoken to her of a girl friend, who had been in service in Rome, but not an all-day job.

"Half-time, you mean."

"Well, I don't know if it was half: she worked for some people who had given her a dowry, and now, she had to get married."

"Married to who?"

"Married to a gentleman, a businessman in trade: the kind that live in Turin and make cars: who had given her two pearls. And on Candlemas Day, for that matter, she was wearing them in her ears, those pearls. Everybody saw them." And she had also met her one evening. . what a pair of eyes!

"What eyes!": and Fumi was annoyed; he shrugged.

"Well, yes, her eyes. ." Ines rebutted, "were. . different. Different from the eyes like the rest of us have. Like she was a witch, or a gypsy. Two black stars, right out of hell. At the Ave Maria, when it was getting dark, she looked like a devil disguised as a woman. Those eyes were scary. It was like they had an idea, in them, of getting revenge on somebody."

"So you know her then."

"No, I only saw her once. . after dark."

"Where?"

"Well… it was on a road, in the country."

"In the country where?. . Look here, girl, don't think you can fool me. . You're trying to pull the wool over my eyes."

"It was a dirt road: where there was a field. . and a church, but without any priests in it, it has a long name with tondo in it."

A liar, who got all tangled up in her own lies. Fumi wondered whether she was crazy, or something like it. The tortuous, winding notions of a stupid peasant girl who's lying. After having snapped at her, the four of them, like four dogs at a doe, pulling her and pushing her this way and that in the torment of easy and nonetheless repeated objections, they succeeded in the end in wrenching from her lips the calming lie, the plausible lie: the one which, contradicting or resolving all the previous ones, seemed finally the truth. The "country road," it was discovered, must have been a street (in those days still countrified and solitary) on the Celian hill, amid silent umbrella pines, fields of artichokes and some stables, and crumbling walls and an arch or two, trod, at nightfall, by the wondrous steps of solitude, so dear to lovers: perhaps it was Via di San Paolo della Croce, or more probably Via Delia Navicella or Santo Stefano Rotondo. The arch was that of San Paolo, if not the archway of Villa Celimontana to the side of Santa Maria in Domnica. The "tondo" . . . "without any priests in it," wasn't, could not be, the Temple of Agrippa, where the bloodhounds had traveled in their thoughts, immediately rejecting is since it doesn't stand "in the country." It was instead Santo Stefano Rotondo, deconsecrated, in those years, to permit certain restoration work.

With all these logistics Doctor Fumi had rather lost sight of the gypsy, the bride of the Turin industrialist. The bloodhounds seemed to sink deeper into the mud.

"Tell us about these earrings."

"I didn't see them. But everybody knows about them: two long earrings, like a real lady's." And she repeated, in an obstinate singsong: "her fiance gave them to her, a businessman from Turin: he buys and sells cars: how can I make it any clearer than that?"

"Just skip the clear and the dark. . clarity is our worry," Doctor Fumi scolded her, his eyes now sleepy in their wrath. Who was she? Yes, this witch, this gypsy. . Where did she live? What was her address? "Her address. ." Ines hesitated again. Well, she must have lived somewhere around Pavona: that's what la Mattonari had told her. And that's what everybody said, at I Due Santi. "That girl's lucky: Rome is where girls get ruined: and instead she even got herself a dowry, that's what. And now, whenever she gets the notion, she can marry herself a real gent."

The officials, Doctor Fumi, Ingravallo, Sergeant Di Pietrantonio, the corporal exchanged glances. Grabber, perceptive young man that he was, read in those glances a thought: "This girl's trying to screw us. She thinks she's stealing candy from a baby."

Ingravallo seemed tired, upset, annoyed: then absorbed behind a chain of thoughts. Strange analogies, Grabber suspected, unknown to the others, were at work in that brain. There was no apparent connection, but who knows that one didn't exist, who knows but what Ingravallo would guess it, black and silent in his reflecting; there was no trail from the aproned delivery boy, to the thief in overalls, to the unknown murderer, to the big eyes of the gypsy.

"And what about the boy?"

"What boy?"

"Your boy friend, that guappo, that little crook: what do you want me to call him?" Doctor Fumi seemed to encourage her, to invite her to see reason, to speak. Then Ines took fright: she seemed tired, all of a sudden, in her filthy attraction: she seemed to withdraw in shame, to cloak her suffering: with sunken, hollow eyes, her white brow swathed in sadness under that blond hair, so hard, hardened with a bit of dried rain and crassament desiccated in the dust (that hair, all of them thought, from which a green celluloid comb would have extracted gold in the sun), with her lips a bit swollen and as if still chapped, by every gust of March wind.

"His name is Diomede, my boy friend. But I don't know where he lives. He's always moving around."

"Moving around how?" He moved around in the two best senses of the word: often changing his room or rather lair or cot: and strolling idly about Rome from morning to evening: looking for you never know what. The last time, she had run into him at the Tunnel of Via Nazionale. He lived here for a while, then there. But he wouldn't tell her where he was staying. On a couch at some relative's: in a room rented from a seamstress. In the empty bed of an uncle who had died, a couple of weeks ago. . that is, the uncle of a friend of his, who had lost his uncle. And when he couldn't manage any more, couldn't pay up, then he had to get a change of air, you see?

"Obviously," Doctor Fumi concurred in a low voice. And he wandered around the city with no particular place to go, or else with slow and perhaps meditated itineraries: he shifted softly from one neighborhood to another: Monti at ten, Trastevere at four, at Piazza Colonna or Piazza Esedra with the lights and the red-green reclame of the evening, the night. The residential districts? Yes.

"He also used to work Via Veneto, Via Ludovisi every now and then, where it's a little darker, because of the women."

The girl blushed, raised her head, and her voice became spiteful, irked. "He went out walking, walking: he had to have his shoes resoled every month: he walked, and disappeared, and you never knew where he had gone."

Either to cultivate his beauties, or to escape his beauties: certain beauties, at least so it seemed to Ingravallo, looking for him, eager to find him, to catch him, with long, examining looks beyond the flow of the cars, from one sidewalk to the other, or along the sidewalk crowded with tables and chairs, with ladies and gentlemen drinking or in the process of sucking, in cautious, disinterested sips, the pallid fistulas.

"They'd go to the end of the earth to hunt for him," she stated: her eyes steady, calm.

"He too! He, too!" Ingravallo's feelings ached. "In the roster of the fortunate and the happy, even he!" His face became grim. "He, too, persecuted by women!"

"So he kind of wanders around, you know what I mean. ." and, after some hesitation and with a certain amount of emotion in her tone: "so all those women looking for him won't find him at home, so he doesn't have to trip over some girl every step he takes."

With one hand she threw back the evil mop: she was silent.

"I understand," Doctor Fumi resumed. "Now, tell me: what's he like, what kind of a face does he have, this Diomede? By the way, is Diomede his first name or his last name?"

"His last name?" Ines lowered her eyes: she blushed, to gain time, to fabricate her seventy-third lie.

"His last name," Ingravallo followed up. "Yes, we may need him."

"To learn a few things from him, too," Doctor Fumi added.

"Well, he didn't want to tell me his last name."

"But he finally did tell you, though," Ingravallo insisted. "Out with his last name."

"Listen to me, girlie. The bunch of us, here. . it's best for you… we need his help."

"But officer, sir, how can you need a boy like him? He's never done any harm to anybody."

"He has to you!. . Seeing as how the vice squad has run you in."

"Well, I mean, that's between me and him: the police haven't got anything to do with that: it's our business."

"Aha, so the police have nothing to do with it, eh? Honey, you're not talking sense. We're the ones who know what the police have to do or not."

"He hasn't done anything."

"Well, then tell us his name."

"And I don't feel like I've done anything wrong, either": her eyes became damp: "Let me go, too."

"Diomede, eh. ." and Doctor Fumi's gaze had the unswerving quality of a request to see identification papers, urgently.

"Well, they told me his name was Diomede.. Lanciani, Diomede." And she burst into a sort of stifled, soft weeping.

"Don't you worry your head. We want to get hold of him because he has to tell us. . something: something interesting. That's why we have to find him."

"Hurry up now. What sort of a mug does this Lanciani have?" Ingravallo insisted, hard. "Is he big? little? blond? does he have dark hair?"

Torn between distrust and pride, Ines dried her eyes with the back of her hand. "This Lanciani's an electrician," she said proudly: and took to sketching his likeness. Her voice, after pauses of fear and suspicion and admissions filled with belated caution, became animated to the point of a heedless gaiety, almost joy. She resented Ingravallo's choice of words. "If you want to know about this mug," she resumed, turning to Fumi as to the more benign of her two principal inquisitors, "there's more than one boy who'd be glad to have it, that mug; believe me, sir, chief, that you wouldn't mind having it yourself, a face like that." "Sure, sure." "A boy this tall": and she made the usual gesture, raising and extending horizontally her hand. She bent her head to one side, the better to glance at her palm, to evaluate, from below, the accuracy of that indication of height. "A handsome boy. Yes, he's handsome. So what? Is that against the law? He's smart, too. Yes, blond. It's not his fault if his Mamma made him a blond. Eh? Was she supposed to make him dark, when she felt like making him blond?" In her bag she even had his picture. Paolillo went straight off to the storeroom to dig out, from those rags, that miserable little purse: the identification card of the poor girl, which she had refused to the patrol when she was picked up, was already on Doctor Fumi's desk and under the light, open, crumpled. Paolillo returned, with the vagabond's purse and, in his other hand, the photograph of a young man painfully autographed crosswise with a scrawled signature: "Lumiai Dio. ." he spelled out, as he walked, and he was about to hold it out. "Hand it over." Doctor Fumi tore it from his hand. "Lunci-a-ci Di-o. . God only knows what he's written here. Diomede!" he exclaimed, victorious. A character! A face of the kind that the bimonthly "The Defense of the Race,"^{42} fifteen years later, would have published as an example of splendid Aryanism: the Aryanism of the Latin and Sabellian peoples. As an exact copy, yes. He was blond, certainly: the photo asserted that: a virile face, a clump of hair. The mouth, a straight line. Above the life of the cheeks and the neck two steady, mocking eyes: which promised the best, to girls, to maidservants, and the worst to their dejarred savings. A bold sort, made to be surrounded and fought over, followed and overtaken, and then given presents more or less by all the girls, according to the possibilities of each. A type to represent Latium and its handsomeness at the Foro Italico.^{43}

That photo, Ines explained, had cost her an incredible number of slaps: because he, one day, had wanted it back. Yes, he wanted it back at all costs. It was night, almost. He had turned mean, as she refused: he seemed out of his mind. He had yelled in her face, called her one thing and another, he even had the heart to slap her around: and, as if that weren't enough, threats. They were alone, between two walls, under a broken street light on the Clivo de' Publicii at Rocca Savella, where the knights are^{44}: it was growing dark. But she had taken the slaps, not batting an eye. She had held fast. At least that memento of him! of all the love they had felt for each other! and she loved him still, for her part: even if now. . they forced her to turn informer. "But there's nothing to inform!" she yelled. "So he gave me a couple of slaps, what of it? That's our business: you can't put him in jail for that."

"A couple of slaps!" and Doctor Fumi, shaking his head, looked at her. "Before, you told us another story: but it doesn't matter!" and he drew his head down between his shoulders. He was about to tell her again that she had nothing to fear: they only wanted to question him, not to arrest him, still less, to lock him up. "Well, anyway I'm sure you'll never make it: you won't find him, not him." She spoke with her head bowed, pensive. "And besides, if you do find him, I'll be glad. That'll be the end of things between him and. . that American woman." She seemed to be excusing herself, a woman, to herself.

The photograph of Diomede passed from hand to hand. Ingravallo also gave it a sidelong peep, as if reluctantly, though in reality with a certain secret annoyance: he passed it to Fumi, carelessly: a gesture meant to signify boredom and fatigue, and the desire to go and get some sleep, since it was high time: "one of a thousand like him." Finally after a few more ahas and a few more ahems, after a "But I've already seen it," it was knocked down to Pompeo, author of this last exclamation, who sheltered it in his wallet of simulated alligator, and the wallet he placed over his heart, agreeing in a loud and ringing voice: "Well, we'll do our best." The chief, meanwhile, had motioned to him: "Here," with the little rake of his four fingers of the right hand: and Pompeo had therefore approached: bent, now, he gave ear to the whispers of the seated official, and had already nodded his head repeatedly, looking far into the distance, that is to say, against the papered or opaque panes of the window: which the night's gaze, outside, observed, fearing, venerating. That ear listened, with its habitual zeal: and the doctor dropped those whispers into it, like so many drops of a rare henbane: and the movement of the lips was accompanied by a lively digitation, like a closed tulip, index and thumb in disjunctive oscillation.

At seeing the photo of her beloved take shelter against Grabber's heart, Ines, poor kid, blanched. Over her little nose her saddened eyebrows thickened in a frown that seemed wrath but wasn't: tears glistened, suddenly gleaming, under the very long and golden lashes (through whose comb, once upon a time, to her childish gaze, the glowing Alban light, the light of morning had been broken and radiated). They ran down her cheeks, leaving there, or so it seemed, two white streams, down to her mouth: the trail of humiliation, of alarm. She had nothing with which to blow her nose, nor to dry those tears: she raised her hand as if to stanch with the gesture alone what might have bubbled up from the wretched solitude of her face, to perfect the cruelty of those moments, the chill and derision of the hour which is their sum. She felt as if she were naked, helpless, before those who have the power to pry into the nakedness of shame and, if they don't mock it, they pass judgment on it: naked, helpless: as are all sons and daughters without shelter and without support, in the bestial arena of the earth. The stove was damp. The big room was cold: you could see your breath in it: the light bulbs of the Investigation Squad were governmental. She felt upon herself, shuddering at it, the men's gaze, and the rips, the tears, the wretched bunting, the sordid poverty of her dress: a tramp's jersey. To God, she could surely not address herself, not in these clothes. When he had called her by name, the name of her baptism, three times: Ines! Ines! Ines! at the beginning of her life in the underbrush, three times! like the three Persons of the Holy Trinity. . the oaks writhed in foreboding under the gusts of the mistral: they opened the path of the underbrush to her, behind the deliberate tread of the boy. When the Lord had called her back, with his gaze of golden rays in the evening, from the round window of Croce domini, she, to the Lord — who had the heart to answer Him? "I'm going with my love," she had answered that gaze, that voice. So as for the Lord, now, He had to be left out of it.

She bowed her head, which, falling over her face, her dry or gluey hair put in the shadow, threatened to hide altogether. Her shoulders seemed to grow thinner, more skeletal almost, in the jerks of a silent sobbing. She dried her face, and nose: with her sleeve. She raised her arm: she wanted to hide her weeping, shelter her fear, her shame. A gap, at the beginning of her sleeve, and another in the undershirt below it, revealed the whiteness of her shoulder. She had nothing to conceal herself, but those torn and discolored remains of a poor girl's dress.

But the men, those men, blackmailed her with their gaze alone, afire, broken at intervals by signals and flashes, not pertinent to the case, of a repugnant greed. Those men, from her, wanted to hear, to know. Behind them was Justice: a machine! A torment, that's what Justice was. Hunger was better: and going on the street, and feeling the rain drizzling in your hair: better to go and sleep on a bench by the river, in Prati. They wanted to know. Well? What sort of dealings did this Diomede traffic in? She shut up. And they: come on, come on, talk, spill it. They weren't asking her to do any harm to anyone, after all: only to tell the truth, they begged her. Some truth! Putting people in jail for it. People. . who have to shift for themselves: they have to live the best they can. Talk, spill. And be quick about it. No harm, after all. And, in the contrary case, bad papers for her. They needed him for the law, because a big crime had been committed, in all the papers it was. They showed her some of them. Rubbish. She waved the newsprint under her nose, slapping a hand on it as if to say: there you are. (She drew her head back.) For the law: "not to hurt you or anybody else," Grabber added calmly, persuasive, with a deep voice that came right straight from his heart. He was one of the Brothers of Happy Death, Grabber was, the ones who wear hoods over their heads and accompany the deceased: when it came to consoling widows there was nobody like him on the force. "Diomede," the girl said to herself, "is bound to be innocent. Giving a girl a slap or two, the coward, doesn't mean he cuts women up with a knife." She was reserved. She hesitated. "With these cops, a girl never knows." Maybe it was better to satisfy them, she thought. Better for Diomede, and better for herself, too. That would be an end of it, at least! They'd quit their nagging. Pompeo would take her back to the dormitory. She'd throw herself on the planks; hard as they were, she could still fall asleep there. Maybe even those four-legged relatives would fall asleep too, poor babies! She was dead tired: her head swam: worn out.

