The Paw of the Cat

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The paw of the cat — reached out for the killer of that lovely doomed blonde and closed — on nothing!

Chapter One

Prettiest Corpse in Town

Stenn came down the subterranean corridor of the emergency ward, his big hands swinging at his sides, an inch of damp cigarette pasted to his lower lip at the left corner of his wide mouth.

The prowl-car cop was young, with nervousness hiding behind his blunt Slavic features. He pushed himself away from the wall at Stenn strode toward him.

“Are you—”

“I’m Detective-Sergeant Stenn.”

“Patrolman Matchic. They’re working on her in there.”

“How did it happen?” Stenn said.

“Didn’t Kevan report it all in?”

Stenn pinched the cigarette out of the comer of his mouth, dropped it and scuffed it with his foot. He shoved the grey hat with the stained sweatband back off his broad forehead and looked at Matchic with distant annoyance.

“I’d like for you to tell me.”

“Sure. We were over by the station, cruising slow. A guy comes running out into the street yelling about an accident. I pulled over and Kevan and I ran in. It was on Track 7. A big mob was waiting to grab the 5:28, a commuter train. What always happens, they back it down beside the platform. Anyway this girl had gone over the edge, nobody knew how. It was up near the front end of the platform so that the engineer didn’t know it and they backed seven coaches over her before the train stopped in the usual place. It was a mess, with women down on the platform and guys fanning them and everybody running back and forth. As we were running we found a doc in the crowd. You couldn’t get at her from the side she fell off of on account of the platform is high. We went around the end of the last coach. It’s a double track there and we could get to her. The little doc, his name is Fenner, he got a couple of neckties and he had a pipe and one of the other guys gave him a pipe and he went under there and put a tourniquet on each leg.” Matchic swallowed hard.

“It got the legs?”

“Both of ’em. Just above the knee. The ambulance guys got there then and they got her out and then, right there, they gave her that stuff, the white stuff out of a bottle with a tube.”

“Plasma?”

“That’s it. We got a couple witnesses, Kevan and me, with the names and where they were standing and all. I think maybe she fainted and—”

“All I want is what happened. Any thinking you do is on your own time.”

“Sure, sure. I just—”

“Kevan didn’t report in no name for this woman.”

“He checked her pocketbook but there wasn’t anything in there to tell what the name is. Kevan’s got the pocketbook out in the car.”

The door opened and a young doctor came out, his mask down around his neck, peeling his gloves off. There was an impassive, too-old weariness in his face.

“Too much shock,” he said. “I thought for a while we’d make it.”

Matchic swallowed again, his throat moving convulsively.

“You people hold her until we get an identification,” Stenn said. “We don’t get it by tomorrow noon, we’ll move her down to the city icebox. Mind if I take a look?”

The young doctor shrugged. “If you want to.”

Two nurses were on the other side of the small operating room, animatedly discussing the proper care of a nylon dress. They gave the three men a casual look. Bored attendants had moved the body off the table onto a large-wheeled mortuary cart.

“Hold it a minute, boys,” the young doctor said.

Stenn looked down at her face. The mouth and nostrils had a white, pinched look, but he guessed that it was an effect of death. He squinted and tried to see the face as it would have looked in life. Blonde hair grew thick from a rather low scalp line. The eyes and cheekbones were set wide, the nose was snub, the mouth was wide, with a great disparity between the lips, the upper one thin, the lower one so heavy as to give almost the impression of being bruised.

Absently he fingered the blonde hair by her ear, rubbing the tiny harshness of the hair between thumb and finger. He stood, a wide, heavy man, his eyes half closed, and years were gone, the clock spinning crazily back to a time when he had investigated the accident on the bay road and found Jeana, her fragrance stilled by death, all her lies suddenly transparent. And over the years the memory had never lost the power to cut into his heart like a splinter stabbed up under a fingernail. Jeana dead beside the man with whom she had...

Stenn shook himself like a dog awakening sleepily. He looked up. The doctor was staring at him curiously. “A natural blonde,” Stenn said.

“And whistle-bait, I guess,” the doctor said. “One of those leggy, chin-up dollies with an expensive look and a go-to-hell expression. Maybe she likes it better this way.”

Stenn stepped around the cart and picked up the flaccid cool left hand and turned it toward the light. On the third finger was the circular compressed area that a ring would cause, the skin faintly shiny.

He turned to Matchic. “Anybody take her ring?”

“There’s one in the bag.” Matchic used a hushed, reverent tone in the presence of the dead.

“Help me with her, Doc,” Stenn said. “I got to see if there’s any distinguishing marks.” They found a tiny mole at the small of her back, nothing else. As the moments passed Matchic became paler. “Check the legs, Doc, please, and let me know about them. And we’ll need the clothes.”

“The nurse out at the reception desk can fix you up.”

A tiny warning bell rang harshly. The nurses broke off their conversation and began to work briskly. “Better clear out,” the young doctor said! “Another one on the way in.” He walked toward the anteroom sink to wash for the next case.

Outside, in the hall, Stenn paused to light a cigarette. Matchic’s relief was evident. “It makes you think,” he said expansively, “of what a hell of a waste it is. A dish like that.”

“Yeah,” said Stenn coldly. They got the clothes in a neatly tagged bundle.

“Everything here?” Stenn asked the nurse.

“All but the stockings.”

“We’ll phone you if we get a quick identification. Otherwise tell your morgue boy we’ll send for her early tomorrow afternoon.”

The ambulance was growling to a stop as they went up the ramp to the parking area. Kevan was half asleep in the prowl car off to the right. He came to life as they approached. The dusk was beginning to blur the outlines of the trees in the hospital grounds.

Stenn took the pocketbook and copied the names of the witnesses in his notebook. Matchic got behind the wheel and the car went down the drive to pick up the interrupted tour. Stenn stood in the dusk for a few moments. The early evening traffic was thinning. The softness under his chin blurred the line of the solid jaw. His heavy features held the constant expression of stubborn weariness. Pale eyes, as expressionless as a pair of blue dice, were half hooded by the lids.

Morganson of the Courier came out of the hospital. He peered at Stenn in the dusk and then came over. “What’s on the station accident, Paul?” he asked. “In there a reporter gets classed with bacteria.”