"What did Diomede do?" she started. "What were those women he had hanging around him? What sort of women were they?"

She, between humiliation and the fury of the great jealousy she suffered, her face still plunged into her elbow, her hair falling lankly even beyond the elbow, hiding her whole forehead. . ended by saying, sure, he was capable of going even with old bags, as long as they. .

"As they—?"

Well, of course, yes, no: she didn't want to insult herself, since she also went with him. It was… it was for his own interest. Because he had been out of a job for two months: and he couldn't find work: another job, a little better, to keep going.

"So what does he do?" asked Doctor Fumi, mildly. "What would his job be, if he wasn't out of work?" The great eyes of the inquisitor widened, a little yellowish at the corners, they rested sadly on that tangle of hair, which streamed, like a fountain, from the girl's elbow. "Electrician!" she sobbed, without raising her head entirely, only extracting it slightly from that defense of arm and elbow, and allowing its voice to escape. Now, with softened tears, she was dampening the sleeve, where there reappeared a hole, at the point of the bone, and the rip of the blouse and jersey and the white of the skin, at the shoulder. "And now he has an English woman," she stated, resuming her sobs, in that bath, with bathed words: "an ugly American, he has, but what do I know about it? She isn't old, though, not this one, but with hair like straw!" She wiped her nose on her cuff. "She has money, that's what she has": and again she burst into sobs.

"And who is she? Do you know who she is? Where does she live? Can you tell us? Speak up. This American, this English woman. ."

"What do you think? Who do you think I am? She's probably there, in one of those swell hotels, where rich people stay. ."

"There? Where?"

"There, in the fancy part of town, Via Boncompagni, Via Veneto. How should I know? I know the name is Burger. . Borges. ."

"I know. The Pensione Bergess," said Pompeo, pronouncing the foreign name after his fashion.

"Pompeo," said Doctor Fumi, turning, "tonight I want to see the hotel lists."

Pompeo looked at his wrist watch. Ingravallo moved from his desk and began to pace slowly up and down the cold tile floor: his head bowed, sulky, he seemed to be meditating on all these complications, as was his wont.

"The Foreigners' Bureau, Pompeo, the file. Pensione Bergesse. And good hunting. Since we've got a clue here, go straight to the night clerk and see what he has to say. Reports! Doormen! Information! What are all those porters for in hotels, anyway?" He hesitated a moment. "And in pensioni, too, Pompeo. Ingravallo, you better have a look, too. . into this mess with the American." Don Ciccio nodded his assent, with two-tenths of a millimeter of movement: of that great head.

"And tomorrow morning, Pompeo, you're going to take a little stroll along Via Veneto. You've got to meet this English girl by accident, you get me? And then — we understand each other, eh?. ." Great eyes on Pompeo. "Follow her, trail her: and catch her with the boy!" index finger towards the abyss, "after the rendez-vous," triumphant tone: "you've got to bring her in with the boy, not before": a singing note. "After they've met! You understand me, Pompeo? Straw hair!" he frowned. "English, English," pensive, thoughtful, or rather. . why not?" thoughtful, "Scotch, or American!" Brief silence: "after the rendezvous!"

"I understand, chief, but. ."

"Straw hair!" eyebrows and lashes turned inexorably up towards the stars: a tone that admitted no appeal: palm extended, repelling, resisting any objection, licit or illicit: fingers splayed like a monstrance.

"And the photograph of the boy photographed here": he slapped one hand on his head, with pathetic emphasis: the good-looker, the picture of… of Diomede Luci-ani…"

"Lanci-ani," corrected Ingravallo.

"All right, all right, Ingravallo! Lanci-ani, Lanchy Annie." Then, turned to the others present, over the circle of whom he moved his eyes, and with the pacified tone of one who is speechifying de moribus, de temporibus: "Those girls land at the Immacolatella, a hundred and fifty at a time, at the Beverello pier! From the Conte Verde!" he stated: and drew his brows back half across his forehead, index and thumb joined authoritatively to form a circle: "the largest ocean liner of the Italian Counts Line!" They come flying out in droves, in fact, from the belly of the Count, like so many hens from a cage: which, after a long trip across the world, is finally set on shore, opened: coming down the gangway in groups, with bags, some with eyeglasses, they scatter over the Beverello: amid trunks, hotel agents and men from Cook's, with words written in gold embroidery on their caps, and porters, and people waiting open-mouthed, and vendors of ices or coral horns, offering services and addresses, and inventors of needs which are not needed, meddlers, curious bystanders of every kind, women.

"But. ." and Doctor Fumi waved the hole of his two fingers, extending his little finger, "hens that lay golden eggs! when they lay them. Their father, the mother, back in Chicago, think the girls are coming to look at the pictures in the museums, to study how the Madonna is dressed up, how pretty she is: how handsome San Gennaro is, too": and he was shaking his head, at the certainty of those fathers and mothers: "The Beato Angelico Chapel! The Raphael rooms! The frescoes of Pinturicchio!"^{45} He sighed. "Those little things have other rooms on their minds," he murmured. "The Assumption of the Virgin!" he exclaimed: "by Titian, Tiziano Vecellio!" and the last name, in that dirty room of police headquarters, lent an added propriety to the first name: as if this Titian were a fellow with all his documents in order, a person whom suspicion couldn't even graze. "The portrait of the Madonna — the spit and image — with those seven wax angels over her head!. ."

When he was assistant chief at the Frari station in Venice, the five scarlet Cherubim of one of the six Enthroned Madonnas of Giovan Bellino (Galleria dell'Accademia) had become impressed on his memory, his genteel however bureaucratized memory, like the seven seals of the Apocalypse, in a lead-colored sky. And he had thrown in the Assumption: which has a dance of putti all around the Virgin's head, vice versa, some with doves' wings, others without: one, wingless, with a tambourine: singing ho-sannas.

"That's what their parents think, back in Boston, in Brooklyn." He tapped his index finger against his forehead, hammering. His eyes assumed a knowing look, the sly face, reproducing the slyness of those relatives. "They think these girls travel around Italy in herds, a hundred at a time, like little kids in a boarding school. A hundred at the museum, a hundred at the opera, a hundred at the aquarium, you know, where they keep the fish, under water; a hundred at the Baths of Caracalla, a hundred at San Callisto following that monk with the candle, which then goes out. Those girls — Ingravallo — not in a pig's eye." He turned to his inferiors. "Those girls, as soon as they get off the boat, Ingravallo, you follow me. . bzzz bzz": he fluttered, with his hands, casting them here and there like thunderbolts, with the eyes of the Thunderer.

"One slips away here, another there, you understand me?" and his eyes, luminous in their sadness, gathered assent on all sides. "Each on her own, and God for all! Taormina, Cernobbio, Positano, Baveno," he was becoming stubborn: "Capri, Fiesole, Santa Margherita, Venezia," his tone hardened, with stern emphasis in its crescendo, a vertical wrinkle in the middle of his brow: "Cortina d'Ampiezzo!"

"D'Ampezzo," grumbled Ingravallo.

"D'Ampezzo, d'Ampezzo: all right, Ingravallo, you're our philosophy professor." He frowned: "Cortina, Positano! And — see you later!" he waved his hand in the air, a farewell to somebody who wasn't there: "See you here, six months from now"; the index plunged. "Here, here on the dock, Beverello. In exactly six months." He was silent. He sighed, knowingly. "Raphael my foot!" he exclaimed, in a new jerk, in a return of his contempt: which contempt rolled and died away beneath his preceding statements, like thunder after a storm in flight. "Rooms!" and he became agitated. "Pinturicchio! The room they're after is another kind, Pompeo, and you have to hunt for that room, if it takes all night!" Stilled at last, to himself: "And the Pinturicchio they want… is another man, too. ."

The girls, no sooner were they dished up on to the Beverello from the tenebrous belly of the Count, felt at once, in their hearts, and since they were girls one couldn't say they were wholly wrong, they understood, they sensed suddenly that in the land of the fine arts, and of the fine artisans, they would prefer a live painter to a Pinturicchio deceased. Ingravallo, too, had read Norman Douglas as well as Lawrence: and had distilled Calabria, Sardinia (growling) as from a phial of super-effective elixir. He remembered that one of the two great erotologists, but he didn't recall which one, had become transformed into a geodesist, and had considered the wisdom of drawing up a map of the male contour line, extending it to all the surface of the earth. He had then triangulated, in his geodesy, also the Circean territory, extracting from it the documented certitude that Circe had not chosen badly the site wherein to exercise her art, which was the art of putting young men to sleep. This territory of the most profitable drowsiness, that is to say, of the highest level of male potential was, according to Norman Douglas or according to Lawrence, a spheric triangle, or rather, a geodetic one. And the vertices, the extreme geodetic strongholds of the unmatchable triangle, he, Norman Douglas, or he, Lawrence, saw as emerging from the three cities of Reggio (Calabria), Sassari, and Civitavecchia, to the great vexation of the citizens of Palermo. "He could have moved a little farther north, this sonovanologist," Ingravallo thought, silently, clenching his teeth in anger: "and a little more to the east," his unconscious prompted him, "to the top of the Matese mountains."^{46} He shrugged: "It's his business!" And, teeth still clenched, he drew the conclusion: a conclusion probably unjust: which, in any case, is of no interest to the present report.

THE sun still hadn't the slightest intention of appearing on the horizon when Corporal Pestalozzi had already left (on his motorcycle) the barracks of the are-are-see-see^{51}at Marino to hurl himself on the tavern-workshop where he wasn't for one moment expected, at least not in his capacity as functioning corporal. The girls, and before them, the sorceress herself had sniffed in the air, yes, a certain, indefinable interest, then perceived a certain circumscribed buzzing of carabinieri (like the ugly horseflies when, of a sudden, a new miracle is scented, in the country), of the sergeant and the corporal, in particular, all around the sweet fragrance of the knitting shop, and finally to the very door of the tavern and even inside, at the counter: an attraction which wasn't the usual, for from the 17th to the 18th, from Thursday to Friday, in the space of twenty-four hours, it had become objectified in a scarf of green wool: yes: probably, if not surely, pinched: whence the urgency, for the beneficiary of the change of ownership, to take it to Zamira to be dyed. The new and, perhaps, even a bit intensified buzzing of the huge men in olive drab or black-and-red wasn't ascribable to private urges, that is to say to the exuberance of the eternal lymph from within the straits of discipline. No, no! The alert and ever closer circling of the workshop, or better of the little hovel that housed the same, had become, in the last couple of days, a royal, carabinierial buzz, obviously to be imputed to a determined case in point of the pinching variety: in short, a police-style buzzing. So that they, the girls, were? Silent! Lips sealed. And knitting, cutting, plying their needle: zum zum zum at the sewing machine. The two bechevroned men, sergeant and corporal, one after the other, and almost in mutual rivalry, had tossed out with effective nonchalance, as if it were a matter of mere passing curiosity, a couple of unforeseen questions, then foreseen and expected, concerning the scarf: and what was it like, and what color was it, was it made of cloth, or knitted, by hand or machine-made? An old lady had lost it, according to what they said… as she got off a tram. Zamira blew little bubbles of saliva from her hole and beaded her lips, at the corners: it was her way of palpitating, of participating. She had, one might say an invitation in her eyelids, the most melting, the most edulcorating invitation of mi-careme. But that other girl, that quasi-bride, the one who to the paternal heart of the sergeant was the opened, purplish rose in the bouquet of the white and still-closed buds, had shot into his eyes "her" eyes. A rapid, luminous adept's glance: and that arrow shot, so dewy with intelligence, had been more than sufficient for the sergeant. To concert with immediate parapathia an encounter, vespertine and casual, oh very casual indeed, halfway along the little road to Santa Margherita in Abitacolo: at an hour when no living soul was to be seen. Then and there the scarf was brought back to him (ideally): so green: and in the welling-up of whispers also there came to the surface the buggy, March, the horizontal rain and the new moon and all the strong March winds, and the offering of hot wine, poor horse! in a watering bucket: and, what was more important, the Ciurlani Dyers in Marino. And finally the first name, last name, alias, fixed abode of the denominated male or "boyfriend": with some further information, some hints about his appearance, his character, type, manners, figure, shoelaces. His overall, for that matter, not to mention the cap, were missing from the portrait: a precise question of the sergeant remained unanswered. In the workshop-tavern at I Due Santi, all the girls, every time, and Zamira also, on the other hand, had become lost in a dreamy innocence, had remained silent, or had answered in questions, with their eyes, their questioners: or else they had shrugged and had contracted their lips in a moue of ignorance.

Towards Monday, then, that rather rascally zeal of the carabinieri had become completely stilled. A private or two, true enough, had dropped in, descending from his bike; to order an orangeade. The swaying of the handle of the door with glass panes (colored ones) had given the swaying forewarning of a customer: and he had appeared: a carabiniere passing by. The orangeade having been ingested, when its respective gas, as usual, had erupted back again in the kind of nasal crypto-belch which follows a beverage of that kind, then the soldier had unbuttoned his tunic, had opened it slightly, for greater comfort and the drawing of breath: and had drawn out a kind of hamburger swollen with papers more than a generous salami sandwich: a rotten wallet: an organ indispensable, to the sweating, to the wretched, to effect the laborious payment of a "soft" drink. His fingering his buttonholes, restoring to a freer splendor the noble buttons of his uniform, had granted the girls — not to say to the mistress-seamtress — occasion to eye, in a furtive glimpse, but surely a connoisseur's glance, the vivid outlines of his chest, to appreciate the mood of the quenched man: peace, vigor, relaxation, inhibition, pride, and, to record it, this mood, on the positive side of the ledger of humanity's general heritage: excluded, in practice, any dutiful assignment any "causal motive" or rationale of service.

March the 23rd, in the carabinieri's barracks, at Marino. Having risen in the night, come down at daybreak, a private was waiting in the courtyard. Pestalozzi appeared, a dark person, from the shadows, from beneath the archway: he walked to his machine: his bandoleer stood out, white, to underline the dispatch of his actions in an elegant apparatus of authority. A few words to the subaltern, a brief inspection of the beast, splashed with mud up to its muzzle. Once he in the saddle, with one foot on the ground, the left, he gave the kick to the motor: with his right. The sentry had opened the doors, as if for the exit of a great coach, of some Roman Apostolic Prince and Duke of Marino. Pestalozzi seemed lost in thought. Wednesday the 23rd, he thought. In fact. He raised his eyes to the tower, which a spout of almost-yellow light, from a screened bulb, tinged at its top, in a stripe, a little below the surviving roughness of the cordon at the pinnacle. Six twenty-five by the clock in the tower: the same as his own, exactly. To accompany him he had summoned this private, who was already weighing down the rear part of the seat with his behind and was about to draw his feet into the boat, too, clasping his superior by the waist, with both hands, and awaiting the motor's first explosion. Pestalozzi with his right foot, pressed down: he reiterated the starter. The cylinder began at last to gurgle, the whole machine to tremble, to beat its wings. The sentry saluted, at attention: the threshold was passed. The turn did not occasion falls. But they weighed, the two of them, on the tires. The cobbles were slippery, a steep slope: a little skin of mire, in some places, made it even more dangerous. The mare with the two riders on her withers rolled down, under restraint, grumbling, it bore to the right, then to the left towards the gate of the town, between black peperino walls and shadows, beneath little square windows, armed with rusty iron bars to incarcerate the darkness. An occasional civic lamp swayed its greeting to the fleeting men, in that dark and stony poverty of the village: a bracket coming from the lichened walls, which sloped back, like the curtains of a fort: electric flower of the willing budgets, ultimate sob from the bowels of the vice-mayor for the ante-lucan solitude of a street from which the north wind precipitates, whistling, at night: or the sirocco slows there and dies, three nights later. They descended to the gate of the town.