“Unidentified blonde of about twenty-four died of shock after both legs were severed when she fell, jumped or was pushed in back of the 5:28.”

“So much I knew. That her stuff?”

“It is.”

“Anything with a twenty-four-year-old blonde in it is news, Paul. Going down now to check the stuff over? Mind if I come along?”

“Dirty scavenger,” Stenn said mildly.

“Bone-head cop,” Morganson retorted. They walked together to the department car and got in.

Stenn pulled the chain on the shaded light over the table. Morganson stood back in the shadows. The stenographer opened his notebook under the glare.

Stenn chanted in a low monotone, “Alligator purse with shoulder strap, not new, apparently hand-sewn, with brass or bronze clip; no label or maker’s designation. Contents: One-half pack of Camels, two partially used packages of book matches, both advertising Harold’s Club in Reno, one small wide-rib Dunhill lighter, one gold bill clip made of a... a Mexican fifty-peso gold piece, forty-two dol-dollars in bills, one round leather coin purse containing fifty-one cents, one coach ticket from here to Dumont, one partially used lipstick labeled Duchay’s Tangent, one dime-store compact with cracked mirror, one plastic red comb, miscellaneous light-colored bobby pins.”

He turned the purse under the light and fingered its depth. “No identification, keys or anything like that.” He looked toward Morganson. “Not much, eh?”

“Enough to know that somebody will claim her, Paul. That money clip is worth the price of admission. Isn’t that a ring there?”

“I was about to cover that. One ring, white gold or platinum, containing one diamond of an estimated one-carat size plus two small green stones, on either side, which could be emeralds.”

He placed the enumerated objects back in the purse, broke the string on the package. “Okay. Clothes. One brassiere, pale yellow and pants, same, both labeled Oxford of San Francisco. One grey flannel suit, hand-made. No label. No apparent cleaner’s marking. Jacket intact. Skirt badly ripped and bloodied. One white nylon blouse. One imitation-jade lapel ornament. Grey snakeskin shoes, size seven quad A, labeled Rodriguez of Mexico, D.F. Left shoe scraped, right shoe intact. Nothing in jacket pockets.”

He looked again over at where Morgan-son stood. “I don’t like it,” he said.

“Why?”

“Nothing to tie to this city. Smells like a transient. If so, identity may be tough. She might have been running from something.”

“She’d have to have a place to live, wouldn’t she?”

“You mean a hotel. How about if her stuff was checked some place? We can’t go pouring over all the stuff in all the check rooms. It might be thirty days before we get a look at unclaimed stuff. You notice anything that maybe I didn’t, Al?”

Morganson stepped into the light. He fingered the purse. “I bought my wife one of those once. It’s Mexican or Guatemalan, but you can’t tell how old. They wear like iron. Catherine still uses hers for best.”

“Tell you what,” Stenn said. “Maybe you save me a little time. I’ll fix it so one of your boys can take a picture. The face is okay. Have one of your staff artists fix it so it doesn’t look dead. You know what I mean. Ask the public who she is. But don’t put it in the works until morning. We got to give the relatives all night before they start checking. And get me a half-dozen of the prints fast so I can put some boys on the hotels. But on this I got a hunch.”

“Care to tell me?”

“I figure it like this. She was a big, strong girl. Maybe five-eight, around one-thirty or a little over. Not the kind to faint. No liquor in her, according to that doc. She’s a good-looking dish. Show me a good-looking woman who messes herself up knocking herself off and I give you a big cigar. The only way I get her under that train is somebody shoving her.”

“I can’t print that!”

“Did I say you should? It’s a hunch, that’s all. You ask me — I tell you.”

Chapter Two

The Lady’s Out for Blood!

It was a fifty-minute run to the commuter community of Dumont. At nine o’clock Stenn folded his newspaper and got off. There was a bean wagon down the street from the small station. He had a cheese sandwich and coffee.

The first witness lived at 81 Clover Road. It was a fifty-cent taxi fare. Stenn carefully wrote the amount plus tip in his notebook. As he walked up to the doorway of the small Georgian red-brick house he saw the man inside glance up from the paper. He was a small, puffy man with the grey, cautious expression that spoke of organic disorder plus a doctor’s warning.

“I’m from the police,” Stenn said at the door. “About that business at the station today.”

“Come on in. I didn’t think you’d be around so fast. Terrible thing. Terrible. I told the policeman that I wasn’t a well man and I shouldn’t be bothered with this thing but somebody else pointed me out as having been standing close to her when she fell and he made me tell my name and everything.”

Stenn sat down in the small living room, put his hat on the floor and took out his notebook. “Just routine questions,” he said.

“Well, make it fast. My wife took the kids to the movies and she gets excited about things like this. I didn’t tell her and I don’t want her finding you here, Officer.”

“Your name is Frank J. Kelleher. I suppose you were on your way home?”

“From Shallon Photo on Broad. I bought a paper outside the station like I always do. I stood on the platform reading and waiting.”

“You saw the deceased?”

“She died? Well, I guess that was best all around. Sure, I saw her. You notice a dish like that, a blondie like that. I saw her from the back and then edged around so I could see the front elevation. She was out of my class so I went back to the paper.”

“How far from you was she?”

“Four feet, maybe five. I think a little to my left.”

“Did you look up when the train backed down to the platform?”

“No. It’s something I see every day. But I heard this scream. Horrible. I’m a man with a terrible heart. They keep warning me all the time and—”

“What did you see?”

“Her falling, naturally. Both arms waving like she wanted to claw her way across the open space. Then all I see is the high heels and legs up in the air and then the train sliding by and I can’t see anything any more. Look, it gives me heart flutters to talk about it.”

“Did you notice anyone else near her?”

“At that hour there’s a jam on that platform. You got to be fast on your feet to get a seat. I can’t run. Lots of times I got to stand up the whole way. There were people all around us.”

“Could somebody have pushed her?”

“Who’d do a terrible thing like that? But I don’t know. Maybe. Right then I was on the comics. I guess I was reading Dagwood when she screamed. Sure she could have been pushed without me seeing it. Anything could have happened. I wouldn’t know.”

“Thanks for your cooperation, Mr. Kelleher. We’ll call on you again if we need anything more.”

“Next time, please, get me at the office. Shallon Photo on Broad.”

“Okay.” Stenn walked to the front door. He turned. “What’d you do after she fell?”

“Me? Nothing. My heart was going fast. The train was open. I got in. It was easy to get a seat. So many people watching everything.”

“You went back to Dagwood, I suppose?” Stenn asked.

Kelleher shrugged. “And why not? It takes my mind off things. The doctors all say that I’m a man whose got to have his mind taken off—”

“Good-night,” Stenn said abruptly.

It was a three-block walk to the next address. The house was a duplex in Spanish-style stucco. 518 Catherina Street. He looked at the name again under the street light. Miss Della Clove. It was a quarter after ten, and the downstairs lights were still on.

He pressed his thumb on the bell for a long time. Seconds after he removed it the door was yanked open and a heavy-set man with a bullfrog face said, “Okay, okay. Push a hole in the door, why don’t you?”

Stenn sighed and flashed the gold and blue badge. “I want to talk to Della Clove. You her father?”

“Step-father,” the man muttered. “Wait here in the hall.”

Stenn leaned against the wall and whistled tonelessly. In the back of the house he heard the man bawling for Della. She came in a few moments, the man following her. “What’s she done?” the man asked, his tone eager.

“She’s just a witness to something. I want to talk to her alone.”

“This is my house and I listen to anything in it I want to,” the man said sullenly.

Stenn looked at the girl. Her heavy black hair was worn in an outmoded pageboy, the front bangs falling to the thick unplucked eyebrows. It gave her young face a pointed, vulpine look. She wore a black sweater and slacks. The sweater was a turtle-neck, and the slacks were closely tailored. Stenn guessed her at about nineteen.

“Go on back to that crummy program you were listening to,” she said in a hoarse gamin’s voice.

“Watch your mouth!” the man bellowed.

The girl shrugged. “Come on, Mr. Police. We’ll go on up to my room if he wants to act that way.”

The man gave them an evil grin. “See if I care how many guys you take up to that room, you tramp.”

The girl was halfway up the steep stairs, looking back over her shoulder.

“We’ll talk right here,” Stenn said. She paused, turned, started back down. Stenn turned to the man. “Go on into the back of the house and shut any doors you come to. Give me an argument and I’ll have you booked on the first thing I can think up and we both know it won’t be the first time.”

The man licked his lips. He tried to smile confidently. He turned and left the hallway.

“All talk, he is,” Della Clove said. She sat on the second stair from the bottom, her fingers locked around one knee. “I suppose this is about that girl and the train today. Is she dead?”

“She is.”

“I thought she would be, with both legs gone that way. I’m going to have nightmares tonight, believe me.”

“You went around and took a look at her?”

“Sure. I never saw anything like that before. Raoul says we must seek all experience.”

“Who is Raoul?”

“My director. We’re in rehearsal right now. The Theater of the Dance.”

“Huh?”

“Oh, you haven’t heard of it yet, but you will. It’s all volunteer work. We give plays in pure pantomine. We dance out the parts. It’s a new art form.”

“Then you were coming back from rehearsal?”

“We worked all afternoon. I was exhausted.”

“Did you notice that girl before she took the dive?”

“Yes. I always study everyone around me. Raoul says that observation is something a true actress must have. I always select the most attractive person nearby and study them. But blondes often look just a little anemic, don’t you think? She was nervous. Very nervous. She kept fiddling with the strap on that alligator shoulder bag. She kept looking down the track and tapping her foot.”

“Then you were looking when she jumped?”

“I had learned everything I could from her. I had turned around to find someone else to study when she screamed. I turned in time to see her fall. I made a grab for her... like this.” The girl made an exaggerated reaching motion, then shrank back as though in an extremity of fear. She sank to the step, fingering her dark hair back off the pale forehead. “Just like that.”

“Maybe you should have grabbed a little quicker. Where was she in relation to you, Della?”

“Three or four feet in front of me and a little to my right.”

“Was there a little fat man standing beside you?”

She frowned. “The world is full of little fat men. I wouldn’t know.”

“In your opinion, could she have been pushed?”

“I really don’t know. It’s possible, of course. The normal thing to do when a train backs in like that is to look at it. I suppose it would be a perfect time to push anyone.”

“You’ve got a point there.”

“And there was quite a crowd, you know. I often stay in until later to avoid that very thing.”

“You do this dancing or acting or whatever it is for free, eh?”

“Is that any of your business?”

“You mentioned it, Della. I was just wondering how you lived.”

She lifted her chin. “If it is of interest to you, I have my own money, from my father, my real father. I have to live with my mother until I am twenty-one. I’ll be twenty-one in two more months. And then, believe me, I’ll never look at this crummy town again. In the meanwhile I have a small income from the lawyers.”

She came up onto her feet with a dancer’s grace. Her eyes were snapping black under the heavy eyebrows. It was a dancer’s body, long-waisted, flat across the belly, with a thigh-muscle swell under the tailored slacks.

“Is that all you have to know?” she asked loftily.

“For now.”

“Could you make an appointment the next time?”

“I could, but I don’t think I will. That is, if there is a next time.”

He smiled as he walked away from the house. That one was a handful, for anybody. He phoned a cab from a drugstore that was just closing, rode back to the station and read a magazine until his train came through at a quarter after eleven.

Three days later, at the request of white-haired, lean Lieutenant Sharahan, Sergeant Paul Stenn reported to him.

“How about this Jane Doe?” Sharahan asked in his mild voice. “You got anything on her yet?”

“Nothing. No tumble to the picture in the paper. No answers on the tape. Drew a blank in the San Francisco underwear shop. No dry-cleaning marks. Nothing at the hotels. I coordinated with Missing Persons and they’ve sent about fifteen people over to take a look at her. No dice. I sent her prints to Central Bureau Files. Got the answer this morning. Nothing on her. The dental work is pretty average. She had good teeth. Three small fillings. Not enough to go on.”

“A big bundle of nothing,” Sharahan breathed softly.

“I checked on the ways she could have come into town. I took the picture around. The desk guy at Intercity thought maybe. He dug out the manifest and the only one we couldn’t check off was a Miss Betty Brown of Seattle. She got on the flight at Chicago. Could be, and then again maybe not. The Seattle report ought to be here day after tomorrow. That smells to me as though it would fade out on us. They give those Reno matches away all over the country. All we know is she probably was in San Francisco some time within the past year and that she definitely was in Mexico. Her suit was made there, the experts say, and she had to be there for the fittings. It looks to me like she was traveling without identification for a purpose.”