Once past the arch, the road started spreading out towards the Appian: it went among olive groves barely silvered by the dawn and the prone skeletons of vines in the vineyards. Then it was thrown back, like a stole, over the damp shoulders of the hill. At the first curve the view also turned back.

Pestalozzi raised his head for a moment, cut the motor, put on the brake, stopped their course, with a certain caution: he paused for a couple of minutes, to cast the morning's horoscope.

It was dawn, even later. The peaks of the Algido, the Carseolani and the Velini unexpectedly present, gray. Sor-atte, sudden magic, like a fortress of lead, of ash. Beyond the passes of Sabina, through small openings, portholes that interrupted the line of the mountain's crest, the sky's revival manifested itself in the distance by thin stripes of purple and more remote and fiery dots and splendors of sulphur yellow, of vermilion: strange lacquers: a noble glow, as if from a crucible of the depths. The north wind of the day before had died away, and here, to alternate the auguries, the hot slavering on skin and face, the gratuitous and now subsiding breath of a sirocco's lashing. Further on, from behind Tivoli and Carsoli, flotillas of horizontal clouds, all curled with cirrus, with false ribbons of saffron, hurled themselves, one after the other, into battle, filed joyously towards their shredding: whither? where? who knows? but surely where their admiral ordered them, to get it in the neck, as ours orders us, all their little sails within the range of the winds. Labile, changing galleys, tacked at a high, unreal height, in that kind of overturned dream which is our perception, after waking at dawn, tacked along the ashen cliffs of the mountains of the Equi, the whitened nakedness of the Velino, the forewall of the Marsica. Their journey resumed, the driver obeyed the road, the machine addressed the curves, bending with the two men. The opposite half of the weather there, above the shore of Fiumicino and Ladispoli, was a brown-colored flock, shading into certain leaden bruises: gravied sheep pressed, compact, meshed in the ass by their dog, the wind, the one that turns the sky rainy. A roll of thunder, rummm, son-of-a-gun! had the nerve to raise its voice, too: on March the 23rd!

The sergeant pressed down with his foot, accelerating towards the fountain. From the right, where the plain was dense with dwellings and went down to the river, Rome appeared, lying as if on a map or a scale model: it smoked slightly, at Porta San Paolo: a clear proximity of infinite thoughts and palaces, which the north wind had cleansed, which the tepid succession of sirocco had, after a few hours, with its habitual knavishness, resolved in easy images and had gently washed. The cupola of mother-of-pearl: other domes, towers: dark clumps of pines. Here ashen: there all pink and white, confirmation veils: sugar in a haute pate, a morning painting by Scialoja. It looked like a huge clock flattened on to the ground, which the chain of the Claudian aqueduct bound. . joined… to the mysterious springs of the dream. There, stood the general H.Q. of the force: there, there, for many moons, his dreamed-of application lay waiting, waiting. Like pears, medlars, even an application's ripening is marked by that capacity for perfectable maceration which the capital of the ex-kingdom confers on all paper, is commensurate with an unrevolving time, but internal to the paper and its relative stamps, a period of incubation and of Roman softening. Bedecked, with silent dust, are all the red tapes, the dossiers of the files: with heavy cobwebs, all the great boxes of time: of the incubating time, Roma doma; Rome tames. Rome broods. On the haystack of her decrees. A day comes, at last, when the egg of the longed-for promulgation drops at last from her viscera, from the sewer of the decretal labyrinth: and the respective rescript, which licenses the gaunt petitioner to scramble that egg for the rest of his natural life, is whipped off to the addressee. In more cases than one, it arrives along with the Extreme Unction. It licenses the applicant, now sunk into coma—verba volant, scripta manent—to practice that sleeping art, that crippled trade that he had surreptitiously practiced until then, till the moment of the Holy Oil: and which from then on, de jure decreto, he will make an effort to practice, a little at a time, in hell with all the leisure granted him by eternity.

The sergeant sped downhill towards I Due Santi. It was a sultry day, the mugginess seemed to have drunk the swamps. But the wind of their speeding and an occasional rare drop, like a musket ball in the face, presaged the alacrity of their investigation, and the fecund interviews in the useful hours of the morning. Sounding the horn at a gander, which lingered to duck its ass in the road, he ripped a half-curse from his teeth: it was at that moment that there came to his mind, in a flash, haunted by his wakening at this early hour, the endless dream of the night before.

He had seen in his sleep, or had dreamed. . what the hell had he managed to dream of?… a strange being, a topass: a topase. He had dreamed of a topaz: what is, after all, a topaz? a faceted glass, a kind of yellow stop light, which grew, and was enlarged from one moment to the next until it promptly became a sunflower, a malign disk that escaped him, rolling forward, almost beneath the wheel of the bike, in mute magic. The Marchesa wanted it, the topaz; she was drunk, yelling and threatening, stamping her feet, her face estranged in a pallor as she uttered obscenities in Venetian, or in some Spanish dialect, more likely. She had raised hell with General Rebaudengo because his carabinieri weren't bright enough to overtake it on any road, or path, the awful topaz, that yellow glass. So at the railroad crossing of Casal Bruciato, the glass sunflower… by the right flank, march! It had fled along the rails, changing its form into a yellow rat and snickering top-as-ass-ass: and the Rome-Naples express raced on and on, full speed after the sunset and almost already into the night, into the Circean darkness, diademed with flashes and spectral sparks on the pantograph, luminous stag saturated with electricity. Until, realizing that the mad rolling along the fleeting parallels was not enough to save him, the topaz-ass-rat had turned from the track and had sped into the countryside in the night towards the mouthless ponds of Campo Morto and the underbrush and the thickets of the Pometian shore: the women signal-keepers yelled, shouted that he was mad: they were to stop him, handcuff him: the locomotive chased him through the swamp, with two yellow eyes searching everything, cane brake and the darkness, to that point where place names become sparse, at the foot of the mountain of Contessa Circea, where Japanese lanterns and garlands swayed above the terraces on the shore, in the evening breeze from the sea. Nereids, there, freshly emergent from the waves and immediately denuded of their garments of seaweed and foam, amid the bustle of waiters in white jackets and of damp siphons and fistulas, were wont to make merry the enchanting night of Villa Porca. The Contessa, amid languid dirges, asked for a phial for sleep, for oblivion: for the vain arabesques, the bewilderments of dreams. Of the dream of not being. At Villa Porcina, under festoons of yellow ten-watt pears and drunken balloons, sweetly obese in the breathing and dying of every melody, the sorceress of the (perpetually) open snuffbox elicited at her scent the imminent swine, those who, at that philter, and that perfume, were to turn into snouted pigs, after having become eared-asses at the school: of the machiavellian club's hard knocks. Already the female pupils writhed, stark white except for the thicket triangle, from every austere veto of fathers, they wriggled in silent offering: which, from slow, restrained moorish saraband gradually was exalted to the trochaic rhythm of an estampida, where the resolute beating of the foot bestowed a fierce arsis on the floor: while the prompt erection and the shaking both of neck and head gave their hair back to the abyss, signifying the untamed pride both of the cervix and of the spirit, reiterated by the ta-ta-ta-tum of the castanets. Then as the aggression of the naked (but not for that hebefied) males broke into the chorus, the estampida was exacerbated to a sicinnis, to a dance simultaneously exozcizational: a swarm of frightened and bosomy nymphs pretended to abhor a herd of satyrs, to shield themselves and take shelter both with their hands and in flight towards their rubescent and fumigant thyrsi, already half-dazed, to tell the truth, by their excessive officiating: with their noses. Falling at that point among their legs, like the black thunderbolt of every prompt and every black happening, the crazed topaz had suddenly frightened the beauties. Shards of an exploded heart had flown off in every direction, to every corner, stopping — at the very sight of that possessed sewer rat, their hippy and mammary ritual. And there were shouts and shrills not to be told as the mustachioed one darted here and there like an arrow's notch, black, sharpened meatball. Many of the priestesses, forgetting their nakedness, had made a gesture as if to draw skirts down to their knees, protecting a defenseless delicacy: but the skirts were only a dream. And so was their delicacy.

Thus, in this delirium, they had sought safety in flight, in the ponds of the swamp, in the shadows of the canes, in the night, the silvery thicket of ilexes and pines on the shore, in the free wash of the beach, lorded over by a seething swell: others, poetesses and sea-creatures diving from the lunar rocks of the circeum, had plunged into the foam of the breakers. But the Contessa Circea, drunken, threw her head back, tossing her soaked hair (as yellow balloons laughed and swayed in Chinese) in the torpid benignity of the night: soaked in a shampoo of White Label: the cleft of her mouth, like an earthenware piggy-bank, arched, open and vulgar, till it could touch her ears, splitting the face like a watermelon after the first incision, in two slippers, in two soles of clogs: and from her rolling eyes, where you could see the white below the iris like that of a Teresa repossessed by the devil,^{52} down her face dripped ethylic tears, bluish gouts: opalescent pearls of a contraband Pernod. She invoked the flask of ratafia, called for the subventions of Papa, Pappy, the great Aleppo, the invisible Omnipresent, who was, on the contrary, the Omnivisible pig, hailed savior of Italy, omnipresent in his tickling, in every kind of tickling: impotent as he was to achieve anything whatsoever, and even less his verbose braggings. There dripped azure pearls, tears of aloe, of terebene and vodka: the head thrown back, the hair lost in the night, with the two fingers, thumb and index, each with a yellow topaz, raising her skirt, in front, revealing to one and all that she was wearing underwear. She was wearing it, the sainted woman: yes, yes, she was. The wild rape had taken that path, which was the path of duty, for him and for his scenting scariness, climbing up her thighs now like ivy, fat and trembling in his terror, making her laugh and laugh in silly cascades, raving at his tickling: there: they were made of cardboard and plaster, her underpants, that time. Because once, in life, they had put a plaster cast on the trap.

The sergeant sped on, with a dry crackling, in the direction of I Due Santi, with the private grabbing his waist, blinking his eyelids at the oncoming wind, bothered by the dust. Disappointment wakened him abruptly. The time in which we would say that dreams extend has, instead, the diaphragming rapidity of a Leica's click, is measured in lightning segments of time, by fractions of the fourth degree on the orbital time of the earth, commonly known as solar time, the time of Caesar and of Gregory. And lo, now, beyond the flotilla of clouds that was skirting the rocks of the east, the opal became rose, the rose thickened and was stratified in carmine: the lividness everywhere, to the north, of broken day: then, at last, from the ridge, the splendid eyelash: a dot of fire, in a peak of the ridge of the Ernici or the Simbruni the unbearable pupil: the straight, arrowing gaze of the handsome Apollo, the spotlight. The gray latitudes of Latium were clarified, made plastic, emerging, purple-clad, almost like crumbling milestones of time, fragments of towers without names.

THE Divino Amore bridge! Easier said than done! a mile and a half, and even more: a good forty minutes' walking: and with the girl, and with the shoes she was wearing. An apparition of the sun, a disk, an ephemeral or faint sphere, with fleeting veils of vapor on its face, so that it looked like the yoke of an egg seen through the white: tepid, at times, or soft; then, in some sudden yawn of the day, between one cloud and the following, reawakened, restored and randy, astride that gallop of the sirocco: flight and journey, from the Pontus, of all the cloud bank, huddled, slapping its flank against the spikes of the Apennine. The road was only one, luckily, except for the first part, however: the highway, the Appia, then at a right angle, the local road, for Falcognana. Taking the opportunity of that angle, a path went off diagonally into the countryside: too muddy an itinerary still, through the fallow fields that were of a damp, new green, water-soaked: and, here and there, as if sugared by the frost. If she came up this way, Camilla Mattonari, so Lavinia said, they were sure to run into her, walking along the asphalt, or at least on the dry part, to be precise, of the road from Falcognana. A buggy, which overtook them after they had turned in that direction, allowed the corporal to make Lavinia climb in, and the private after her. When the happy couple had been seen aboard, he turned back towards the little tavern at the corner, to ask somebody for the loan of a bike: otherwise, he would go back up to Zamira's, to recover his steed. The Farafilio, serious and round of face as of bottom, didn't seem wholly displeased by his superior's inspiration, which spared him the walk, however hygienic it may have been, and granted him the tepid contiguity of the girl's thigh, though, helasl, keine Rose ohne Dornen, the thrill was shared with the driver on the other side, that is, the side of her other thigh. Despite the odor, promptly perceived and appreciated, of feminine vitality, and the disturbing co-seating in the vehicle, of such a "supple" and "nice" young lady, the stern soldier, be it said to his praise, was obdurate, yes, obdurate in being, or at least seeming, the most legally and militarily agnostic of carabinieri of the whole legion, in that wakening March of the Castelli. The descent was slow, among the new plantations of some vines (still barren) which broke the meadows. They reached a crossroads, with the horse, already in sight of the bridge known as the Divino Amore bridge, with which the above-praised local road passes over the Velletri line of the railway. Divine Amore proper, a little church of ancient date, here and there replastered, and two hovels leased to the sun by the Latium of the guardian Princes Torlonia, and Castel di Leva, which flanks and dominates them, and looks around through the empty eyes of the Torraccio tower, and girds or girded them with a wall, are about three miles from the bridge. There, at the crossroads, Pestalozzi was able to overtake, on a bicycle, the excursion companions he had sent on ahead, displaying on his outstretched arm his chevrons which seemed a patent, a driving license exceptionally granted him, for such an unfluent vehicle. The bike was a music box, with a creak-creak in its hubs. It was like a machine with broken teeth for eating torrone: but there was not much in the way of torrone around those parts! The driver went ah to the horse, to hold him back a little and, in the meanwhile, leaning to the right, he was wringing the brake handle, as more and more, on the rims, the two brake blocks slid until they creaked. The horse, going downhill, disputed as best he could, then finally having sustained with his scrawny rump the successive jerks of the harness, when they arrived, one after the other, on his two buttocks, like the slaps of the sea against the innocence of the beach; he aimed definitively at the solid part of the road, without raising again in a trot, now spent, his forelegs; he skidded a little on all fours: and stopped, turning his head only slightly at the tug of the reins, as if to say: "I'd like to see you pulling a buggy! you have to try to stop me now, just when we're going so well." Plunged forward the three heads of the travelers, the brimming jiggling teats, the desirable throat and the face and slightly hysterical pallor of Lavinia as if in an attack of vomiting: as happens to everything that is not properly packaged, crated and nailed into a system: and travels, however, on its own, as if forward at random. Pestalozzi got off the bicycle. From the Falcognana road, which crosses, with the Divinio Amore bridge, the half-trench of the railroad a few hundred yards further down, at that point the road for Casal Bruciato broke off: which descends, even today, with a broad curve, to cross the same train track on the same level. On the roof of the yellow signal-man's house there weighed, uncertain and broken in parts, a smoke, though they could not see if it had come from a chimney: it was dispelled, as if with effort, in March: to depict, in that rising search of its own nonbeing, the poverty that had generated it: or to dissolve in the rustic solitude that pang of daily need that those who feel it are wont to call hunger. The perennial, insisted name, the desperate diphthong of the horned owl had fallen silent in the night: had died with the dawn. From an unseen elm, now, perhaps from a Roman oak surviving the axe in the emptiness of the countryside, the intermittent appeal, the unreachable, imploring iambus of the cuckoo. In foretelling the new fronds to the earth it seemed to recall the eternal, lost seasons, to ache with spring.

Lavinia begged the corporal to leave her "outside," to wait. "Outside where?" There, or rather: "here. Otherwise they'll start thinking that I. . that I turned my own cousin in."

After some negotiation the corporal consented, reluctantly: and he added a word or two suitable to the occasion: cards on the table. He engaged the buggy for the return trip: set the bicycle against the bank, which at that point, beyond the dip in the road, marked the rise of the grassy land again: he charged the driver to guard it. Having arrived with the trusty Farafilioro, at milestone 20, they were received by the furious barking of a lousy mutt whose eyes they could barely see, but whose spare, canine teeth they saw with fear, he was so fanged and hairy, half-spinone, half-Maremmano hound^{64} and half sonofabitch (this was Cocullo's ideogram), but fortunately, on a chain. An old woman appeared, contrary to all credible hypotheses, in that panorama of deconsecrated railway; she tried to calm him, to silence him, then came to the bar: which interrupted the road, to signify, if not quite the imminence, at least the expectation of an extraordinary phenomenon: that is, the black passage of the train, the puffing of steam above and below, marvelous fluid, which confers virtue and locomotory quality to freight, even in ascent, as well as to train 181, half-freight, half-passenger: which, in fact, already gasping, announced the slippery play of its crankings up up up pup pup pup from le Frattocchie, overwhelming the distant imploration of the cuckoo: and at signal kilometer 20, it would be equally victorious over the grade: a miracle of art, an unterminated four per cent incline, but all curves and countercurves, of the late nineteenth century. At the house, known to some as Casal Bruciato, it was awaited every day, once a day, with the algebraic certitude and the trepidation of spirit that, at the speculum of Arcetri or the Mount Palomar Observatory, every seventy-five years, attend the recurrence of Halley's comet. The old woman, decrepit though she was, must have understood at once that this unwanted olive drab-and-black visit. . looked for all the world as if it were aiming at her house! so she sewed up, without parting them again, the two bloodless rims of her lips, the two curly hairs embellishing here and there the jawing of her chin, and left to them, to the Brothers Grim, the initiative of paying their respects, to the older and higher in rank of the two. In the meanwhile, without giving any outward sign nevertheless, she made an effort to swallow the event, this, of the three arrivals, which she most feared and abhorred in the torment of her viscera: by hastily recommending herself in prayer to Sant'Antonio di Padova loving miracle-worker for all of us, and also, however, in another plea to the good offices (automatic in her former days) of the plexus haemorroidalis medii. She arrived, in fact, at the deliberate constriction of the more celebrated rectal rings, extenuated though they were by advanced age: not entirely inoperative, though more and more crumbling with the years, were the so-called Houston valves, chiefly the super-valve of Kohlrausch, nor the semilunars of Morgagni. The desperate attempt to block the ampulla, whose constricted extreme ahi ahi ahi already the olive drab-black-silver trauma was affecting, in concomitance with the shrill whistle ahi ahi of the arriving engine, achieved nothing more than the release of a few drops, rather phobic, plonk, on the platform of Casal Bruciato: free on board, yes, F.O.B. Casal Bruciato, though some may say and, however, write C.I.F. (cost insurance free) and some P.L.O.P. The providential lack, under the crotch of the old woman, of that pair of tubular correctives of nakedness which our most exquisite reporters today habitually call "intimate garments," allowed the event to fall out on to the pavement, unobserved by the Grims. Filing forward, one after the other, by the pedestrian passage to one side of the bar, the carabinieri advanced in silence on the platform with heavy, nailed footsteps to the door of the house: as if they were unaware of the woman, believing her engaged in the exercise of public duties and by now dealing with the train. But they were deceived: they encountered there the potato-white face and the resolute bursting forth of a girl who had taken up, from a bench, a kind of rolling pin for preparing pasta in the home, but wrapped in a red and green cloth: and at that moment more green than red.

Meanwhile there approached, really, the puff-puff at full tilt: its headlights aglow even in this daytime hour against the darkness of each new tunnel: the only train of the morning, in that direction. It was coming up from Ciampino, all black, with the self-importance of a nasty fireman, sending up into the heavens cannonades of brown smoke from its spout and then, all of a sudden, white steam, certain comical foof-foofs which seemed so many shots inspiring one to say, "but what's come over you? What have they done to you?" and below, from a pair of cylindrical bags, one here, one there, as if it had a mustache on the ground floor. Whirled and somersaulted, gleaming and greasy, the connecting rod and, like a maddened knife grinder's, the crank, with an odor of burnt oil, in the tragic ascent of the grade constructed by Engineer Negroni. It was like a man who plants himself in front of you, wants to call you a bastard to your face, and unable to run because of gout, he spurts out his anger at you from his nose, and at the same time, from his feet. Beyond the house then, on the gray path flanking the flight of the gravel, two or three highly frightened and yet— more insolito—unhurried hens prepared to follow the track in accelerated fluttering: to cross it then, in flight, at the most opportune moment, with the cowcatcher upon them, and above the cowcatcher, the headlights, with that suicide premediation that distinguishes their species. The Maremmano hound or spinone hurled himself forward: one could believe he wanted to choke or self-guillotine himself with his collar, a slender ring of iron where his hair stood up, in wrath: and, the chain taut, he began to yelp and bark again in reiterated, frenetic explosions: as if he declaimed impetuous verses of Foscolo without understanding their sense, nor even their nonsense, to a public overcome with sleepiness; meaning to reawaken tbem all and to summon them to repentance and vigilance, nor to forgive sleepiness to the least of them. The demoniac idiot, in doing this, became lost between his sparse, distorted incisors and the ferocity of his canines and omitted from his lips, in whitish ribbons at each new jerk of his head, a pulpy drool like bechamel: in the arsis of such dewy rage, raising bloodshot bestial eyes to heaven, as if to invoke the approval of the supernal Beasts, the gods of his race, and to propitiate their chief divinity, and to encourage their consent to new and more foolish hendecasyllables. That which, cretin that he was, he considered his inderogatable duty amid the shoes and the puttees of the carabinieri. Those bilious petards of his rancor were lacerating his accursed gullet, of which— at moments — to the soldiers' hesitation, he exposed the cavernous flush, like the gaping jaws of hell: and seeing the fowl running before the streaming black monster, his vehemence was redoubled to the point of paroxysm and seemed, at a certain point, resolved to follow and even to compete with the hysterical biddies: but solidity of chain and charity of cord, or indeed string, restrained him, though not without effort. For which the hothead went on bobbing, without idea and with no gain for himself or for others, at every explosion from his throat: cerberus on leave upon earth and on the hills, where he had planted himself to work, guzzling their unmerited light, the gentle air of their open sky: coeli jucundum lumen et auras. The puff-puff was just about ready to pass. The wind which rose from the swamps seemed tired, its wing drooped in the daylight: but a whirr, again, of a wren, from a bush up to the rusty rainspout, or the broken flight, higher, and the conjugal cries, in reply, of two nestless jays. The girl with the potato face brushed the two characters aside, as if they were cards with a low face-value, and in a gesture of intolerance like a maiden rudely accosted, twisting her head in a grimace, she advanced with her instrument, to the platform: where, having grasped the implement with a steady hand and in a posture of attention, she planted it against her belly, at precisely forty-five degrees. That rolling pin with green skin now blossomed from her person, and it was, from its rough trunk, a sprout of exceptional vigor, and to hell with who might or might not see it: it was a standard not hers. The engine driver's blackened face was already thrust from his cab, to note the color of that bud. A stage Moor, an Othello with a black skier's cap. The puff-puff was the mixed train: the only one that came by in the morning: pieced together with three freight cars, of various age and structure, and two passenger cars: where the faces, the mops, and the shining eyes and mouths of the more impudent and the happier, or of some dope with more prestige than usual, gleamed at or hung from the windows, snickering. Or they leaned out, some of them, with half their chest and arms, in the gallant farewell of a waving hand. They mouthed with shining, lascivious mouths fugitive madrigals to the girl: their words were indistinct, but certainly filth: they were a swarm of soldiers discharged at that time, in that era, but even in another era, the same would have occurred. "He has his stick straight!" Cocullo was able to reconstruct, after a moment, in the rattling of the train that was already passing, and he clenched his teeth, paling with contempt and reddening higher up, between cheeks and chin. And they would have added another refrain for the carabinieri: if the train, which seemed utterly out of breath, hadn't gone so slowly. It was heard now creaking in the brake block and grating in its undergreased threadings, in descent: the Negroni grade, number 71, was followed, after the straight stretch of the station, by the counterslope of grade number 73, still Negroni's work: which had the fame of offering itself like a moorish odalisque filled with participating consents to the untangled enthusiasm of the mechanism whereby the puff-puff, freed from suffering and now silent in whistle and piston, would abandon itself, freewheeling, to the Mussoline glory of a first-rate derailing with consequent disabling of its own features and others', if it had not provided for the contrary, in fact, with its brakes. The air had become somnolent and seemed to stagnate over the ground. The little train was disappearing, made smaller, towards tall caravans of clouds: among the reminiscent shadows, fragments, crumbling walls, of a history not its own. The plumes of smoke which it had left behind after the bridge (of Divine Love) and before reaching the station, at the altitude, barely, of a swallow's flight, had been dispersed a bit from their track and hung now, white and useless, on the damp green of the unploughed fields. The hens, as they did every day, had survived the drama: for years, now, the ex-pupils of Melpomene had arranged in an algolagniac, theatrified ritual, in a scene "for Nordic tourists" the most foreseeable and preventative breaches of their first and youthful error of clucking and squawking for a mere nothing in an hebephrenic crescendo: and they had adapted themselves, instead, in a carefully chosen poetics, to silence and to the vagotonic pallors of the mystes. Their orphic initiation, little by little, had become perfected to mastery: it had reached the climax of a pictorial wisdom, forgetting the acoustic bravuras of puberty. A half-extinguished or dozing and nevertheless always available and recovered voluptuousness reawakened them every day, with the toiling up of the train and with the whistle, to the familiar fiction: to the artificial excitement of the victim whom no one threatens, to the precipitous fluttering and dash along the track and the breach, to the attempt at flight (will Delagrange fly?),^{65} to the simulated suicide with the headlights upon them and the concomitant dispensing of a couple of bonbons, puff-puff passing. Though feigned was the orgiastic movement, the little gift could not be feigned: thus, as in the theater, feigned passions release kisses that are not pretense and the cuckolds of the stage seem to be, a majority of times, cuckolds in fact. Every day, every morning. Then, no sooner had the locomotory entity completed its apparition, released its huffs, then, having unwound the reel of their obligatory fright, they went on scratching about as if nothing had happened: and as if they were uprooting a weed, with a plunge and a prompt recovery of the head, the neck, pecking from the earth the rare worms.

The brief caravan of the tympanic importuning, rail-roadward, having passed, and almost extinguished the mad animality in calamitous growls and snarls, teeth clenched in rage: I'll show you, I will, Pestalozzi also forgot the old woman: behind or within whose empty and badly hung skirt, tatters with appendices of threads, he had seemed to hear some devilment grumbling, or some toad gargling. There was no evil spell, as at the sorceress's shop, but perhaps jactura: preterintentional. Yes. And he interpellated the girl directly. "Are you Mattonari Camilla?" He recognized her as a seamstress of I Due Santi, but hadn't known her name: the least elect, the least "friendly." He drew from his pocket, twice folded over, and slowly unfolded with official decorum, the sheet: in legalitarian justification of his question: the list of topazes already displayed in the shop. "Yes," she said. She was a medium-sized dumpy girl with pale gray skin that looked like greasy paper: a flat, rather potato-like face, little eyes, tan, drowned in the redundance of suet. "Do you recognize this?" and he put the ring under her nose.

"How should I know? Why should I recognize it?" she shrugged.

"Your cousin Mattonari Lavinia states. . that she was lent it by you."

"No, no, she's a big liar. I don't have anything to do with it."

"That she picked it out," he improvised, "from the others that you have."

"That liar! The nerve! She probably got it from her boy friend. I've never had a ring like this in my life.."

"Like this! You mean, however, that you have others, or some others, different from this one. I want to see them. Show me where they are. And who is your boy friend?" but he neglected to linger on that quite ordinary image of the boy friend, completely gripped, now, by the idea that the fat girl was lying to him, that an almond or two, in some hole, she kept hidden. "And, while we're about it, why didn't you go to work this morning?" The girl, lips white, with the gesture of a robot, raised the pin with its double skin, and with eyes avoiding the corporal's glance, as if to say: "through the fault, or merit, of this here."

"Yes, I see that you've got that flag in your hand: but. . are you the signal-man? Is that what you're trying to make me believe?"

"No, my uncle had to go down to Ciampino, to the office. He's the chief here. But when he has to go someplace, then I stay here for him."

Chief, in her lexicon, meant signal-man.

"Let me have a look at the other rings, if there are any: at your corals: all the jewelry you have: your Sunday earrings."

"Jewelry? I don't have any corals, not even earrings. What do you think? Poor as we are, hungry all the year round?"

"Your uncle is a government employee: you work as a seamstress, when you work. Let's not waste any time. Show me what you have. If the stuff is yours, nobody's going to touch it. And if it isn't, I have a search warrant. And if we start searching and then something funny turns up. . Seek and ye shall find: and if you find, you have to report to the superiors. I hope I'm making myself clear. I don't know if you know the regulations. ."

"What regulations? I don't know what you mean. ."

"The re-gu-la-tions," he shouted, "the law! what the law says!"

"Sorry, Corporal, I don't follow you."

"There's a law, right? And a list of regulations, where it tells us what to do, how we're supposed to proceed. We. . have to obey the regulations. So watch out. Don't force me to search the house," which was, really, no more than a cabin, "or the room where you keep the stuff. . your things. It would be an aggravating circumstance for you: Article 788": (788 my ass: he invented it on the spot): "the article is clear as a bell." The girl peered at him, now that she was a little more self-confident in answering, her big tan eyes set in the pork fat of her eyelids, with the miserly hesitation of the peasant who demurs at opening her mouth, between fear and suspicion. The old woman had acted as if she had things to do in the garden: and had gone down there with a little hoe which was heard intermittently striking the ground. The dog, its snarling passed, still stared fiercely, with that zeal peculiar to the stupid.

"If we have to do the searching," Pestalozzi added again, "it'll be worse for you. I told you. Seek and ye shall find. You understand me?" The squat girl, as if the corporal had pointed a pistol in her face, shook herself and turned, walked away like a somnambulist, went into the house — or cabin, as may be. The two men followed her. From that telephone booth-cum-kitchen which was the ground-floor room, they went up, on steps of gray peperino, to the floor above, into a smaller room, irregular, as required by the stair well. It was occupied by three beds, and ill-furnished for the rest. Pestalozzi and Cocullo, after the girl, could barely squeeze into it. A smell of clothing, if you call clothing the lipoids, the amino acids, the urea, the sweat, in short, in which the clothing of the poor is steeped: a window with a grille and mosquito net: no furniture, beyond the three beds, which seemed three pallets for dogs, and a minimal little cupboard with a scalene fragment on it, of a mirror long since broken forever. On the wall, over one of the little beds, with a little olive branch with shriveled leaves, in its dark frame, a two-lira oleograph, yellowed at the edges, which Pestalozzi recognized on the spot. It was the Madonna del Divino Amore, over the postern of Castel di Leva, who had appeared to the tormented man lost in the night, pursued by ferocious, barking dogs who were about to claw and tear him apart, but who at the sight of Her fell back: and the fence enclosed him.

The cupboard, half-wardrobe and half-dresser, emerged from beyond the third bed, between the edge of the mattress not of sweet-smelling corn husks, but responsible — with the other two — for that so "human" sultriness, and the recently whitewashed wall. It looked as if it received, collectively, those futile items, those tangles of yarn, those odd buttons, those lozenge-shaped rags, of which the good women of the campagna and of every other part of the fatal peninsula are cautious collectors, fussy savers towards the improbable needs of a tomorrow where neither yarn nor string is, since there will be nothing to bundle up. Pestalozzi glanced at it, the humble item of furniture, but without special interest. "Well then?"