“How do you mean? Because she was going to knock herself off?”

“It doesn’t smell that way. More like it wasn’t healthy for her to spread the right dope around. I’ve got a hunch she might have been wanted. But only a hunch.”

Sharahan sighed again. “Okay. Drop it. No sense wasting any more time on it.”

Stenn cleared his throat. “If it’s okay with you, Wally, I’d just as soon work on it a little longer.”

“Why?” For the first time Sharahan’s voice was sharp.

“Call it a hunch. Call it anything. Give me a couple more days. I’ll work it in between the regular stuff.”

“Suit yourself,” the lieutenant said. “Suit yourself, Paul.”

That night Stenn went to a movie. The images raced across the surface of his eyes, leaving no impression on the brain. He sat utterly still in the seat and, starting from the beginning, he went over every detail of the case, the inventory, the way the dead girl had looked, the faint crispness of the blonde hair under his fingers. There was only one vague area in the entire case.

From the lobby he phoned headquarters and asked to have Kevan and Matchic pick him up in front. Within two minutes they cut out of traffic and pulled up beside the curb.

“Just keep cruising, Matchic,” Stenn said as he climbed into the back. “I got a couple of questions. About the blonde at the station three-four days ago.”

Kevan laughed. “The day Matchic was grass colored, eh?”

“Shut up,” Matchic growled.

“I want to know about those two witnesses. The little fat guy give you trouble?”

“Sure,” Kevan said. “He didn’t want any part of it. He was groaning about his bad heart. Somebody pointed him out sitting in the train reading his paper like nothing had happened. He tried to say he wasn’t anywhere near the girl when she went over the edge. But two people saw him there and told me and I pressured the name and address out of him, then checked it against his papers.”

“How about the Clove girl?”

“That was something else again. She insisted on being a witness. I thought she was a phony like a lot of that kind are. But we checked and found she was really right near the blonde.”

“Notice anything else about her?”

“Outside of acting a little goofy, no.”

“Goofy in what way besides wanting her name taken down?”

“Well, while the doc was under the train putting the tourniquets on the blonde, the Clove gal was on her hands and knees right beside me. I expected her to faint because it wasn’t very pretty under there. I looked over at her and she looked like somebody watching the waiter bring a steak dinner. When a female is bloodthirsty she gets under my skin. I had to shove her away.”

“Thanks. You can drop me off on the next corner. See you around.”

Chapter Three

Money Makes Murder

It took Stenn until eleven o’clock to locate the Theater of the Dance. He had thought that he could locate any organization in the city in half that time. It was at the end of a narrow alley that turned off Proctor Street in the oldest part of the city. Stenn vaguely remembered that the building, set squarely across the end of the alley, had at one time figured as a warehouse for a certain bootlegging combine. Proctor Street near the alley mouth was a place of horse rooms, dusty candy stores and several dance studies and Turkish bath outfits.

The place was dark. There was a heavy wire grill across the top half of the sturdy door. Stenn turned his pencil flash through the dusty glass, saw a table littered with papers, the end of a cot. He tried the door. It was locked. He took the folded newspaper out of his pocket, spread it on the ground, sat on it and began to wait with all the stubborn, endless, frightening patience at his command.

It was close to one o’clock when two couples came down the alley past the trash cans. They were talking loudly, laughing, silhouetted against the lights of Proctor Street.

Stenn silenced them by rising to his feet as they approached.

“Sleep it off some place else,” a man said. They stood, wary, staring at him.

Stenn flicked on his light, swept it across their faces, holding it for a fraction of a second on each one. Two girls, both blonde, both very young but with the threat of future hardness in their faces. One vast blonde young man with bovine good looks and a pink buttonhole mouth. One dark man, a bit older, his face alert and vital.

“What do you want?” the dark one said as the light touched his face.

“I’m looking for Della Clove.”

“Why?”

He held the badge briefly in the white glare of the light. “That’s why.”

“You won’t find her here. She lives outside the city,” one of the girls said. “Which might be considered a very good thing.” She laughed, too loudly.

“Shut your face,” the dark man said. Stenn detected a faint accent.

“Are you Raoul?” Stenn asked.

“Yes. I have no business with you.”

“I can decide that, one way or another. Open up. We’ll go inside.”

“You have a warrant, Officer?”

“No. It’s your choice. Talk here or talk in my office.”

“What’s the charge?”

Stenn turned the light again on the younger of the two girls. “How old are you, honey?”

“Twenty-one,” she said, with a knowing curl to her lip.

“And I think I could prove sixteen. That would make it a morals charge, Raoul. Now will you play?”

The laughter had gone out of them. Raoul pushed by Stenn and opened the door with a key. He reached inside and clicked on the light. It was an unshaded bulb that hung between cot and table. There were two dirty paper plates on the floor, a container that had evidently held coffee.

Raoul said, his tone determinedly gay, “Sorry the place is in such a mess, Officer. We weren’t expecting distinguished company. This is the old watchman’s room. Now it’s my bedroom. When we open up it will become the ticket office. Here, I’ll show you the rest of the layout.” He walked through the far door and clicked a switch. A dim light disclosed a large room with a stage at the far end. Wooden chairs had been lined up to give it the look of a theater.

“My name,” he said, “is Raoul Palma. This is a school of the drama. I am licensed to teach here. I have been in this city for a year. My three friends are members of the cast in a play that is now in rehearsal. We have worked this evening. We went out to eat. We have returned to work again. Are there any more questions?”

Stenn turned and looked at the other three. The big man’s face wore a permanent simper. The two girls gave him stony looks. “Go on in and work then, while I talk with Palma.”

They filed by him. Palma sat on the cot. Stenn pulled the connecting door shut. He looked long and hard at Palma. The man’s face was intelligent, sensitive. His fingers were long and delicate, but he appeared to be well muscled.

“Something about this layout smells,” Stenn said.

“Is art criticism your strong point, old man?”

The tone was as cool and insolent as any Stenn had ever heard. He tightened his right fist a bit. “How many people will be in your play? What will it be called?”