"There," murmured the potato: more with a jerk of the head, since she had little chin, than with a movement of the lips, motioning below the bed, the second one. Moving around it, they discovered and, moments later, brought up a coffer: a little wooden box, bound with dark tin at the edges. The girl armed herself with a key, produced as if by magic, then crouched to reach the chest with both hands, from under the bed. Her face and the full part of her bust lay slightly over the tan blankets: she groped like a blind woman, and a knowing one, gazing straight ahead until she had mastered the removal of the parallelepiped, then as if guessing rags, at random with the divining gestures of a blind musician gifted at striking on the piano the right keys, to erogate from the keyboard the pathetic squadrons of his blindnesses. She took out the chest, opened it. "Go ahead and search, Corporal: there's nothing there." And then, since the corporal didn't move, displaying in his face how much the goatish hovel already disappointed him, and how much his nose was repelled by it, she raised the lid, scraped up a blouse or two, a shawl, some black stockings with white heels, a cardboard box, a man's shirt, the best one. "And the ring? Where is your ring?" Annoyed by the chief deduction of the corporal: "you mean to say you have another one": she opened the little bicarbonate box under his nose: raised from it, as from a nest of cotton batting, a poor little chain that seemed of gold, with a light cross which also seemed gold: a brooch with a fake coral, another metal pin with an enamel four-leaf clover.

The corporal took the chain with two fingers, spread the others to hold it out, and let the cross dangle: then the green-enamel pin, as you pick from the hawthorn hedge a butterfly resting with its wings closed, to restore it to its flight. "You mean to say you have another one." She had told him no. Now she didn't consider it licit to contradict herself, or in any way to recede from that negative stand. The oily, motionless, stubbornly statuary quality of her physiognomic attributes helped her meanwhile to leave her tongue in repose. Pallor, suet, and potatoship, those two buttons were stuck in it as if into a mound of dough, two round cheeks which looked as if they'd been hit by a good pair of slaps, all her best features, in other words, allowed her to stand there silent and mindless without a word: simulating only an apprehension which, perhaps, disturbed her but slightly. The corporal had eyed the cupboard. He was about to say to her: "turn over the mattresses! let me see under the mattresses! And instead he navigated about the beds and came, after his not-easy periplus, to take his stand between the last bed and the wall, in an attitude as if he were going to interrogate the bedside table. He pulled at its door, noticed that it was provided with a lock, an incredible thing for a night-table: it was a sui generis commode. He asked for its key. The Signorina Mattonari looked under a mattress, found it: she opened the cupboard with a greasy sadness in her face, like a loyal citizen harassed by abuse of authority. Rags again, woman's stuff, a waistcoat, a pair of worn pants spilled down onto the floor, for the disappointed knowledge of the noncom: they had been placed in there all anyhow, pressed in at random. He picked up with one hand a knitted bodice, a rabbit's skin, a pale blue undershirt with lysol-whitened zones. Two or three walnuts rolled out. Then, from the rags, there emerged, all decked with worn socks, a chamber pot. Filled with walnuts, and with more than one dent in its enameled convexity, one saw at once that it wasn't a piece of Capodimonte, nor even a Ginori. "Ah Gesù, my grandmother's walnuts!" la Mattonari cried, as if to bestow value, in an expression of possessive anguish, on this treasure: which the autumn had deposited in the capaciousness of the vessel, en passant: pilgrim who pays without farewell, before dawn, the debt of the hospitality benignly received. And she started, at the side of the standing corporal, to bend over and take up the recipient and to remove it, animated — so it seemed — by the best of intentions. She meant, with that gesture, to smooth the path for the Requisition, for the Aggravation, for the hard Cross, the Law. But the bloodhound's evil phlegm had already scented the Hiding Place. "Stop! You take it!" he ordered Cocullo. The girl stood up. The trusty Farafilio bent down. He introduced both hands into the cabinet: to seize, with the one, the brimming chamber pot by the handle, to press it respectfully from the opposite side with the palm of the other, as if caressing its kindliness, so rotund on the opposite and non-handled hemisphere. And he extracted it from the tabernacle (and it was heavy as it rarely had been) in the position proper to the user, or even to the owner, who prepares at night to employ it for its lower purpose. An eighth, a ninth walnut rolled out. Too scarce, then, for the almost boyish opulence of the brave soldier, the olive-drab tunic freed for public view his posterior rotundities, properly covered with cloth of the same color. Emphasized by the crouching position, they seemed to emulate and to surpass completely the smooth rotundities of the pot, as if a pump had swollen them, the kind on a tripod, that bicycle mechanics have. The incredible fullness was about to burst — so it appeared — the median rear seam of the trousers: which seemed, instead, only to loosen, in the taut zigzag of a line of reluctant thread, of a blue-green color, darker than the green of the cloth. The seam being pressed beyond its capacity, the breaking point was not reached. A sharp shot re-echoed in the room instead. No: it wasn't a revolver's bullet. Farafilio, poor boy, very probably blushed, with that patchy manner of blushing that he had, in his good, but severe face. Crouched as he was, his face against the commode and the pot in his arms, the purple did not spread. The humble duty had expressed itself: that was all: certain postures favor certain nomenclatures, as if eliciting the sound from the very sources of the same. The girl remained silent, amorphous. The corporal's brow became clouded: in the silence. Brimming, meanwhile, and heavy with every most dried gift of Vertumnus, the lousy pot was elevated to the honors of the top (of the commode), whence the gleaming fragment of mirror had been slightly removed. The maneuverer stood up, without turning around. "Dope! empty it on the bed!" the corporal said, harshly. The maneuverer obeyed. In his half-turn, the visible side of his face was shown papered with alternating zones, islands of flush and pallor: the flush a bishop color, the pallor the color of cheese. He also proved to possess, to an eminent degree, that property of the good, the generous, the honest: the faculty of blushing all the way down the neck. He set slowly, then quickly overturned the vessel where he had been told: with his hands then, all around, diligently confining. Of that treasure of nuts, the silliest, not yet unleashed, would have jumped down with multiple hops and cretinous festive rolls, going to earth, one here, one there, in God knows what corners under the beds: had it not, in fact, been for the hole, that is to say the imprint of the body in the bed itself. But they were screwed. All together, they fell into it, as into a casserole, making a neat pile. On the peak of which there was a little paper packet. Of blue wrapping paper, as if from the grocer's. Sugar, probably: a secret store of granny's. Moving from the other side of the bed, with impatient fingering, the corporal unwrapped it himself, that little packet. There appeared, then, a tiny sack of rough canvas: not swollen, and yet heavy and variously nutted at the bottom, in which there was merchandise: hazelnuts perhaps? or a little collection of buttons? or a rosary? choked, towards the mouth, by the tight turns of some string, then knots and double knots. Pestalozzi felt it. His face became illuminated: by the dawn of "this is it." The punishment that he had mentally comminated to his pupil evaporated from his thoughts. Half a lip curled, upwards, in a grimace of contempt: as if to render more explicit the features of irony: of his irony. The tangle of the many knots was untangled by persistent use of nails: the tightness of the twists of string loosened to clear the path: from the undone sack, overturned, in turn, with every precaution, but on the grandmother's bed, the middle one, there land-slided down, as if comforting one another in this unexpected exit and fall, little green balls, medals, brooches and carnelians, gold bangles, chains, crosses, filagree necklaces, tangled one in the other, and rings and corals: rings distinguished by rare stones, or shining with a single gem, or with two of different colors, before the open mouth of Cocullo, to the pounding of the corporal's heart: who could already feel the new chevrons climbing up his sleeve, to replace those now there. Sergeant's chevrons, this time. The objects froze, like little frightened animals, ladybirds who fold their wings, not to be seen, in the wretched lap of poverty; and instead, they were seen: they were seen as so many unmasked lies, recognized by the jeweler with the hooked nose, on the counter, after theft and recovery: of every most curious color and every form: a little cross of some semiprecious dark-green stone, which the fingertips of the future sergeant could not stop savoring, turning over and over: a handsome, shining little green-black cylinder, for interpreting horoscopes by the shitty priests for Egypt more than Pythagoras drew ravings from the apothegm of the pentagon, standing towards the west to blather, to gaze at the tops of their baked pyramids: mysteriosophic candy, concealed in the ancient womb of the earth, seized from the earth's womb, one day geometrized to magic. A poor little egg between pale-blue and milk-white like a little gland of a dead pigeon, to be thrown in the refuse: and two earrings, with two big drops a sky-blue, isosceles triangles, rounded at the tops, dangling and weighted, with a marvelous felicity-facility, for the lobes of a boobified laughing girl dressed in blue: who in one of their almost transparent striations laughed enriched, as if by wisps of gold enclosed there, to freeze. And a heavy ring, a gold-bound cylinder which had circled the thumb of Ahenobar-bus or the big toe of Heliogabalus, with a big caramel orange-green, then a moment later, lemon-color: pierced by all the rays, slightly, of the equinoctial morning as the tender flesh of the martyr by his hundred and ninety arrows: perfused by pale-green lights, like the sea at dawn, to the brightness of flint: which made the two men dream at once, spellbound, of a mint syrup with soda in Piazza Garibaldi at noon. And a little ring of golden thread, with a red pomegranate seed that a chicken might peck: and a final bangle, a tiny bauble, like a little ball of methylene bluing to get the yellow out of the wash, held by a little gold cap and by a pimple: and through this, attachable, by a golden link-chain, to another and equally essential organ of adornment, whether to the swelling beauty of a breast, or even the male fold of a lapel or the paunched and gold-watched authority of the protector of this breast, administrator, moderator and, in the last analysis, husband, "and damn fool!" thought Pestalozzi, his teeth clenched. A garnet cross, dark red moments of domestic shade. Rings, brooches: unbelieved marvel. And the ruby and the emerald shone and lay in the trench of the little mouse-skin bed, fellow tenants of the moment with the verecond ambages of the pearl, on the worn and almost ragged tegument of that old woman's couch: amid the precious gleam and the twists or polygons of the gold objects that kindled the minds, after the pupils and the retinas. Pins and earrings were tangled in the little chains, or mixed up with one another, like twin cherries amid the twinned stems of their sisterly couples: the pendants, in the immediate cataract, had taken the rings with them. Ruby and emerald took on a name and a body on the gray poverty of the cloth, or of the tatter, in the closed mute splendor innate in certain beings and signifying their rarity, their natural and intrinsic dignity: that mineralogical virtue which through false fanfares and winks is trumpeted so often, in trumpeting carnivals, by so many bits of bottle-bottoms, as, in said derrieres, the quality is totally lacking. The corundum, pleochroic crystals, revealed itself as such on the rat-gray of the ambience, come from Ceylon or from Burma, or from Siam, noble in its structural accepting — splendid green or splendid red, or night-blue, also — of the crystallographic suggestion of God: memory, every gem, and individual opus within the remote memory and within the labors of God: true sesquioxide A2O3 truly spaced in the ditrigonal scalenohedral modes of its class, premediated by God: despite the value-work of the Gadfly.^{66} Gadfly di Revello who was to last in his chair for an hour, chief economist of the Turkey and cock-minister of his screwed nonfinances: which, at a wink from the Big Cheese himself would have revealed to the Italians the new heaven of the flaskable values, substituting in the zodiacal band of credit and monetary circulation, for the gold standard which then went to Hell to be liquified, the scorpion of humbug which we'll never be rid of again. And the Italiener from that fiasco-flask, drank greedily in big gulps.

Pestalozzi, no, he wasn't a Minister of Finance of Italy: and neither was la Menegazzi. Both of them had a certain sense of value and nonvalue: she, if for nothing else, to be able to satisfy the whim of forgetting in the bathroom all about value (the topaz) inasmuch as she wouldn't have got any pleasure, in any part of her dithyrambic and trembling body, in forgetting in the bathroom nonvalue: a bottle-bottom. Jewels they were, those resplendent rubies, that was obvious, incubated and born in the originative millennia of the world. The expert could check and guarantee this, despite the cuts, the faceting, the polishing of art. Gems crystallized naturally from fused sesquioxide, following the principles of the system: and not a crystallized pretense in a light, a glory of falsehood, from a basin of excrement. As the impetus, the grief of a soul freezes in a cry, coagulates in notation, following the formal processes of thought: in a frozen cry! which is its own, and not the bawl of another, or of the market place of bawlings and of souls. The corporal scattered them with his fingers, with the gesture of a cook sorting rice before throwing it into the pot, scattered the stones, the jewels, the gold ornaments, the fabulous caramels, shining gems of the Maharajah in the depression of the miserable blanket. Of those appearances, wisps of gold or luminous grains on the dark color of the drapery, a dotted line stood out, like a string (seen, however, from above, and from afar, from a mountain or a plane) of electric globes in the curve of the Riviera: such as the illumination of Botafogo beads, in the bananiferous nights, all around the base of the Pao de Azucar. Those jewels, at that moment, seemed to burst and play over the bed from the mingled amassment of diverse thieving coups. But Pestalozzi, with a certain applied hesitation at first, then with smug certainty, thought that he could gradually recognize, in that scattered splendor, the debatable and ultradesired pearl necklace, two or three bangles, an amethyst, the garnet cross, the ball of lapil-laruli (so it was written), the corals, the jewelry, possessors of the names and the descriptions which figured, colleagues and brethren of the topass, in the first and following lines of the first and second sheets of the Martinazzi list, or rather, to be more precise, the Mantegazzi. Owners of the names and the titles, in general use, in some cases a tiny bit difficult: ring "of" ruby with two pearls, brooch with small black pearl and two emeralds, pendant "of" sapphire, as one might say of pastry, "surrounded" with brilliants, carcanet typed as carcanot, then corrected to carcano, of garnets in old (sic) style, string of (the o a hole, of course) white pearls (quite fake) et cetera, small ring et cetera, large brooch with onyx stone et cetera. A good reading exam for the aspiring carabinieri's course, thought Pestalozzi.

Time, meanwhile, was pressing: that very morning, before noon, he had to return to Marino with the topaz in his pocket and with everything else he had managed to recover, in his wanderings so intensely fruitful of gems, gold, false pearls, girls pretty or ugly but all equally lying. Of the recovered, the found or not found, he had to render an account to the sergeant, list in hand: the names were strange and difficult, with something magic about them, mysterial, Indian: with all those holes, like so many punched railroad tickets, in the place of every o. The second list, incomplete because a sheet was missing, but no less pocked than the first, seemed to him, on the other hand, a pain in the ass, a lousy pain that didn't concern him at all, a job deferred to another, since officer Ingravallo, that big head who instead of brilliantine used tar, had said "expressly" that he wanted to deal with it himself. So that was Don Ciccio's business. Typed on a red ribbon, as if the ribbon had been dipped in blood, the list of the "Balducci stolen property" seemed to him materialized from a nightmare: sheeted and reported in pages from a secret horror which was not, on that mad equinox morning so filled with prognostications, no, was not the carabinieri's responsibility. No, the solitary country outside, dampened by the squalls of rain, barely eyed by the sun awake from time to time, no, it didn't want the horror re-created: which clothes, after the sudden flashes of the knife, all condonation denied life by the beast, the immobility of the funereal relic. Before the eyes of the concierge and the police (even before the ascertainments of the law) or of the terrified cousin who had come in without knowing, so he said, then among the carpet slippers of all, men and women, a whitened simulacrum for the wax museums of death: and that putrid ichor, down from the rent throat, the days following, in an odor of morgue. What he had recovered were jewels and gold "from the door opposite," the jewelry of the blond countess, in any case: and in the successive flashes of a dreamed (not seen) image, the corporal sighed. And fantasticating already that he would appear before her in his sergeant's stripes, in the guise of recoverer-savior, he tried at the same time to untangle himself from all the serpents of doubt: ". . but perhaps some of the others, too, from the iron coffer of the murdered woman." He didn't waste time checking. By now he was in a hurry. Over any possible gems of Signora Balducci, with that half-recovered list there, the ambiguity of hypothesis hung still: the recognition and division of the individual items were to be carried out in the barracks, up at Marino, or perhaps in Rome at Santo Stefano del Cacco, while the jewels of Countess Mantegazza, which were individualized in the relative list, claimed each one, with prompt evidence, its stolen identity. And then, to tell the truth, his reason began to compute the remaining probabilities: in an hour and a half two lucky coups like this, a topaz on a finger and a chamber pot full of topazes, were even too much from the miserly cornucopia of Luck. A third stroke was not acceptable to the precogitative statistics of the mind, eager but still hesitant, dubious. The girl and Cocullo were waiting, immobile, as if drained of any capability of following: the corporal shook off his hesitation.

"Who gave these to you? Who brought them here? He didn't give you these as a present! Not you!"

"I don't know. This is the first time I've seen them. I don't know who put them there, in that place."

"Tell me who gave them to you. You know. Or who gave them to your grandmother. . your uncle. The cabinet was locked. You put a lock on it. And you found the key right away."

"The lock's always been there. We keep stuff in there."

"Some stuff! Tell me who brought it here. You know. We already know: we've known who did it for a long time. In Rome, too, the police officer knows. Talk. You'd better confess, tell the truth; we don't have much time. If you won't make up your mind to talk here, then you'll talk to the sergeant, in Marino."

The girl remained silent, pensive, her eyes in the void: the potato of her face, the two tan marbles of her irises, the colorless lips betrayed no inclination to utter a word: like a rustic sibyl, or like a jurisprudent citizen, from whom a previous oblation had not elicited response. She was silent, in the silence, outside, of the country, of all the solitary countryside: the personification of an irreparable refusal. A stone hysteric, to whom the uttered falsehood has become truth and so will remain even under red-hot irons.

"Come to the barracks then. There they'll get it out of you, you'll see. Want to bet on it? The sergeant'll make you spill it."

The jewels were re-sacked, a nice handful: and plucked one by one the evasive ones, the centrifugal, peripheral ones. The corporal did it with his own hands, then with his fingers, paying careful attention not to abandon to the blanket a single grain of the "stolen property." His lips slightly parted for the task, and breathing heavily through veils of catarrh, the Farafilio, like a chilled lamb observing a laparotomy, held the bladder of strong canvas: introducing into it, to guarantee exhaustive reception, two gynecologists' thumbs. They tore up the comforters as if to unmake the beds, covers, sheets: not white, and even less smelling of corn, as the poet Pascoli would put it. She had collected the walnuts with the pot, like bailing water from the bottom of the boat, or as if emptying the trough. They also looked under the beds, made her overturn the mattresses ("Come on, Signorina, the air's good for them"), empty completely the cupboard of pants and worn socks, and the top, moving them. They groped at the mattresses, pulling them to a sitting position on the springs and, the first, over the two benches on which it was normally extended: with the little finger they broached the meatuses, with the big, or middle, finger, the rips. The Croesus chamber pot, from one bed to the other, was like a new mother, so thin and diminished, after having been so full. On the wall the green-reds of the Miracle, last year's little sprig with the dry and curling leaves, some silver-gray, others gray or greeny-brown or even havana color, as if the charisma that filled them had evaporated with the changing year. And below, at last, on the platform the light of a desolate knowledge, or at least, of glimmering. The evil, to the two dressed in gray clothes,^{67} seemed to exist: to ripen days and events: since always; silent force or presence in a pandemonism of the country or of the earth, beneath skies or clouds which could do nothing but look down, or flee. It had evidenced itself in that sensation of alarm, of loosening of every just bond, which gripped their

*

hearts as they came out: at the sudden reappearance of the town, of the racing cloud-bank, in the sky. The devil, for the girl, had turned into a hen: the one that, in the garden, plays ignorant, and cautiously lifts its foot, then replaces it, to peck, to shit a bit here and there. One of the three hens, but which? And so, near home, between one stubble field and the next, the devil tempted with an egg per day (and it could never be known which, of the three, had laid it on that day) in the poverty and the solitude of the countryside without grange, tempted souls: then he reported them to the sergeant, to the informers of the Lord: pretending, he the devil, or she, hen, pretending all day to be merely intent on scratching, on hunting for grubs. Certain roaches, certain worms. And as soon as the train was heard puffing, he let himself be seized by that fear and hope of having it upon him, and on the girls, too: to keep from understanding which of the three, and who it was: being the devil. Devil, there was no doubt about it, and spy, imagined the girl holding out a horned hand towards the chickens: spy, spy: having insinuated himself, in disguise, into the home, that rural, railish home, there it is, there he is: he swaggered around like a chicken, with a chicken's manner: like a gent with yellow gloves on the Via Veneto, a glass in his eye, a white flower in his buttonhole: he de-loused a shoulder, with his beak, all proud of himself, then the other one: he shat along, like it was nothing, but he took advantage meanwhile of the convenience of being a chicken, looking to one side, just the way chickens do, making bold to peek into the kitchen, if the door was open. He even came inside, maybe. And nobody sent him away: the uncle was telegraphing to Ciampino or to Cecchina, tap taptap tap sitting at his machine. So he could spy around at his ease. He recorded with his mad pupil and retained in his retina: with that lateral eye that chickens have, like it was invented by Picasso, a bathroom porthole, a toilet void of understanding or any intention of spying to starboard or to port. And instead they're looking at you. Yes, he was the devil: worming his way into the kitchen, on the helpless tiles of the domestic poverty: or in ambush beyond the cane fence: little canes artfully stuck into the ground, with two opposing slants to make the figures of rhombs, ripped by the pouring rain and by the wind, half-broken and half-rotten, now, at the end of winter: a worn girdle, now: which does not isolate the domestic indigence, at kilometer 20. 25, from the open access of the country. The grandmother, amid the hens and the stubble, was like a humpbacked tree in the garden, a sorb already skeletal in death: set up as a scarecrow, one day, and then torn to black tatters by the north wind. She gave the earth a blow with her little hoe, then left off, tired, without straightening up. With four strides the corporal reached her. "I found what I was looking for," he said to her. "If you were the one who hid them, you'll have to give me an explanation. ." She raised her face, which seemed carved from brier: she looked at him without understanding, without even hearing.

"She's deaf," Camilla warned him. They telephoned to the uncle. They wanted to tell him: Camilla had been "called in" by Sergeant Santarella, so they said: she had to "report" to Marino, as a witness: the signal-house would be left unguarded. The old man expressed no opinions and still less raised protests, over the phone. He made no comment on what they let him know. He was already about to come back to Casal Bruciato. There wouldn't be any more trains going by, Camilla knew that anyway, until the mixed train for Ciampino-Termini at twelve fourteen.

The old man, in reality, at hearing an unknown voice, was seized with panic. At the telephone, the girl explained harshly, when it wasn't a question of service communications or calls, he was infallibly seized with a paralysis of the basioglottis, or as she put it, he was tongue-tied: like an engineer, little inclined to speechifying, who moves perfectly his abacuses and yet hasn't at his disposal the "sufficiently appropriate words" not to say sufficient Italian verbs to be able to petrarchize over news that is far from good. A typical aphasia coram telephono, reverence, spite, incapacity of expressing himself properly, and the suspicion or indeed the obsessive certainty that one can be overheard and naturally mocked by third parties, by unknown imbeciles, and finally, the loss of one's own personality and the pulpifying of the logos in a flushing stammer, flowed or stagnated, endemic, in Europe, and, therefore, in the Italian peninsula of those years of telephone avec la manivelle. In the campagna, in the country, you can imagine! Her uncle was a railroad man, ha! like the daddy of Lucherino.^{68} And, rustic widower flabby though still fierce in the face, before he had his hut beside the tracks.

He was born illiterate, like all of us; but where there's a will there's a way: and by strength of will he had learned his letters: he could read the tape like it was nothing at all and he could tick away with his key. He mastered and shot from his belly the multiskinned banner, like a lordly esquire, at the Palio, the banner of the Torre, the Tartuca, or the Oca.^{69} Born timid, yes, vis-a-vis the black vulcanite cup, he gulped saliva, rather than pour into it the clamorous chatter of the day: he emitted cautious monosyllables: and few even of those. The grandmother was left alone to await him: alone, not counting the dog, the hens. She would have waited also, in the full assumption of official position and in the exclusive manipulation of the green club, good for signifying proceed, for that little train from Velletri at noon. The girl, one would now have thought her no less a deaf-mute than her grandmother, was led to the crossroads: where, awaiting the return of the carabinieri, the buggy was standing: and Lavinia, above, seated, huddled, throat and cheeks in her two hands, and her elbows set evenly on her knees, her chin extended, lips drawn, and her mouth in an attitude of contempt. Such a posture granted her, beneath her arms, sufficient room to lodge there and almost conceal, disdainful now and intolerant of glances, the tepid weight of her teats: though the arch of each armpit still allowed their profile to be seen, if one glanced there, perhaps without seeming to: as did Farafilio, in his palpitation, a little later, as soon as they came up to the buggy.

The proprietor of the horse was seated, beyond the ditch, on the rather high edge of the field in which the road, even today, is sunk, looking pensively at the ground: mouth open: his shoes in the dry culvert. He seemed to be speculating on human destiny and forebodings: he allowed his mind to graze in the limitless meadows of nothingness as utopists and lanternists are wont, having created the void there: that sweet Torricellian vacuum that the disturbed mists and the fogs of the equinoctial morning heighten, if anything, to an inderogatable condition of the life of the psyche. Curiosity had pricked him at once, on seeing Lavinia with the soldiers, then had been calmed and completely satisfied when, left alone with her and her horse (but the horse couldn't follow well the discourse of more than one voice), he had asked her about the case. Lavinia, bitter, had annihilated him in a few words, a process in which she excelled, and had huddled down in the position described. So, he, now, was mindless in peace, staring agape at some blades of grass: a thread of saliva was about to come from a corner of that unretentive meatus, filtering, from below the inert tongue, to drop on to the cobbles. His two shoes planted on the cobbles of the culvert, legs apart, his elbows on his knees, his whip extended from his ten basketed fingers, which held it slackly: and it seemed the staff of a flag from its socket on a balcony, or the tacit pole of the fisherman over the lake's silence: not did its handle rest on the ground, but instead of the ground, in a superfluous fold (immediately beneath his waistcoat of rawhide) which his trousers formed at jointing: so that it jutted from his lower crotch, like a faunesque stump gradually lengthened into a bending twig, in a thin and dropping splinter: like a patented contrivance, a private and personal organ, antenna or pole, disjunctive attribute of the radio-amateur-fisherman, or conductor. And all around the hanging twitching of the splinter (swaying with the wrist) a horsefly abandoned himself to his habitual goings and comings, which indicate a greed for footstuffs, perpetually awake or reawakening, and of the achieved spotting, that is, scenting, of the same. It buzzed nosily in a metallic vibration which reached top notes with certain swervings or counterswervings in figure 8's: drunk, almost, at having forced itself by the renewed fatality of a sui generis field of gravity: a field excogitated, for the new history, by the Buck of the young horseflies: where the ellipse of the Newtonian orbitation had been replaced by the lemniscate. He was one of those handsome green ones, with wings of metallic ash-green that recall burnished steel, devoted, as soon as he has it made, that is, when someone had made a turd, devoted to sumptuous pauses, and to ineffable epula-tions in the meadowed paths, in the unlofty corners of the territory: du vieux terroir. Wracked by precocious puberty in the muggy weather and by pubic nose in the equinox, in that cosmos of prescient odors (foretelling the spring fertilizing) he restored himself with the idea: of the tail of the whip. Who knows, the lout, what he thought it was?

The two cousins had glimpsed each other from afar. The trio, the new hope of Regina Coeli and her two great angels a little behind and almost at her sides, proceeded as a group. When they had approached the buggy, the proprietor stood up, and briskly raised his whip high as if a fine mullet had taken the bait: Camilla faded to a greeny-white: "It was you," she said softly to Lavinia, as she came within knifing distance of her, with the Brothers Grim at her ribs: the driver cracked his whip in the air, to reawaken the horse, and prepared to climb in after Camilla, in whom a hysterical malice from moment to moment was deflating the resultant inflation, empâtée, of the various volumes of the face, that abscessed consistency which with puberty, the two oily balloons of the cheeks, had assumed in her, to become all one with the cushions of her cheekbones. Her eyes, carved into the potatoish oval, had begun to react, gleaming in a white ground, to make themselves seen. Rage was giving her a gaze, lending her a face: "Me?" said Lavinia, "have you gone crazy?" Hatred, contempt, and also fear in that voice, in those words, which corporal Pestalozzi made an effort to intercept, then, in vain, to interpret. A slight breathiness, in her speech, a shy caesura. Her breast palpitated, most desirable, like a magnetic blade between the two poles: but this was not the magnetism of Maxwell, and the blade was instead of milk-colored skin, trepid and dear. "Me?" and she shrugged, "they're taking me in, too. We're going to have a little trip to Marino, to be witnesses." She raised her neck, haughty. "I have to tell you how it happened, when he, the corporal here, thought I was engaged, with the ring on my finger." The explosions of the whip reannounced, almost gaily, the advisability of being silent, of leaving. A little further on, at the high edge of the field, two little open-mouthed girls were looking on, with long underpants and shoes, without laces, that had belonged to their big brother. A strong man, a peasant, was trying to light and to draw, twisting his neck like a plebeian painted by Inganni,^{70} half of a half-cigar. "Get in," the corporal said to Camilla, "and stop talking: and don't try to work something out between the two of you, because it won't do you any good anyway. We already know the whole thing, how it went: and who gave them to you." The pocket of his tunic could be seen swollen, over his hip, on the right, as if to create a symmetry with the holster, as if to counterweight the encumbrance. "Go on, get in!" he repeated. Camilla obeyed. The owner got in after her, on the other side. The springs, perceiving his capacity, creaked again, and this time with their habitual zeal: then they were silent, quite flattened, crushed. The corporal, bicycle in hand, prepared to follow the buggy: which turned to the right, after a suitable turning of the wagon brake, like the pommel of a coffee grinder, after a last crack of the whip, a geeee from the master, a straightening of ears and a pawing of hooves on the part of the quadruped, a slap of the tail between the buttocks, after which it did not fail to start off. At a walk, that is, the walk of an old jade, going uphill, with three people. The road, in fact, rose: the bicycle, as soon as Pestalozzi pressed the miracle foreward, began again to chew, to gnaw on its torrone. The faithful Farafilio was to chew the road on foot. To enter that basket, with their full endowments, the two girls had to pack themselves in with some effort, so that they leaned, one against the other, at the shoulders and their respective thighs, like two fat quail, twinned on the stick, in the pan, to make a single generous portion: the driver supporting them on the one side, Camilla — as a counter-thrust — on the other, had clutched the lateral iron bar of the seat, fearing to fall out onto the road: that iron which was an available anchorage, the only one.

"Yes, it was you, you lousy spy," she said in a low voice, in a wrath greener still than her face. "You're good at flirting, I know. For a moment it suited him to see you every now and then, that pimp of yours."

"My fiance, you mean," and Lavinia raised her head, resolutely, with the sudden dart of the snake, looking straight ahead, as if to avoid even the sight of her traveling companion of whom she yet perceived the hateful warmth, the odor. She twisted her lips, slightly, continuing to despise.

"No, no, fiance my foot: he's not going to marry you, that's one sure thing."

"You want to take him away from me with money, you're so greedy, nasty snake, you. To get a taste of a man, you have to buy him, like the schoolmistress. But you won't get him away from me. You're too ugly, with that face like a potato of yours. And you're too tight: with that two cents you've saved up — you want to get him away from me?"

"They'll take him away from you, don't worry."

"You can leave them out of it. And yourself, too. I made him swear. I had a fight with him. 'With her? You think I'm crazy?' Go on, you potato, you. Go hoe the field, you ugly witch." The owner of the buggy kept his mouth shut: from time to time, to assume a casual attitude, he carefully cracked the whip in the air like a postillion in a cloak on the box, humbly clad in his flea-colored jacket as he was, inciting the horse with a a-ah! After each crack, on the contrary, he seemed intimidated: like the feeble-minded or certain children who fall silent when their parents quarrel because they can't understand it all, except for a frightful aversion, a hatred whose motive is hidden. He didn't know much about women. Woman is a great mystery, he used to say, on Sundays, at Le Frattocchie, at the Marinese's, sitting astride the bench, or in the summer under the arbor, with his elbow and with the half-liter of wine on the table. You have to study women carefully before you start anything, he would asseverate at I Due Santi, his glass half-drained, before the bar of the striped white marble: because Woman is a mystery. And Zamira pitied him, from aloft, with all the blackness of her mouth, half-disgusted, half-compassionate, drying her hands on her apron, which she sometimes wore, though dirty. And once she even answered him: "It's a mystery you can understand right away, if you just have a little imagination." He didn't understand them much, he said. And perhaps he didn't understand anything very much. With these, with one of them at least, but which he couldn't recall, he must have played when she was a kid. But he hadn't understood anything even then. He stood there, crestfallen, waiting to be fed. Now, when he came upon one on the road, sometimes, but never on his own initiative, he agreed to give her a lift.