“The three in there, Della Clove and myself. A cast of five. It will be called ‘Etude in Three Acts.’ It depicts decadence. We will be ready to put it on two months from now. I call the medium we are using interpretive ballet. I have a one-year lease on this building. The Theater of the Dance is organized as a charitable and educational institution.”

“Do you have a job?”

“This,” said Palma, with an inclusive sweep of his hand, “is my career.”

“What do you live on?”

Palma’s eyes were touched with arrogance. “Miss Clove, out of the goodness of her heart, feels that this venture is worth supporting. With the help of that portion of her small income which she donates, we manage to get along. Not luxuriously, as you can see, but adequately.”

“Put it another way, Palma. Call it a form of extortion.”

“Hardly that. Miss Clove and I are to be married once the play starts. We plan on a long, successful run.”

“Does she know that?”

“Of course. Now is there anything else?”

“I’ll be back to see her. She’ll be here tomorrow afternoon?”

Raoul Palma held the door open. He bowed with irony. “So nice you called, sir. I’ll tell Della she had a visitor.”

Stenn frowned his way down the alley and out onto the Proctor Street sidewalk. Raoul Palma had handled him neatly, competently. Almost too well. It spoke of past contact with law. Raoul was a man practising a form of dishonesty that was neatly within the letter of the law and he knew it. Stenn guessed his age at about forty, a very compact, capable forty.

He found Al Morganson getting ready to leave the news room. They went together to Al’s favorite bar, the Rip Tide, which belied its bold name by being small, dim, dusty. There were only forty-five minutes left until closing. Morganson was one of those rare men so colorless that he seemed to have no specific contour of face or body. To a very few people in the world Al Morganson betrayed his capacity for affection. Paul Stenn was one of these. To all the rest of humanity Morganson was as coldly emotionless, as calculatingly exact, as a key-punch machine.

But each man had found within the other a streak of vulnerable warmth as carefully and successfully concealed as a picture of Trotsky in Moscow.

They stood at the comer of the bar. “This,” said Stenn, “is still the Jane Doe and now I am going around in more circles than I ever see before.”

“It’s a dance that cops do. A mating rite, I’m told.”

“When we’re stuck we come running to the fourth estate.”

“You touch me.”

“Because anybody sifting dirt long enough has a criminal-type mind.”

“I take it back.”

“What does the name Clove mean to you? With a dollar sign in front of it.”

“Clove, Clove. Not hard, that question. Once upon a time that was a big name in this town. I guess right after the Civil War they owned most of the town. The last of the line was somewhat of a bum and by then the family fortunes had sagged more than somewhat. Roger Clove. At the age of forty or thereabouts he married a tramp of some kind. That was maybe twenty years ago or a little more. They had some public battles and separated. Roger drove his Pierce Arrow into a bridge abutment. There was a kid and it was a big story for a time because the wife got nothing and the kid got the works. Not right then, but when it got to be twenty-one. There was some sort of a maintenance income for the years in between. Say, you might have a yarn there, Paul! The kid ought to be taking that dough out of the deep freeze pretty soon. It’s just about time, I’d guess.”

“Very much dough?”

“Unless I’m very wrong it was a half-million bucks in the beginning, and it maybe has earned a little increment. Now tell me how this works into the severed blonde.”

“Because one of the two witnesses turns out to be one Della Clove. Maybe it is just coincidence. I worry about coincidences. All but one person out of a thousand is a plain ordinary joker like you can read his life history across the front of his vest. Then when you find some kind of an angle fastened loose like onto another case, more often than somewhat there is a connection. Nine times in my mind I am about to put my nose to the ground in another direction but there is one little fact I can’t swallow.”

“Like what?”

“Like two coincidences in a row. It seems that Miss Clove is playing a sucker-type pattycake with a very smooth citizen who could very possibly be from Mexico.”

“Can you turn loose on him?”

“Not without maybe looking very silly. I think you ought to whip up a feature on an enterprise called the Theater of the Dance. You could interview the female lead, who is the same Miss Clove. The establishment can be located at the end of Kimball Alley off Proctor.”

“What will you be doing?”

“I shall be bending the ear of the law firm which is supposed to be looking out for Miss Clove’s interests.”

Stenn spent an hour over reports and picked up two routine assignments off the board. They filled the rest of the morning, resulting in one arrest, one positive identification from the gallery. He had fried fish for lunch and went back to Kimball Alley with the meal a solid lump in his middle, adding to his irritability.

The day cleared off as he reached the converted warehouse. The door was unlocked. He pushed it open, walked between the cot and the table to the second doorway. Shafts of dusty sunlight came through the high barred windows and patterned the floor. Raoul, in black tights and a sweat shirt, sat on his heels at the edge of the stage directing Della.

“Try it again,” he said. “Right toward me. And express, darling. Express! Every line of your body must mean something.”

Stenn stuck an unlit cigarette in the corner of his mouth and looked moodily on as Della Clove, her hands over her head, fingertips touching, head back, chest arched, came slinking diagonally across to Palma in a bent-kneed stride. Stenn decided that it could be good or bad. To him it merely looked inexpressibly comic.

As she struck her pose close to Palma, Stenn lit a kitchen match on his thumbnail. The cracking sound in the silence swiveled their heads toward him. Palma dropped lightly down to the floor and came across toward him.

“Ah, the persistent policeman! We’ll take a break, Della, darling.”

Della remained on the stage, her arms folded, her face scowling. “You broke the mood, you crummy cop,” she said loudly. The voice had a harsh urchin quality.

Stenn ignored Palma and strolled over and stopped ten feet from the stage looking up at Della. “So it was a mood,” he said. “I’m glad to know that. To me it looked like a lot of no-talent being taught how to look funny by a guy who doesn’t know anything about it either.”

She turned red and then white. “What would you know about anything?”

“I know you’re the corniest looking female ham I’ve seen since they closed the Lido Burlesque. They had a dame there did pratt-falls. At least you were supposed to laugh.”

“That’s quite enough,” Palma said sharply.

Stenn turned and looked at him with a mild stare. “What’s the matter? Scared I’ll wise her up? Scared she’ll find out you’re a phony?”

“He’s not a phony!” Della yelled. “You lunk cop, Mr. Palma was a director of the Mexican Ballet.”

“Shut up!” Raoul said, too late.

The girl ignored him. “Raoul’s got more talent in his little finger than you’ve ever had in your whole family.”

Stenn shoved his hands into his hip pockets, bunching up his coat. “Sure he’s got talent. I’ll admit that. That teen-age blonde he was leading in here last night at one o’clock proves that.”

Della’s mouth sagged open. She snapped it shut and turned on Raoul. “Is that true?”

“I wasn’t happy about the way Tommy, Berta and Lorraine handled their parts yesterday, darling. I found them and brought them back to run through it again. Don’t let this man distress you.”

“I’m sorry, darling.”

“He’s got a handy way of lying about women,” Stenn said casually. “Look at that fat line he fed you about the blonde.”

Della’s folded arms tightened across her breasts. Stenn felt the tension in her. Palma said smoothly, “My dear fellow, I’ve just explained that it was a late rehearsal.”

Stenn stared at him with hooded eyes. “You’re smooth, fella. You’re a treat to a tired cop. I’ll give you that. But she’s already showed you she’s a weak link. I would think you might worry about that. I would think it might interfere with your sleep.” He gave Palma no chance to answer. He walked stolidly across to the doorway and left.

The firm was Kalder, Harness and Slade. Stenn worked his way through the phalanx of secretaries until he reached Mr. Marion Harness. Harness sat behind a green-steel desk with an inlaid-linoleum top. The backs of his hands and the skin under his eyes and chin were over fifty. But Mr. Harness wore an expensive wavy brown wig, a dentist’s carefully uneven work of art, the sheen of contact lenses, padded shoulders and, Stenn was certain, an adequate girdle. He was fifty-five trying desperately to look forty, succeeding in looking like a sixty-three trying to look fifty. The tip of his tongue ran slowly back and forth along the thin red underlip.

“I do not feel that we can give out that information.”

Stenn shifted his bulk in the chair. “I do not care how you feel or how you don’t feel. I do not care who your friends are or how high up they may be.”

“There’s no need to be insolent.”

“I am not going to move out of this chair, friend, until I get the answers to my questions. Six days ago I got my teeth in a case. Maybe it’s a murder case. I don’t know yet. While unraveling I come across a deal where a client of yours is heading for a lot of trouble. You help me and maybe I can stop it. You sit there and sneer at me and I’ll sure as hell let it be known that I was blocked out of the play right here in your office. It will be my pleasure to nail you to your own wall.”

Harness looked over Stenn’s head at the far wall for ten seconds. He flicked the switch on the desk box and said, “Miss Trent, please bring in the Clove file.”

Within twenty seconds a tall girl loped in with the file and placed it on the desk. She shut the door soundlessly as she left.

“In eight weeks and two days we shall turn over to Miss Clove securities which, based on average market values for the past quarter, have a value of two hundred and twenty-one thousand, four hundred and three dollars. In addition there are government bonds in the amount of one hundred and twenty-five thousand dollars, cash in the account totaling eighty-one thousand, seven hundred and fourteen dollars and seventy cents, and rental property estimated at a flat two hundred thousand dollars. In accordance with the terms of the will we paid out two hundred dollars a month to Mrs. Clove, now Mrs. Ferris, until the child was fifteen and since that time we have been paying three hundred dollars a month directly to Miss Clove. At the end of eight weeks and two days we shall turn over the entire estate of six hundred and twenty-eight thousand, one hundred and seventeen dollars and seventy cents, plus any accrued interest and income, to Miss Clove. There are no ‘strings attached’ as you put it. We hope that Miss Clove will continue to permit us to protect her interests, but that is a decision which she must make. We could keep the principal amount intact and pay her an income, before taxes, of roughly twenty-five thousand a year.”

“Suppose something happens to her before she inherits?”

“Then we are directed to turn the entire estate over to the Salvation Army. As a legal point, should she die the day after inheriting, the money would, of course, go to her heirs.”

“Does Miss Clove know the size of the estate?”

“At her request, for the past six years we have sent a quarterly statement.”

“Has she made any attempt to borrow against her expectations?”

“If she has, we have not learned of it.”

“Thanks.”

“Please don’t mention it.”

Chapter Four

Dance Macabre

The wire was on Stenn’s desk when he returned. He read it carefully.

Señor Stenn: Photograph resembles one Fernando Barredo y Fourzan of good family. Imprisoned at Monterrey one year 1938-39 blackmail of Norteamericano tourist. No permission to leave Mexico on file. Suggest deportation. Unable identify woman.

Then followed the print classification, repeated twice for accuracy’s sake.

He took the candid shot of Palma out of his desk drawer. He had been caught in bright sunlight as he emerged from the alley. Mexico City’s reply had been prompt.

He sat and thought for a long time. He went to the communications room and explained, very carefully, what he wanted done.

Then he went out and picked up Palma. The man was casual, smiling. He sat at his ease in the back seat of the car, as placid as someone humoring a whim.

Stenn said nothing. The immigration man was waiting at headquarters. Stenn took over one of the small rooms off the rear corridor. He sat behind the desk.

“Your name,” said Stenn, “and I probably can’t pronounce it, is Fernando Barredo y Fourzan. And I think you’re up for deportation.”

Palma smiled, unruffled. “You did quite well on the name. Quite well. It used to be my name, as a matter of fact. If you’ve checked that far you probably know that once upon a time I was in a Mexican prison. Purely a misunderstanding, I assure you.”

“You left Mexico without permission.”

“Did I, now! Unfortunate, wasn’t it?”

Stenn sighed. “All right. All right. What have you got up your sleeve?”

“This,” Palma said. He reached into his inside jacket pocket, took out a small grey folder and flipped it over to the immigration official.

The man leafed through it carefully. He handed it back to Palma. “I can check, of course, but it looks all right to me. Born in Mexico. Acquired Argentine citizenship in 1943. The visa is in order and he’s got another seven months here, provided he doesn’t get a renewal at the end of that time. We could probably block a renewal on the basis of undesirability if we can prove the Mexican prison term, but it would be a little delicate to cancel the present permit.”

“All you had to do,” Palma said to Stenn, “was ask me. I could have told you all this. Now, if you’re quite through...” He stood up.

“Sit down,” Stenn rumbled.

Palma shrugged and sank back into the chair.

The immigration man said that he didn’t see what more he could add. Stenn agreed and the immigration man left, leaving Stenn and Palma alone in the room.