"You're a lousy whore and a spy," Camilla resumed, anxious that the fight shouldn't end. She was enraged by the love of which she had been defrauded, even more than by the treasure that had been confiscated from her: what she already was calling "the jewelry for my wedding," the pledge of love, in any case, there, had ended up in the hands of the carabinieri, "damn the person who ever invented the stuff," she cursed, clenching her teeth.

"A lousy spy, that's what you are, bitch. Stinking bitch." The man in the tight jacket fired his whip aloft, said "aah!" to cover this altercation with his voice.

"They can hear you," he warned, without turning, in an attempted whisper that came out grainy with catarrh: and at that he became more timid than ever. He kept his eyes on the road, beyond the tips of the horse's ears which served him as sights, though double ones: because he felt, suddenly, the corporal's burning: eyes and ears alike.

The horse, at every new crack, did its best to seem to be engaging in a trot, which remained brisk for a few paces, then slowed down. The girls were silent. Lavinia, finally, was weeping: her beauty, her arrogance: crushed: so expert in the pride of loving: indeed, in being sought after for love. The young man who had given her the ring, that stone all light which seemed to be sublimated from the buttercup — where was he? where was her boy friend, at this hour? A knapsack over his shoulder, a knife in his pocket: a flash, a clump of light hair in the wind, like a handful of straw that suffers no comb: after having betrayed her and despised her, her, poor thing (and her tears, almost, were sweet), to go down to the station at Casal Bruciato and put gold all over that shit.

"That shit who's warming my thigh now."

Oh, Iginio. The carabinieri had caught hold of him by the scarf, but he, quick as a wink, had already slipped from their hands. That lousy pistol of his, he never dreamed of shooting it, but just kept it to defend himself: and now, as if the rest weren't enough, he had hidden it, buried it. Thank God. But now it's not buried any more. Some gun! Good enough to scare the countess. The cap? Ha! He had it in the pocket of that sack thing he was wearing. The law, no, they couldn't put him in jail three years because of a green scarf and a cap, and an old pistol, all rusty and useless. The knife. . Madonna Santa! he had been wrong to use it, on a married lady… in her house, if it was true that he was the one who did it. And a chill sweat, a shudder of revulsion and anguish now gripped her again at the thought: it was horrible. And she dried her cheeks, her eyes with a filthy rag. The fat sergeant from Marino — and she wiped her little nose — how had he figured it out? How had he guessed everything?

Because of the scarf, all right: but that scarf can't speak. And the ring with the yellow stone, how had he learned that it had been Igi who gave it to her? All of a sudden? And that she and Igi had exchanged their promises three days before, after almost a year that they had been going together, so that the ring… he had been the one to stick it on her finger, forcing it on her? "The ring's mine, isn't it? And you're my girl, aren't you" he had said, and had kissed her with a fury!… it was enough to scare you, almost. But the corporal, though, how had he managed to guess? Ah! Could he of been hiding behind a tree, behind a bush, right there, when they had said yes to each other? Or had somebody else seen them and told him about it? Had Igi gone around telling about it, the way men brag? (and her heart leapt with pride). Well, it wasn't too good for him to talk, either. And besides he wasn't the kind who likes to do much talking. You couldn't get much more than an um or an uh out of that mouth of his, that mean-face. Well who? Some girl from Zamira's? There were three of them now, sewing there: she herself went almost every day: Camilla and Clelia, maybe every other day. Camilla hadn't opened her mouth, for sure, with her dirty conscience at having taken the goods, all that gold and those stones: sooner than talk she'd do better to jump in front of the train. Clelia? Clelia liked those big carabinieri: to her they seemed like so many handsome devils, she could dance with them all and say yes to one every month, that was obvious: even a blind man could see it. But to turn informer to the soldiers and tell on a girl friend, a fellow worker! "Or maybe it's another lousy lie of that corporal's," and she glanced at Pestalozzi who was struggling upon his musical bike, "that lousy northerner, who wants to make sergeant no matter what? No: it would never pop into Clelia's head to inform on anybody. She walked her legs off to get a bowl of soup at night, and a cot, all the way to Santa Rita in Vitacolo: she was too far away, and in a place that was too open. It was already dark when she got home. And besides what? She'd be risking something herself. If Igi — just supposing — if Igi happened to find out, that she had talked! He wasn't above breaking her bones for her." And she recalled in a kind of somnolence barely illuminated by flashes, in a leap of her blood, in the hammering of the blood in her ears, she remembered that the sergeant's bike, the fat sergeant's, they heard it spluttering a little all along every road and path, raging at the closed crossing, annoyed, as far as Torraccio, Ponte, as far as Santa Palomba, where the radio poles are, and sometimes yes, even as far as Santa Rita in Vitacolo.

But what did that mean? It was his job, running around on his motorcycle day and night, to go and visit his poor, to see how they were getting along… his chickens: that's why he wore those double chevrons of silver. "That's all he can think about, tearing around the day and night with his bike, you might say: and when he's done, he goes to bed: he plays the radio: and he has seven women who listen to it, besides himself."

Spies were not lacking, certainly, closed in the torpor of her mind and senses, from which Santa Rita had already evaporated. The sergeant, from confidences gathered the day before, had, according to her, succeeded in extracting (now she dreamt) how one Retalli Enea alias Iginio had become engaged to the beautiful Lavinia from whom with his infinite promises and a face that made you scared, he had obtained some advances. "Advances?" "Yes, some paper," answered the spy, without a face but with every certainty of the feminine sex, since she wore a shawl and skirt, "and especially. . don't make me come out and say these things, Sergeant, you know what I mean better than I do." The ring — it had been he, Retalli Enea, who had given it to this beautiful Lavinia in a strange moment, as if he were going away: clasping her to him, kissing her furiously on the mouth, on the eyes. Or perhaps, that faceless apparition went on to say, and exhaling a word not human, to be rid of a trinket that was too risky to carry on his person, in those circumstances, and with the intention of collecting again one day, when he could move more freely. "But where were you when you saw them?"

"I saw them," answered the phantom of the lonely road, "I saw them from that pink house where you come up from Torraccio, where I go and do some odd jobs every now and then." "But if you were inside the house, and they. . they were about their business outside, on a path. No, it doesn't work out right." "Sergeant, I saw them from the window." "From what window?" "From the window of the toilet": and Lavinia's mind was lost: real images become deformed, filtered through a tired, yet clairvoyant drowsiness. "You should go and look. It's a toilet, where you can see everything: motorcycles, the men working by themselves on the vines, and the carts, and the donkeys. ." "And what were you doing in there?" "Sergeant!" He took her hand. "You swear?" "I can swear to that, all right, don't you worry!" she said then, and it wasn't clear with what lips she spoke, this fearsome mannequin: over which a shawl had been thrown, on which a skirt was hung. A girl, she was: and for a face, an oval, like the wooden egg for mending socks. The topaz had appeared two days earlier on Lavinia's ring finger (of the right hand) amid the amazement of all the girls. "My God! what's that on your finger?" to whose questions, to whose exhortations, "come on, tell us!" she had smoothed her eyebrows, "wouldn't you like to know?" and had shrugged her shoulders, piqued, then blushing as if content with this praise, this expression, all too clearly, of envy. "Don't show it around too much, Lavinia," Zamira had warned her, "with all these horseflies, we have buzzing around here, these days, buying smokes."

Pestalozzi had stored away, that morning, not only his immediate superior's commands, but also this hypothesis: the engagement ring! and, naturally, the double list of the Rome authorities, as he called them in moments of detachment. His superior was careful not to say "I have been told that. .": he had limited himself to the formulation of hypotheses, few and limpid: one more reasonable than the next. He found himself now, as he chewed along the road, forced to integrate one of these hypotheses, that topazesque engagement, in the light of the new as well as unforeseen results. The topaz, in the possession of Mattonari Lavinia, all right then, "supposing that Retalli gave it to her." But why and how had all the rest gone, instead, to the potato, to Mattonari Camilla? A pledge of some kind? Not so much a pledge of love, perhaps, as, for example, for some small loan of money, of which Retalli Enea was always in need? "Other than the job of being unemployed — he's no good at finding other kind of work," he thought, brutally, like that sociologist he believed himself to be, like that carabiniere he was. "And besides, he must have been in a hurry to get away!" the sergeant had postulated this, too. He must have got off the morning before: he had certainly gone into the country. Or had he, instead, headed for Rome, along the roads? How did the sergeant know that Retalli had flown the coop that day? They had spoken in the evening, in the barracks, when he, Pestalozzi, had come back from Rome, almost at midnight. Ha! He knew a thing or two, the sergeant did; he had pawns everywhere. A sixth sense! A nose! If only he, Pestalozzi, in time, could succeed in having a scent like that! "Let's see now," he brooded, to himself, his eyes on the ground, forgetting the two quail, "let's take a good look. It's time to pass the exam, Guerrino: use your head, Guerrino. If you work things out right and carefully, this is the time that some silver'll drop on your sleeve. You'll be transferred, that's for sure: to Gerace. . Marina's likely too. It's a little further from Orta than Marino (Latium) is: but they say, they swear, that the air is healthy there, too. And they have figs. . and prickly pears. Ah well, moving around Italy, is our life. Let's see. Let's use the old head." And he plodded along. The sight of that countryside, so desolate in March, which with the return of the sirocco and of the wandering rains, from the shore, now, reached a cleansed clarity at the Castelli, at the houses of humankind, suddenly fascinated him as if it had appeared magically: the cubes and dihedrons of the houses crowned it at the peak, the cenobia, the towers. A moor for the mirages of solitude, a moment. But on high, ahead of him, the populated villages, the tram: along the consular road. Behind, he knew, the clay hills drained towards the dune the lashing rains: there, fear: the closed horizons of the little valleys, their weary marshes, the reddish mire where the canebrake thickens, a cold green color, a chill without shelter. Here and there, unforeseen, on the withers of the hill, an old tower, to scrutinize and recognize one who for months hadn't passed that way, but today, yes: with a roof of a single slope, like a cap over the eyes, walls baked by the relentless summer, faded by the brothy gusts from the southwest. Dried again by solitude. The signal-man's house, where shortly before he had so copiously harvested, the corporal thought on his bicycle, could have offered to Retalli Enea alias Iginio refuge and shelter, if only for a moment, on the first lap of a flight that was anything but impossible. Along the main highways, like the Appia or the Anzio road, there was police surveillance: motorcycles: patrols, perhaps, from other carabinieri stations: and then the coming and going of the red-painted wagons which came down, in those days, with the barrels of new wine loaded in a mountain-like pile (for those who saw them from the side). And gardeners, early in the morning, and men carrying fresh ricotta on their donkeys with their gay bells: and trucks, from time to time, all spattered with mud and the night's rain, with their gross drivers in the cab like helmsmen, behind the pane, in their black oilskin jackets, their grappa-red faces, in their fox collars: those could clearly see anybody on the run, even if they don't look like they're watching. All of these, by now, had read the papers, with the two crimes in them. Resting, on the other hand, only a moment at the signal-man's, Iginio could then reach Casal Bruciato, cross — or not cross — the Ardeatina, slip off unseen under the sandstone ramparts which create the invisible security of Ardea, and create also, for the goatish lupercal god, a cave and a home: or, a divergent hypothesis, he could reach in any case the Rome-Naples train, at Santa Palomba Station: like a day-laborer looking for work, wait for the train, the poorest of trains, a diretto, the poorer of the only two that stop there. Or else. . Pestalozzi suspected at last, doubling the horns of the dilemma, if he was out of breath or lacked money for the train, he could take to the country towards Solforata and the great thickets of the prince,^{71} in the direction of Pratica di Mare. From there, come out on the shore: and, in easy stages, begging bread from the fishermen's huts, reach Ostia… or escape to Anzio. And then who could ever find him? Right. But couldn't he have taken the train to Rome? And money, at the ticket window? Who could have given him the money?. . Lavinia?. . What about Camilla, why not her? It was more likely that the ugly one had given him the money."

Musing in this way, he was finally aware of the road: they were almost at the Anzio crossing. He concluded then, leaving all his doubts open: it was his sergeant's exam, this; in the barracks the beans would spill forth. But the spirit, or the devil, of the "reconstruction of the events" hammered at his temples. Retalli. . here's why he had left the stolen property at the signal-man's house. It was a place. . which no one, perhaps not even Sergeant Santar-ella, would have been capable, of guessing: there was the ugly fiancee, there: ugly and sure. And the countryside all around, deserted. He must have decided to flee on the spot, after having caught some random word, in the discussions of the people, or read a headline in a paper they were reading. The jewelry… no, he couldn't leave it at his place. (A few hours after he had become "a fugitive from justice" they had searched his house.) They would have found it. It would have been the proof, imprisonment. To take it with him, if they should stop him, was no less dangerous than shutting it in a drawer. And so, there. To escape, to keep a safe distance, took money: and for the train, too! Camilla, perhaps, had some, could give it to him: she could cough up… a bit of the ready: and he would leave her, as a pledge, all those sapphires and topazes, of course, he would have given them to her.

But Camilla whimpered about being so poor? The corporal's mind became confused. Every hypothesis, every deduction, no matter how well-constructed, turned out to have a weak point, like a net that is unraveling. And the fish then. . good-bye! The fish of the impeccable "reconstruction." Retalli, in a far shadier level, must work like that blond boy of Ines', like the Ganymede Lanciani, who had been the blond — and invisible — god of the interrogation at Santo Stefano: and in this rather withered collection, the greed of the search was stilled. Ganymede was a more easily filed denomination, in the archive of his memory, than Diomede was.

The girls, in the buggy, seemed to be quarreling again: they went on, in fact, exchanging vituperation in low voices: with cheeks like she-devils, hysterical witches: but the upper hand seemed to be hers still, the more furious in the eyes, the more contemptuous of lip, the more beautiful. Dying of curiosity, the severe Pestalozzi listened, but did not hear: the creak of the springs, the rasping of the bike, an occasional exploded admission from the ass of the tugging horse, prevented him from enjoying that altercation, as excited to see as it was in fact, in reality: without counting the disturbing snaps of the whip, and the aaaah's of the simple-minded driver, who seemed every time to wake with a start, from his diver's lethargy, to emit his voice, quite uselessly: since the horse, poor beast, more than what it was doing, could not do, nor its kindly ass explode. No, he couldn't hear, the corporal.

"Because you have a bank book with a couple of lire in it," he heard all of a sudden, and put one foot on the ground, "that's the only reason, ugly as you are. That's why Igi lets on he's engaged to you. Go on. You're one of those girls that if she wants a boy, she has to buy him with money." And she spat, overshooting with her projectile, the helpless knees of the driver, who said aaah! but in vain, because his intervention was belated: and then because the horse had stopped and had already planted his legs apart for an unforeseen (to him, the master) need. The corporal's face relaxed; his spirit was consoled.

"Yes," Lavinia shouted, venemous, "you were fed up with giving him money, after all you had given him before, so he thought he'd leave that stuff with you. A guarantee. You bought it for two thousand lire — you told me so yourself!"

"Liar, witch, whore — if you want to be a stool-pigeon after all, you've got to tell the truth — because lousy spies like you are no good to anybody, not even to the people who pay you." "Ahoy, girls," Pestalozzi said, resenting the slight respect in which the cousins Mattonari seemed to hold him: "now what's got into you? You can fight it out at the barracks. The sergeant will be overjoyed to hear you both talking at once: he'll let you go on arguing till midnight and after, don't worry. Once you're in the coop, you can peck at each other all you want. But that's enough presently. Cut it out." Where he comes from they say "presently" rather than "now." They say it in Rome, too. So the argument of the two furies died down, faded, like thunder that becomes calm, fleeing, on the marvelous lips of Lavinia. The Farafilio, on foot, arrived overheated, his face flushed, except for the cheese-colored patches which whitened, as if for a belated confirmation, his jaws: just above the neck. He dragged after him, with some difficulty in the climb, that little balloon, so court-vetu, so uncovered to the caprices of the equinox, that it recalled the old story, of the regiment confirmed (not to say baptized) by fire.