Stenn looked into the man’s dark, alert eyes, smarting at the half-veiled amusement he saw there.

“You’re slick, like butter,” Stenn said.

“Thank you. Muchissimas gracias, my official friend.”

“Sit right where you are for a few minutes,” Stenn said. He left the small room, went up to the second floor and found Lieutenant Sharahan at his desk.

In a flat tone Stenn reported what had happened, what he wished to do. Sharahan stared at him. “Since when are we running this place with crystal balls and tea leaves, Paul?”

“I got to make it fit.”

“Like trying to put the kid’s bike in the Christmas stocking. You got a line on this by digging on the other case. It isn’t connected, you know.”

“The girl insisted on being a witness, Wally. Girls like that are maybe part psycho. They want to live fast. They want to see, taste, feel everything. That Palma, now. She’s got the bait, hook, line, sinker, pole, reel and his arm up to the elbow.”

“No,” Sharahan said very gently. “No, Paul. You got to do better. Let him go. If he’s as slick as you say, he’s slick enough to make trouble. We can’t hold him three minutes if he wants to complain to his legation. He’s a foreign national.”

“You know what happens if she’s as tough as I think?”

“I can guess.”

“She gets that dough and she converts it into cash, all of it. They get married and they go to Argentina. I’ve got a hunch that down there everything belongs to the husband. She can have an accident down there. It’s a big con, plain and simple.”

“That’s too bad. You were working on a Jane Doe. You’re not campaigning against matrimony. Not on department time.”

“Were working? Is the Jane Doe case closed?”

“Closed.”

“I’m sick, Wally. I think I got to have a couple days off. Maybe it’s flu.”

Sharahan waved a limp hand. “Okay. Get out of here. Be a damn fool. It’ll get you nowhere.”

Stenn told Palma he could leave and Palma left with a smirk.

Morganson hitched his belly closer to the bar of the Rip Tide. “Don’t get sore, Paul,” he said. “Don’t get sore. Just tell me. How much of it goes with the Jane Doe having blonde hair?”

“You’re making me sore.”

“Take it easy. Call me a student of human nature. Ten years we know each other. Every time there’s a blonde body, a dead blonde body, you knock yourself out. Maybe you lose what the smart boys call a sense of perspective. Objectivity. Sure, I looked over the Theater of the Dance. Palma had to play up to me because the Clove girl was there and he had to make it look good. He knew who sent me. The Clove girl was all dithery about it. She gushed. Palma gushed. I took notes. The hell with it. They’ll never put anything on. The whole layout is phony. But how can you paste it to the Jane Doe? Don’t answer that question. I just want you thinking straight.”

“I’ll ask you a question,” Stenn said. “How many people that get better than a half-million worth of pie out of the sky go around thinking they’re God? Add a busted home on top of that. Add a lot of play-acting. Add gullibility. I’ll play out the hand and what can I lose but a couple days’ pay?”

Morganson sighed. “Okay. What do I do?”

“You got to get that Palma out of my hair. I want the girl alone in that warehouse this afternoon. I got to get there first and get in and get his stuff out of sight. This has got to look real good.”

“How do I do that?”

“You’re a big boy now. How the hell do I know how you do it?”

Morganson snapped his fingers. “I’m the eager reporter. I went and got hold of that will. I found a clause in it where she can’t marry until she’s twenty-five. I’ve got a friend who’ll play along. A kid lawyer. Maybe I can take Palma to his office. How long do you need?”

“She comes in to rehearse at two. It’s eleven now. You get Palma when he goes after food. Say about one. I’ll hang around until you get him away from there. I can get in all right. I’ll be there when the girl arrives.”

Stenn sat with one haunch on the corner of the table, the big shoe swinging slowly, his hat shoved off his forehead, the pale eyes hooded. The cigarette in the corner of his mouth sent a tendril of smoke upward along the heavy cheek, curling around the hat brim. He had tossed Palma’s personal things in a suitcase and shoved it under the cot. The grey sheet hung down far enough to conceal it.

Through the dusty glass and wire grill he saw Della Clove come down the alley with cat-tread, sunglint on the heavy black hair, the red slash of lips.

She pushed the door open and the smile faded. “What do you want? Where’s Raoul?”

“You won’t see him any more, honey. He outsmarted us. He jumped just before we grabbed him.”

She put her hands on her hips, spread-legged in fishwife pose, the pointed chin thrust toward him. “Just what the hell is this all about?”

He kicked the cane-bottomed chair toward her. “Sit down. That will keep you from falling down.”

Fear flickered for a moment in her eyes. She sat down. He regarded her somberly. He said, “Kid, you can get tied up with some real rough people when you don’t watch yourself.”

“I don’t need a guardian.”

“I could give you an argument on that. Look. See this? A picture of Palma. We got it as he was coming out of the alley. See this? A picture of the dead blonde, retouched a little. We sent those two pictures by airmail to Mexico City. We got an answer.”

“I don’t have to read it. Raoul told me about the trouble he had in Mexico.”

“Maybe you ought to read it. Maybe there’s something in it you don’t know.”

They had fixed up the wire in accord with Stenn’s detailed request. It was a nice job. Official looking.

Señor Stenn: Photographs are of Fernando Barredo y Fourzan and female accomplice who practised extortion here. Method of operation, girl would locate wealthy woman, Barredo would contact, marry and later desert after acquiring wife’s money. Pair fled country in anticipation of arrest. Request deportation proceedings against Fourzan. Girl believed U.S. citizen but known to be Barredo’s wife.

The yellow sheet slipped out of the girl’s fingers, swooped toward Stenn’s heavy shoe, fluttered to the floor. He grunted as he bent over and picked it up.

Though the girl’s voice was barely audible, it had the quality of a scream. “No,” she said. “No! It’s all a lie!”

“Sure,” Stenn said. “Talk yourself into believing that, the same way you talked yourself into the cock-and-bull story Palma gave you.”

She looked through Stenn and beyond him. “But I... she came here and said horrible things. She was on her way out to talk to my mother. He told me how for years she had made his life...”

She turned suddenly as Palma came through the doorway. He looked sharply at Della and then at Stenn. He was breathing hard. “I thought so!” he said. “Your friends were a little clumsy. They contradicted each other. They were too anxious to have me stay with them.” He put his hand on Della’s shoulder. “Are you all right, my darling?”