Le bon vieux grenadier

qui revenait des Flandres..

était si court-vetu

qu'on lui voyait son tendre. .

The horse, in the meanwhile, had finally regained his composure; and a definitive aaah brought him back to his job of tugging, before the good soldier came to learn the cause of the stop: which, from the distance, might have seemed a wait, ordered of the driver through the kindliness of his superior, and thus an act of clemency and total pardon granted him, Farafilio, in person. But, having glanced at the little hippuric lake, and sniffed the sweetish and still tepid steam that emanated from it, he displayed in the rubescent skin of his neck and the ad hoc zones of the face his reproof, his contempt. That little equine stop had been demanded by rude nature, but a blow of the whip might even have obviated it: there were two women present!

IN the same hours of the morning of that same day, Wednesday, March 23rd, when the search for Enea Retalli alias Iginio had proved vain at Torraccio, where he lived when he lived there, Sergeant Santarella cavaliere Fabrizio was riding on his motorcycle over the provincial highway from Marino to Albano, so stupendously shaded, or flanked by trees, in the gardens and the parks which cover the slope. March finds a part of them bare or tattered, the elms, the plane-trees, the oaks: others have green fronds by the Feast of San Biagio or San Lucio: the Italian pines, the ilexes, the serene and almost domestic friendliness, in the villas, of the laurel, where, in other sites, the academician is crowned and, in some cases, the poet. From more than one indication, or clue, there was reason to believe, or at least not to reject the idea that the young man had headed (approximately) towards Pavona and Palazzo, moving down along sideroads and paths, when the roads proper seemed, in their way, unsafe. He also had a soldier on the rear seat, the good sergeant did, and armed, not to say embarrassed, with a musket. Having turned into a no-more-than-vaguely-indicative tune the seven syllables of the Touring's anthemer, his thoughts pursued the fugitive, who, with some advantage over him, had used the romantic "go!" proceeding by now at great strides beyond the confines of the "condition of unrecoverability." That phrase, that incitement, the sergeant-devil went singing to himself, between nose and mouth, yoking its bold (and equally imagined) rhythm to the explosions of his motor. Of the two soldiers stationed at the fort he had asked for reinforcements, by hand-cranked telephone, and knowing them to be equipped with a machine, that is to say a bicycle, he had ordered them to Pavona.

Quite different, on the other hand, and of a different life, crowded with a different and more densely settled people and populace, inscribed with other toponymies, ennobled with other names, amid the august ruins and the Umbertine grayness of the six-story houses, and the hindered and therefore bell-ringing rolling of the tram, was the working atmosphere of Blondie: his field of work and of leisure, of after-work and work-after, where he carried out his dandling and absent-minded (to hear him) technique, loafing, peering at random, sniffing, at a whim, a caprice, and the lucky wisdom of the urban idler who allows himself to be guided by the silence of every hypothesis and of every disjunction, like the sleep-walker on the rainpipe; he, instead, in the full agitation and the constant bumping into one another of people, as they go their way: after the bars, the shoe shops, the stores of soap and washing soda, along the fences of gardens with oblique palms beyond, yellow, whipped in the winter, tormented under arid skies, in changeable weather, by the very certain tridua of the north wind. The fountains, the basilica of Santa Maria della Neve, and the arches and the fornixes in the surviving walls, the cubes of peperino and of sandstone: recalling Tullius and Gallienus and of Saint Liberius Pope, among the invitations of the chestnut vendors, black-fingered over their braziers, their face serious, smoked, all wrinkled towards commerce, and the non-invitation of the waiting taxi-driver, huddled in his glass confessional: the charioteer of whom it might also be said that he is waiting (a call, an order) if his genteel snoring had not by now cut him adrift, far far from every less aware expectancy.

After the broad cantata, and especially, after the closing aria and coda of Ines, about the benediction that the bell of Santa Maria Maggiore had imparted to Ascanio's little theft, "I'll see that kid tomorrow morning," Blondie had said to himself: and he had liberated, at the exit, that huge yawn which had been wandering in his throat for two hours, like a caged lion, and right away he had sheltered it with his hand, as Doctor Fumi turned to him: "you take care of the boy. Have yourself a stroll on the Esquiline, and then in Via Carlo Alberto, go yourself. You're sure to pinch him in Piazza Vittorio, after those Faraglioni^{72} there." Ingra-vallo had assented, grim: he would have gone himself, if he hadn't had better to do: and better he had: "You're sure to catch him. The girl was clear enough."

The following morning precisely at ten Blondie was on the spot (after having taken a little turn among the palms): that is the hour when the housewives are used to doing their marketing, with a view not only to supper, but more especially to the midday dinner which is their imminent care: the hour of the mozzarellas, the cheeses, the vermi-fugue onions, and the cardoon greens, patiently hibernating beneath the snows, the spices, the first salad, baby lamb. Of people selling roast pork there was a tribe at the stands in the square that morning. Starting with the Feast of San Giuseppe is its season, you might say. With thyme and the bows of rosemary, not to mention garlic, and the side dish or stuffing of potatoes with crushed parsley. But Blondie, his head hanging, allowed himself to be led among the cries and the red oranges by his loose-limbed optimism, whistling softly, or merely pursuing his lips, suddenly silent, casting an eye here or there, as if by chance. Or else he stood still, inconspicuous, his Homburg halfway down his forehead, hands in his pockets, his chilled back under a light-colored and rather lightweight coat, open, and with its two sides drooping in the back till it looked like the tail of a full-dress coat. It was a phony, between-season topcoat, which inclined towards the hairy, and to the soft, and proved worn in many places: it helped create the image of a drowsy wastrel, looking for a butt to smoke. Wrapped in the vortex of invitations and incitements to buy and in all the conclamations of that cheesy festival, he moved slowly in front of the lambish stands, passed carrots and chestnuts and adjacent mounds of bluish-white fennel, mustached, rotund heralds of Aries: then in short the whole herbarian republic, where in the contest of prices and offers the new celery already led the field: and the smell of the burnt chestnuts, at the end, seemed, from the few remaining braziers, the very odor of winter in flight. On many stands yellowed, now without time and without season, the pyramids of oranges, walnuts, in baskets the black Provence plums, polished with tar, plums from California: at the very sight of which water rose in the back of his mouth. Overwhelmed by the voices and the cries, by the shrill com-minations of all the lady vendors together, he reached at last the ancient, eternal realm of Tullus and of Ancus^{73} where, stretched on carving boards, prone or, more rarely, supine, or dozing on one flank at times, the suckling pigs with golden skin displayed their viscera of rosemary and thyme, or a knot here and there, green-black, within the pale and tender skin, a leaf of bitter mint, set there as if to lard, with a grain of pepper which the cry praised in the hubbub: "a new little gland lent them in the kitchen, to other markets and to other fairs unknown." It wasn't hard for him there, given the stern wind of optimism which was driving him amid the whirl of women burdened with brimming shopping nets or bags, fringed with broccoli, it wasn't hard for him to recognize, from Ines' description, even at several paces' distance, the character, the trumpeting little kid that he wanted. He looked like a smart one, behind the stand, with a pair of eyes on him! the contrary, at that moment, of the fear and timidity that Ines had exalted, and with a thick mop of hair, supergreased, all to one side: he was standing with his grandmother. At the peak, falling a bit over his forehead, the strands of his hair had become curled like fresh salad after the capricious retouching of his comb, or like the roll of a choppy sea's wave, when it bubbles up for a moment before tangling and receding, and finally abandons the sand. A white apron bundled him up slightly and while he yelled he was sharpening the knives, one long and one short, and at the same time looking at him, Blondie, but without any sign of seeing him: that big, dark blond head, with that Homburg like a dental specialist's which came down over his mug, who had taken his stand at proper distance, hands in his pockets: he was probably somebody who wanted to eat some pork, but if he didn't have any dough, poor bastard, he could die of hunger on the spot. "Get your roast pork here! Pork straight from Ariccia with a whole tree of rosemary in its belly! With fresh new potatoes, too, right in season!" (the season he had dreamed up himself, they were old potatoes cut into pieces, all dotted with parsley and stuck into the fat of the pig). "Potatoes of the season, ladies and gentlemen! better than hard-boiled eggs for salad! Better than capon's eggs, these potatoes, I'm here to tell you. Taste them for yourselves!" He rested for a moment to catch his breath. And then, exploding: "One-ninety the slice, roast pork! We're giving it away, ladies! It's a crying shame, that's what it is, ladies! You ought to be ashamed to buy it so cheap. One-ninety, easier done than said! Step right up, cash in hand, ladies! If you don't eat you can't work. One-ninety the slice! Nice, tender meat, meat for ladies and gentlemen all right. Taste it and you'll see what I mean: tender and tasty meat! If you try it once you'll come back for more, I promise you. You're the ones who make off of this deal. The lovely pork from the Castelli! We sent the pigs out there to wet-nurse, raised in the country, on the acorns of Emperor Caligula himself! the acorns of Prince Colonna! The big prince of Marino and Albano! who killed the worst Turks on the land and sea in the big battle of whatever it was. They still have the flags in the cathedral in Marino! with the Turk's crescent on them. Get your nice pig, ladies, roast pig with rosemary! and with potatoes of the season!": and allowing himself some peace after the spiel, as even the tragedian-actor rests after his role is played, he resumed, serious and composed, his sharpening of the knives. But after a couple of blows of the knives, he had a renewal of inspiration: a kind of jolt ran through him. It was the outburst of another variation, or so it seemed to the policeman: "Try it, gentlemen, taste it! One-ninety: you can eat pig like a pig, and your wives will thank you for it!" Then, to a local beauty, lowering his tone: "What about you, pretty girl?" the girl, at that tone of authority, couldn't restrain her laughter, "a half-pound of pork?" And, sotto voce, to her, but with a glance at the penniless tooth-puller: "I'll give you the best part, that's a promise. You're my type, all right. You're too pretty! A nice little slice specially roasted for you, with a couple of potatoes!" Then again, eternally shouting and with eyes upraised this time and with cheeks of a senseless trumpeter: "Come on an buy this pork, everybody. Let's see your money; this is the time to buy it. It's a crime to leave the pig here on the stand, when it can rain again any minute, and I know you've got the cash on you. Don't be stingy now! The pork is yours, if you'll just dig out the old ready."

The grandmother, if grandmother she was, swindling merrily with the scales and with her chatter, now gave full satisfaction to the rubicund maidservant. And he: "One-ninety! This pig's pure gold!" But meanwhile that tooth puller of a Blondie kept on looking at him, after having pushed back his hat and bared his forehead, which appeared all aflame with a thick, unruly straw, somewhere between real blond and brown. At his sides two characters had turned up, two cops a lot darker than himself, one on his left and one on his right, like the silent gendarmes that Pulcinella notices after a while, in an alarm that is sudden, but belated in action. So that he, the kid, little by little, "ladies and gentlemen, one-ninety, get your roast pork, your pork, I get it!" he seemed to say to himself, his voice sinking lower and lower, "get your. ." he muttered, cadaverous, "your. ." and that little breath died in his throat: like a torch's light, more and more querulous and tawny, when it drips wax and dies, in a pool of stink, with the fried wick in the middle. With those headlights on him, all of a sudden multiplied by three. So, you can figure it out for yourself: when he realized who they were, it was too late to skip. He set the knives on the counter, muttered to his grandmother "they want me": and was already untying his apron. His legs trembled. He had to put a good face on it for Blondie, who, without letting the others see, had taken out a paper, a badge and said to him in a low voice, as he flashed it before his eyes, that fine talisman:

"You've got to come to headquarters for a minute; if you keep your mouth shut, nobody'll notice! These are two plainclothesmen, but if you'd rather, I'll take you in myself, without disturbing them to come along as escort. You're Lanciani, Ascanio Lanciani, if I'm not mistaken." So, to avoid any fuss, he had to abandon pork and knives, and leave everything to his aunt. . his grandmother: she was there, hard, erect, with one eye, filled with uneasiness, on the crowd, which went by, ignoring it all. He had an order to take the boy to headquarters, Blondie notified her briefly, and he displayed his document a second time: "Lanciani Ascanio" he added. The grandmother, the owner of the business, a middle-aged peasant woman, her hair still black, much thinner, in her wooden and wrinkled face, than her trade should have warranted, seemed uncertain what attitude to adopt: consternated no, but cross: "this boy hasn't done anything wrong, not a thing," she said, "why do you want to take him away?" Requested by Blondie in a low voice, she uttered her own name and surname, address, and showed him her license for the stand. She added, though without any enthusiasm, that she was a young aunt of Ascanio's Mamma. Blondie wrote this data on a piece of paper with a stub of pencil, then pocketed it. They looked like three cousins conversing: nobody paid any attention to them. They were from Grottaferrata, the grandmother admitted, reluctantly: the neighborhood of Grottaferrata, a little settlement known as Torraccio, after le Frattochie: but they had come to Rome eight years ago, yes, near Porta Latina, in the midst of the vegetables, you might say, a country road where there was barely a sign with Via Popolonia written on it, "it's where the truck farmers live, in the sheds. We live there, before the railroad tracks: this way," she gestured, "you can go down through the reeds to the Caffarella swamp."

"A little shed in the midst of the broccoli, and we grow artichokes too." Ascanio slept there with them. They kept him out of charity, in exchange for a little help there at the market. His father. . ha, his father; his brother had been out of a job for two months. "We haven't heard anything from him!" Ascanio, they were trying to help him, poor boy, "the best we can." And she let him go with them, nice and quiet, upon assurance that they would bring him back to her, later. Equally anxious, on their part, to avoid scenes, not only for the customers but for themselves, the two dark-haired angels had moved away from the stand, were waiting farther on: the boy, white in the face after all his shouting, came around the stand, and his new cousin up to his side. This was Blondie's great art: with his head bowed shouldering his way through the crowd, he stumbled, as if by chance, over the character, his character: "Well, look who's here! What are you up to around these parts?" (sotto voce): "Tickling the ass of the working girls, or the men's wallets? If there's a button off their back pocket, then you've got it made: am I right?" Then, peremptory: "Let's go. The chief wants you: he's got something he wants to say to you." He took him by the arm, looking at the ground, as if he had a serious proposal to make to him.

They came out of the confusion towards Via Mamiani or Via Ricasoli: there was a passageway among the stands of the fish-mongers and the chicken-vendors, where they sell the squid and the cuttlefish and all kinds of eels and meals from the sea, not to mention mussels. The character, and Blondie himself, looked at those mushy polyps of a pale, silvery mother-of-pearl (so delicately burnished in their inner veins), sniffed, though involuntarily, the odor of seaweeds from all the cool dampness, that sense of sky and chloro-bromo-iodic freedom, of bright morning on the docks, that promise of fried silver in the plate against the hunger that already could be called profound. Coils of boiled tripe, one upon the other, like rolled-up rugs, gentle anatomies of skinned kid, red-white, the pointed tail, but ending in its tuft, to signify — beyond contradiction — its nobility: "I'll give it all to you for four lire," the vendor was saying, holding it up in midair: all, that is a half: and the white clumps of romaine, or curly salad greens, live chickens with the eyes peering from a single side, and who see, each one, a quarter of the world, live hens, still and huddled in their cages, black or Belgian or straw-ivory Paduans: yellow-green dried peppers, or red-green, which made your tongue sting just to look at them, and made saliva come into your mouth: and then walnuts, Sorrento walnuts, hazlenuts from Vignanello, and piles of chestnuts. Farewell, farewell, a long farewell. The women, the plump housewives: dark shawl, or grass-green, a safety pin, undone, ouch! to prick the teat of the neighbor a moment: cosi fan tutte. Self-moving pudges, they ambulated with effort from one stand and from one umbrella to the next, from the celery to the dried figs; they turned, they rubbed their respective asses one against the other, groping to open a path, with brimming bags, they choked, gasped, fat carp in a pool trap where the water, little by little recedes, jammed, wrung, trapped for life with all their fat in the eddies of the great comestibles fair.