Stenn saw her shudder and then smile up into his face. “Of course.”

“This police person is a fool, you know.” Palma spoke intently, looking into her eyes. “A complete fool.”

“Of course,” she whispered, still smiling.

Stenn put the pictures and the wire in his pocket. He looked at the girl with sadness. She continued to look into Palma’s eyes.

Stenn saw that Palma sensed that the girl had slipped, that some information had been given. There was deep tension in Palma. He looked quickly at Stenn, apparently reassured by placidity. The cord of his throat relaxed.

He patted Della’s shoulder lightly. “Come on, darling. Time for rehearsal. You’d better change.”

Della meekly left the room.

Palma said, “Possibly I underestimated you, my friend. It won’t happen again.”

“It could have worked.”

“What could have worked? I don’t know what you’re talking about.”

“I’m talking about using a half-wild impressionable kid like that to do your own dirty work, Palma. You didn’t have the guts to handle the blonde yourself It was easier to play on the girl, wasn’t it?”

Palma peered at him. “My dear man, have you been attending the cinema too often? Or is it those comic books you read?”

“Sooner or later,” Stenn said. “Your time will come.”

“I’m afraid not,” Palma said. “Now you may watch us rehearse, if you care to. Where did you put my things? Oh, under the bed. Of course.”

Stenn sat on the table. Palma took off his jacket shirt and undershirt. His shoulders and chest were well muscled. He pulled on a sweat shirt, smiled mockingly at Stenn and said, as he walked toward the inner doorway, “Art cannot wait, you know. The show must go on.”

Stenn said a short incisive word. Palma grinned over his shoulder.

Stenn went to the doorway. The girl, in rehearsal clothes, stood on the stage. She had changed, apparently, behind the makeshift curtain that served as a backdrop.

Seventeen years of police work had sensitized small alarm circuits in the back of Stenn’s mind. He did not understand how they operated, but he knew that usually it was the result of something seen with the eye but not recorded by the brain. His eyes flicked across the room, across the litter and the dust. A half bottle of milk, caked and curdled, stood by the door. He stood up and felt the tension in his shoulders. Morganson pushed the outer door open and came in. He was flushed.

“I didn’t do so good, Paul.”

“Neither did I. Anyway, it was a try.”

Morganson looked around with distaste. “The happy little pigpen.”

Stenn followed his glance, saw the chipped plate half under the cot. The alarm circuits quickened. He stared at the plate. A tarnished knife lay across it.

Alarm can come from something that is visible, or something that was once visible and suddenly, for no reason, has disappeared.

He grunted, low in his throat. He turned and strode toward the inner doorway, Morganson at his heels. They went through into the big room where the folding chairs sat in orderly ranks staring mindlessly at the stage.

Palma said, “Now, you remember this one, darling. I am upstage, here. Half turned. I am looked across at Berta. She represents hidden desire. She will be over there, facing me. You are jealous. Now circle me slowly and keep the count in your mind. Crouch low and keep looking up at my face. Your hands must express tension and anger.”

Morganson said, “Do you really want to watch this glop?”

“Shut up!”

“Now look, Paul, just because—”

“Damn you, watch them!” he grated.

Something in his voice froze Morganson. They stood side by side. The years of conditioning kept Stenn on the verge of running forward, crying out. But something far stronger kept him there. Sun dappled the dusty floor. The distant traffic was more vibration than sound. Somewhere a radio played loudly.

Palma stood looking across the stage. Della circled him, crouched as he had directed. She circled him twice as he stood motionless. Then she straightened up in front of him. There was one flickering glint of metal as she drove the tines of the corroded fork with all her strength into the base of his throat. Morganson made a thin, whimpering sound. As Palma tottered she ripped the fork free and, with a hard mad cry, drove it home again, releasing the handle this time to fall to her knees.

Palma’s lips worked with an amazing rapidity, flapping together soundlessly like a ventriloquist’s puppet. Stenn ran to him, leaping with an extraordinary agility for so heavy a man, up onto the stage. Palma’s expression was intent. He grasped the handle of the fork and, just as Stenn reached him, he pulled it free. After that there was nothing that could be done for him. He died quickly but nastily, drowning while he fought for air that he could not suck into his lungs.

It was dusk and Stenn was sitting on a bench in the unlighted squad room in his undershirt when Morganson came in.

“What was Wally’s reaction?” Al asked.

“He’s still upset because we still got a Jane Doe. But now we’ll unravel her by backtracking on Palma.”

“How about the girl?”

“The two state psychiatrists have been working over her. Already some crackpots who read the papers have phoned in wanting to marry her. She gives the story that the blonde showed up and she had been tracking this Palma for a long time. Palma told the girl, the Clove girl, that the blonde was insanely possessive and now she’d never let him go. The blonde had the name of the Clove girl’s mother. I guess she was going to get the Clove girl off Palma’s neck by telling the mother how this Palma was already married, or a crook, or something like that. The Clove girl waited until the little fat guy stopped gawping at the blonde and she timed it right and shoved the blonde in the small of the back as the train came in. A crazy thing to do, all right, and she said she did it because Palma explained how a great artist must experience everything in order to be fulfilled. Something like that. My guess is that Palma and the blonde were in on some deal and they separated and he ran out with the stake. Maybe we’ll find out. Even if we could prove it all, we’d never been able to touch him. He could always claim it was just a discussion he had with the Clove girl and she took it wrong. The trouble was he talked too good. The Clove girl wasn’t satisfied with doing the pushing. She had to ring herself in as a witness too. She’s nuts, I think, and I think the state guys will come to the same answer.”

The room darkened some more. Stenn clicked on the light, squinting against it, yawning. “I’m beat,” he said.

“A bone-headed cop with a soft spot for blondes,” Morganson said.

“I’m not too proud to eat with a vulture of the press,” Stenn said.

“Get your clothes on.”

Stenn frowned and spoke absently, “For sure he would have knocked off that Clove girl sooner Or later.”

“Probably,” Morganson said gently, sensing the concealed bitterness of self-accusation, feeling glad that their jobs were not reversed, knowing that now Paul was seeing the girl as an animal rigged around with traps he had set. “Probably,” he repeated.